Archive for Twin Peaks: Fire Walk With me

Twin Peaks Precap

Posted in FILM, Television with tags , , , , , , , , , , , , on July 29, 2017 by dcairns

I’ve been enjoying all the Twin Peaks recaps, including my friend Keith Uhlich’s on The Notebook. And listening religiously to Diane, for my money THE podcast on the subject.

Obviously it’s too late for me to start recapping TP now, but it can’t surely be too late to recap episode 12, since it hasn’t aired yet. These are my predictions for what’s going to happen — a kind of precap, if you will. Obviously we have to wait until Sunday to see if I’m right but I am confident that I will be VINDICATED in every detail. So there are spoilers ahead. I won’t change anything after the episode airs so you’ll be able to see how devastatingly accurate I am.

You’ll maybe have noticed that while each episode features numerous hanging threads, usually these are not picked up in the following episode. You have to wait until the episode after, or maybe several episodes after. Matthew Lillard made an astonishing impression in the role of Earthworm Jim Principal Hastings but then disappeared for over a month.

In episode 8 we saw the ????? Giant use something which Fiona christened the Fallopian Tuba to blast a glowing orb full of Laura Palmer at the old BBC globe of the world ident. Well, we haven’t seen him and his girlfriend and the tuba for about a month, so I think they’ll be back. I expect we’ll see him blast a few follow-up orbs at us, perhaps containing the effulgent faces of Dick Tremayne, Dwayne Mibbler and that guy with the plaster-of-paris nose mask.

Tim Roth and Jennifer Jason Leigh are going to do some terrible things to Warden Murphy. There was apparently a lot of really bad stuff in WILD AT HEART concerning Harry Dean Stanton’s demise at the hands of a duo of hitpersons, and it got cut out. I think Lynch has been saving it up.

Gordon and Albert and Tammy and Diane won’t get to the other coordinates yet. But Gordon deliberately let Diane memorise the figures so she can tell Dirty Cooper, because they want him there so they can catch him.

When they do go there, maybe in episode 13 or 14, it will all link up with Jack Rabbit’s Palace and they’ll see Truman, Hawk and Bobby in Twin Peaks. They might also see the Major’s head float past. I don’t know what he’s going to say this time but it’ll be pretty deep. Also, Jerry Horne, stoned out of his mind and lost in the woods, will blunder in at an inopportune moment. Maybe he’ll fall in the pit they’ve dug for Dirty Cooper. But that’s in the future. That won’t happen this week.

Benjamin Horne announced his intention of taking his new secretary Beverly to dinner, but we didn’t see it. It’ll happen this week, with no explanation for the delay. My theory which I really think is true is that the reason he couldn’t kiss her before — she thinks it’s because he’s a good man, but we know that isn’t true — is that she’s actually his daughter. Old Ben sure sowed a few wild oats in his time. Ashley Judd is an oat who has come home to roost. Remember in series 1 he nearly had sex with Audrey.

The humming sound that’s been bugging them is Joan Chen in a doorknob, but she won’t come out yet. They have to save something for season 4.

Frustratingly, after the Buckhorn police found Dougie’s wedding ring inside a corpse, nobody has tried to trace a couple called Dougie and Janey-E. Probably because it hasn’t occurred to them that Janey-E could be someone’s actual name. If they checked, I bet there’s only one couple in the whole of America with those names. But they haven’t checked, so they’re not going to. So I’m not sure what purpose the wedding ring serves or why Dirty Cooper presumably left it there. Or when he got it from the original Dougie. Presumably at the time he replaced it with the “sacrificial ring” from FIRE WALK WITH ME? It’s pretty hard to figure out what that guy’s up to except it all has to do with  killing Dougie/Dale so he can stay on Earth and not go back to the Lodge.

Andy has apparently forgotten all about the hit-and-run child death he was investigating. Lucy is a better cop than Andy. She saw Chad stealing Truman’s mail and was mildly suspicious about it.

The nasty Richard Horne will get Steven and Gersten and the armpit rash girl and her friend involved in his drugs deal with the sinister Red. Chad is already involved, as is the last of the Renaults. We will see signs of this developing. In the last episode they will all get caught in a big net dropped from a tree by Hawk.

But that’s later. This week, Richard will visit his mom, Audrey, who will be clad in some kind of fetishy disability costume like Rosanna Arquette in CRASH (the good one).

Candy Clark may well do some more epic complaining. But maybe this time she’ll soften, also. Third time’s the charm.

Diane will tell the entirety of Buckhorn, South Dakota, to fuck off.

Detectives Fusco, Fusco & Fusco will interrogate Ike the Spike using the famous “bad cop, bad cop, bad cop” routine. Ike will refuse to snitch until they get Uri Geller in to give his spike metal fatigue, then he’ll tell them everything.

