Archive for David Lynch

Twin Peaks Precap

Posted in FILM, Television with tags , , , , , , , , , , , , on July 29, 2017 by dcairns

I’ve been enjoying all the Twin Peaks recaps, including my friend Keith Uhlich’s on The Notebook. And listening religiously to Diane, for my money THE podcast on the subject.

Obviously it’s too late for me to start recapping TP now, but it can’t surely be too late to recap episode 12, since it hasn’t aired yet. These are my predictions for what’s going to happen — a kind of precap, if you will. Obviously we have to wait until Sunday to see if I’m right but I am confident that I will be VINDICATED in every detail. So there are spoilers ahead. I won’t change anything after the episode airs so you’ll be able to see how devastatingly accurate I am.

You’ll maybe have noticed that while each episode features numerous hanging threads, usually these are not picked up in the following episode. You have to wait until the episode after, or maybe several episodes after. Matthew Lillard made an astonishing impression in the role of Earthworm Jim Principal Hastings but then disappeared for over a month.

In episode 8 we saw the ????? Giant use something which Fiona christened the Fallopian Tuba to blast a glowing orb full of Laura Palmer at the old BBC globe of the world ident. Well, we haven’t seen him and his girlfriend and the tuba for about a month, so I think they’ll be back. I expect we’ll see him blast a few follow-up orbs at us, perhaps containing the effulgent faces of Dick Tremayne, Dwayne Mibbler and that guy with the plaster-of-paris nose mask.

Tim Roth and Jennifer Jason Leigh are going to do some terrible things to Warden Murphy. There was apparently a lot of really bad stuff in WILD AT HEART concerning Harry Dean Stanton’s demise at the hands of a duo of hitpersons, and it got cut out. I think Lynch has been saving it up.

Gordon and Albert and Tammy and Diane won’t get to the other coordinates yet. But Gordon deliberately let Diane memorise the figures so she can tell Dirty Cooper, because they want him there so they can catch him.

When they do go there, maybe in episode 13 or 14, it will all link up with Jack Rabbit’s Palace and they’ll see Truman, Hawk and Bobby in Twin Peaks. They might also see the Major’s head float past. I don’t know what he’s going to say this time but it’ll be pretty deep. Also, Jerry Horne, stoned out of his mind and lost in the woods, will blunder in at an inopportune moment. Maybe he’ll fall in the pit they’ve dug for Dirty Cooper. But that’s in the future. That won’t happen this week.

Benjamin Horne announced his intention of taking his new secretary Beverly to dinner, but we didn’t see it. It’ll happen this week, with no explanation for the delay. My theory which I really think is true is that the reason he couldn’t kiss her before — she thinks it’s because he’s a good man, but we know that isn’t true — is that she’s actually his daughter. Old Ben sure sowed a few wild oats in his time. Ashley Judd is an oat who has come home to roost. Remember in series 1 he nearly had sex with Audrey.

The humming sound that’s been bugging them is Joan Chen in a doorknob, but she won’t come out yet. They have to save something for season 4.

Frustratingly, after the Buckhorn police found Dougie’s wedding ring inside a corpse, nobody has tried to trace a couple called Dougie and Janey-E. Probably because it hasn’t occurred to them that Janey-E could be someone’s actual name. If they checked, I bet there’s only one couple in the whole of America with those names. But they haven’t checked, so they’re not going to. So I’m not sure what purpose the wedding ring serves or why Dirty Cooper presumably left it there. Or when he got it from the original Dougie. Presumably at the time he replaced it with the “sacrificial ring” from FIRE WALK WITH ME? It’s pretty hard to figure out what that guy’s up to except it all has to do with  killing Dougie/Dale so he can stay on Earth and not go back to the Lodge.

Andy has apparently forgotten all about the hit-and-run child death he was investigating. Lucy is a better cop than Andy. She saw Chad stealing Truman’s mail and was mildly suspicious about it.

The nasty Richard Horne will get Steven and Gersten and the armpit rash girl and her friend involved in his drugs deal with the sinister Red. Chad is already involved, as is the last of the Renaults. We will see signs of this developing. In the last episode they will all get caught in a big net dropped from a tree by Hawk.

But that’s later. This week, Richard will visit his mom, Audrey, who will be clad in some kind of fetishy disability costume like Rosanna Arquette in CRASH (the good one).

Candy Clark may well do some more epic complaining. But maybe this time she’ll soften, also. Third time’s the charm.

Diane will tell the entirety of Buckhorn, South Dakota, to fuck off.

Detectives Fusco, Fusco & Fusco will interrogate Ike the Spike using the famous “bad cop, bad cop, bad cop” routine. Ike will refuse to snitch until they get Uri Geller in to give his spike metal fatigue, then he’ll tell them everything.

