I had started feeling like I was neglecting Harold Lloyd a bit — you know, that feeling you get when you’ve been neglecting Harold Lloyd a bit — so I watched two shorts from 1919, BUMPING INTO BROADWAY and BILLY BLAZES ESQ. Both films co-star Bebe Daniels, whose comic gifts are somewhat underexploited, and Snub Pollard is a second, backup banana. The latter is a western parody with some great things in it, notably super–cowboy Harold’s way of rolling a cigarette: paper placed flat in hand, tobacco poured wantonly over it, whole lot crunched up in fist and furiously smushed about — palm opens, revealing one perfectly rolled ciggie.
But BUMPING INTO BROADWAY has the best intertitles so I thought I’d just reproduce a bunch here. Not only are they reasonably witty, every one of them has a bit of cute artwork.
Some very funny stuff in this one, too, though it’s pretty brash and violent by Lloyd’s standards. The Harold of a few years later probably wouldn’t have clobbered so many policemen for so little reason. The best bit of violence is Noah Young, a popular thug player of the day, beating up a defaulting boarder (Mark Jones). This demonstration of savagery is a plot point to show Harold the terrible fate awaiting him if he doesn’t pay the rent, and this idea is borrowed from Chaplin’s THE IMMIGRANT, where Eric Campbell mangled a restaurant customer who couldn’t pay for his meal, as the hero watched in alarm. But the Young/Jones fight is even more impressive and startlingly acrobatic: the massive Young (Buster Keaton’s rival in ONE WEEK) had been a circus weightlifter, which explains why he has a neck with the circumference of Delaware, while Jones was a Lloyd/Hal Roach regular, often playing drunks.
Good work! And Harold’s mortified expression in the background really ices that comedy cake of inhuman brutality.