In episode 12 Norma will look concerned. I think also eventually it will be revealed that she’s living with Big Ed at his Gas Farm.

We will find out who the girl was who got the frog-moth down her throat. We will be surprised.

Who’s going to play Philip Jeffries? I think the only exciting guest stars left are Monica Bellucci and John Savage. Since Bellucci will be more surprising, it ought to be her. Or maybe Jim Belushi will unzip his head and reveal that he’s really been Monica Bellucci all along. All his life.

Leo Johnson’s skeleton will be found in a lonely cabin, clutching a rope between his teeth. The Deer Park deputy Bobby shot and buried in the woods in FIRE WALK WITH ME will be uncovered by animal activity. It will turn out that the owls really ARE what they seem.

Dougie’s friendship with the Mitchum Bros will not be developed in this episode. No good can come of that, even if a shared appreciation for pie and repetition seems like a sound basis for friendship. But they’re not going to be happy with Tom Sizemore. Neither is rival mobster Duncan Todd. But probably they’ll all wait an episode before doing anything about it. And then Bushnell Mullins will get to punch somebody out. You can’t have the remarkably spry Don Murray as an ex-boxer with a poorly-Photoshopped poster and then not have him punch anybody. Not in a show with Tim Roth in it.

Also due for punching: Chad. He won’t get caught in Hawk’s net, Sheriff Truman will apprehend him in his office, and pull the wooden knob repeatedly so that the wood-panelled Skype-screen pops out of the desk really fast and smashes Chad in the face. Then he can Skype Doc Hayward and get him to come over and fix Chad’s face before he’s hauled off by the Feds.

We’ve learned that both Dougie and James were in traffic accidents. It will be revealed that they collided with each other, in an incident caused by Wally Brando’s erratic bikemanship.

A heartwarming scene showing what the woodsmen get up to when they’re not busy being terrifying. They sit around a formica table drinking Cup-a-Soups, possibly. They also whittle.

In an unadvertised cameo, Billy Ray Cyrus will perform at the Bang Bang Bar. Everyone will leave as the credits roll.

Things I Read Off the Screen in Twin Peaks: Fire Walk With Me

Posted in FILM, literature, Mythology with tags , , , , , , , , , on May 18, 2017 by dcairns

Are we all excited about the new series? We re-watched the last episode of season 2 and the movie, to get us in the mood. Lynch has said the movie is the best way to prepare ourselves for what he has in store. I went LOOKING FOR CLUES.

Fourth shot after the credits sequence ~

UNLAWFUL TO PASS WHEN RED LIGHTS FLASH

Fiona read this one out, which started me thinking it was time for another installment of “Things I Read Off the Screen” — I imagine this is just something that real school buses have, but it feels occult and significant and mysterious here, maybe because school buses aren’t really a thing in the UK. And, given James’ last scene (below), it definitely feels like we’re meant to notice it, and it’ll end up tying the film together.

SHERIFF DEER MEADOW

Nice odd phrase. I’ve been enjoying a terrific podcast called Diane which has studied the original series and the movie and the tie-in books and the film, and is now preparing to appreciate and analyse the new shows. You should give it listen. They point out that Deer Meadow, scene of the first BOB murder, is like the anti-Twin Peaks, a town that’s dead, horrible and utterly lacking in positive magic. And the coffee is horrible. So we’re about to meet the anti-Lucy, a sniggering slut, the anti-Andy, a bragging bully, and the anti-Truman, a hulking brute, Sheriff Cable.

In one of the best of the deleted scenes, Chris Isaak beats the hell out of this guy.

Isaak and his buddy Keifer Sutherland (at times evoking Stan Laurel) discover a clue — the letter T under the corpse’s fingernail, which they RIP OFF. Laura Palmer, in the series, will be discovered with an R under her fingernail. In the extra scenes shot for the European release of the original pilot, we are told that the letters were eventually going to spell ROBERT, but this isn’t really canonical. And nobody ever calls BOB “Robert.” It doesn’t suit him, somehow. Still, I like the idea that the name was going to be spelled backwards (TREBOR), since Bob comes from a world where people speak backwards-forwards at the same time.

Based on this movie, I think maybe the word was going to be DIRT backwards. Leland, Laura’s father, who is BOB on some level, during one of his particularly nasty moments tells her there’s a “piece of DIRT” under her nail. This is clearly a reference to her future fate, but the letter R is literally “a piece of DIRT” so that’s why I think that.

HAP’S. With its weeping clown neon and faulty electrics and anti-Peggy Lipton proprietor, Hap’s is the anti-Double R Diner. Unlawful to pass when red light flashes.

SAY HELLO GOODBYE TO JACK.

FAT TROUT TRAILER PARK MANAGER

9 AM …… EVER

ROD MY TRAILER HAS A LEAK FIX IT BY TOMORROW

The Fat Trout is a classic liminal space, so it makes sense that the denizens of the Black Lodge have been all over this place, apparently scooting in and out by the telegraph wires. The old lady and her grandson (Lynch’s kid, Sean) used to have a trailer here, and will later appear in Twin Peaks on Laura’s meals-on-wheels route. Eerie enough when they keep to their own red room space, they become uncanny in a whole new way when they trespass in our world or show signs of their presence.

Harry Dean Stanton plays Carl Rodd, who will be back in the new series. I like that one of his… tenants?… thinks his name is “Rod.” So they think they’re calling him by his first name when they’re really calling him by his last name. They’re on different planes of familiarity without realising it. I think I’d be the same way if I met Harry Dean Stanton, because I would want to love and admire him and he would think I am an asshole.

kcoR s’teL

Let’s Rock

This is something the man from another place says in the series — part of the reason TP:FWWM arguably doesn’t stand up as an independent work away from the series is that these things are very satisfying to note, but you have to look outside the movie for them. There aren’t many clues IN the movie which help you feel you’re making headway with its mysteries. But I’ve given up letting that bother me.

T

Bobby Briggs has a T on his back! He must be involved in the Theresa Banks case! But this does seem like one of the few red herrings. We can’t get excited every time we see a letter T… can we?

X

Xs, however, are always exciting. This is a direct appearance by red lodge characters in our reality, so the universal symbol for the unknown seems wholly appropriate. If I had the Blu-ray maybe I could tell you what that small lettering says. It might be the key to everything.

The BANG BANG BAR

An exterior featured in one of the trailers for the new series, so it’ll feature again. Under new management, I presume. Unlawful to pass when red light flashes.

TREAT HIM RIGHT

This one is just kind of funny. But it comes in a very fraught scene, which includes flashbacks which help establish Leland’s motivation for murder ~

MOTEL

Unlawful to pass when red light flashes. The movie complicates our understanding of Leland’s guilt. In the series, it’s possible to believe that he’s an innocent man invaded by an alien force (BOB, the double-denim demon). In the movie, we clearly see Leland as Leland, plotting and remembering and in full knowledge of his guilt. It puts me in mind of a passage from The Strange Case of Dr. Jekyll and Mr. Hyde (an ur-text for all divided-consciousness horror tales) where Jekyll complains that, deep into his experiment in duality, he was often wholly Hyde but never wholly Jekyll…

Note the presence of those sinister WIRES again.

STOP

What the critics at the time didn’t notice (along with Sheryl Lee’s moving and bizarre and fearless performance) but which the Diane podcast is great at spotting, is that the movie takes familiar recurring images from the show like the ceiling fan at the Palmer residence and this set of overhanging traffic lights, and imbues them with new and more powerful meaning. This turns out to be the setting for Laura and James’ last love scene. James will watch her go, then wait for the light to turn red before revving up and roaring off…

Unlawful to pass when red light flashes.

The Look of… what?

Posted in FILM with tags , , , , , , , , on August 18, 2011 by dcairns

Or how a certain dead-eyed shark gaze was handed down through film history from the forties, to the fifties, to the nineties — I haven’t found the sixties, seventies and noughties versions yet.

“One who follows his nature keeps his original nature in the end.” Rita Hayworth’s psycho stare here is clearly an echo of Glenn Anders’ loony gaze earlier when he proposes his crazy murder scheme to Orson on the clifftop. Does the film propose Rita as the source of this madness, transmitted to those in her circle? A gaze-borne mental malady?

Bardot, in one of the few roles that deployed any of her many qualities other than a certain physical pertness — LA FEMME ET LE PANTIN. Here, she actually manages to drop a hint of PITY in with the psychopathic chill. It’s not a warm pity, though, it’s much more a look that says, “It’s such a shame I’m going to do this to you, but because you are who you are, I totally am.”

“Gone, gone, like a turkey in the corn.”

The greatly underrated Sheryl Lee in TWIN PEAKS: FIRE WALK WITH ME. I still remember the reviews carping that she wasn’t up to playing a leading role, which was grossly unfair as she is ASTONISHING in this film. Again, like Bardot she was discovered and cast for her cuteness, to play a good-looking corpse, and turned out to have so much more going for her. See also: MOTHER NIGHT, WINTER’S BONE… hmmm, those two sound like parts of a series. What would the third film be called?

Anyway, the above movies are only touched upon in this week’s edition of The Forgotten, which is about something else. Find out what by going here.

Here’s the Bardot scene, which is fairly understandable, and fairly interesting, even if you don’t speak French of have the invaluable Mr Wingrove to hand to translate for you…