In episode 12 Norma will look concerned. I think also eventually it will be revealed that she’s living with Big Ed at his Gas Farm.

We will find out who the girl was who got the frog-moth down her throat. We will be surprised.

Who’s going to play Philip Jeffries? I think the only exciting guest stars left are Monica Bellucci and John Savage. Since Bellucci will be more surprising, it ought to be her. Or maybe Jim Belushi will unzip his head and reveal that he’s really been Monica Bellucci all along. All his life.

Leo Johnson’s skeleton will be found in a lonely cabin, clutching a rope between his teeth. The Deer Park deputy Bobby shot and buried in the woods in FIRE WALK WITH ME will be uncovered by animal activity. It will turn out that the owls really ARE what they seem.

Dougie’s friendship with the Mitchum Bros will not be developed in this episode. No good can come of that, even if a shared appreciation for pie and repetition seems like a sound basis for friendship. But they’re not going to be happy with Tom Sizemore. Neither is rival mobster Duncan Todd. But probably they’ll all wait an episode before doing anything about it. And then Bushnell Mullins will get to punch somebody out. You can’t have the remarkably spry Don Murray as an ex-boxer with a poorly-Photoshopped poster and then not have him punch anybody. Not in a show with Tim Roth in it.

Also due for punching: Chad. He won’t get caught in Hawk’s net, Sheriff Truman will apprehend him in his office, and pull the wooden knob repeatedly so that the wood-panelled Skype-screen pops out of the desk really fast and smashes Chad in the face. Then he can Skype Doc Hayward and get him to come over and fix Chad’s face before he’s hauled off by the Feds.

We’ve learned that both Dougie and James were in traffic accidents. It will be revealed that they collided with each other, in an incident caused by Wally Brando’s erratic bikemanship.

A heartwarming scene showing what the woodsmen get up to when they’re not busy being terrifying. They sit around a formica table drinking Cup-a-Soups, possibly. They also whittle.

In an unadvertised cameo, Billy Ray Cyrus will perform at the Bang Bang Bar. Everyone will leave as the credits roll.

Got a light?

Posted in FILM, Television with tags , , , , , , on July 18, 2017 by dcairns

This is the water and this is the well…

Drink full and descend…

The horse is the white of the eye…

And dark within.

Words from Twin Peaks, images from OF HUMAN HEARTS.

OFH has lots of good scenes and good actors — Beulah Bondi, Walter Huston, James Stewart and Charles Coburn, but alas it’s all building up to a deeply bogus scene with a deeply bogus Abe Lincoln, played John Carradine from under a terrifying waxy residue applied by Jack Dawn and/or Josef Norin. It’s totally inflexible apart from the crease at his upper lip that lets him talk. They’d have been better off with an animatronic version, even though animatronics in them days would have meant building a face the size of King Kong’s mechanical mask and having Mickey Rooney run around inside it pulling levers.

Twin Peaks, meanwhile, is slowing down time. And not just with daring choices of pacing, like three minute shots lingering on a floor being swept or two people looking at a third person smoke a cigarette. The weekly dosage is making my weeks seem longer, due to the suspense. Seven days suddenly feels like seven days again.

Although, I’m not sure I’d recommend watching episode eight alone in a foreign hotel with apparently no other guests. Good thing I’m a tough SOB. Fear is a stranger to me. A grubby, bearded stranger with fingers that can shatter bone.

Pretty as Paint

Posted in FILM, literature, Painting with tags , , , , , , , , , on July 14, 2017 by dcairns

So, I picked up Twiggy’s autobiography, just to see what she had to say about Ken Russell and THE BOY FRIEND. She seems to have enjoyed the experience.

Amusing story ~ they’re restaging the famous girls-dancing-on-plane gag from FLYING DOWN TO RIO and Ken decides he wants the biplane to be silver. This will involve painting it overnight.

But the next morning the plane is white. The man responsible explains that there was no silver paint to be had and so they thought Ken would be OK with white.Ken explodes, which was one of his talents. “Do you know who I am?” Twiggy quotes him as saying. Usually, the answer to that question ought to be “An arsehole?” but here it would be more properly rendered as “Mad genius enfant terrible scourge of the boring and unambitious British cinema,” perhaps adding “and a man who very much wants a silver biplane.” Ken settled for “I’m the director of this fucking picture!”

The man is sent off to get silver paint. He comes back with a lot of little eggcup-sized cans, the kind sold in model shops. About 500 of them, in a van. The only silver paint to be had in London. (The ’70s were crap, in some ways.) You ever used that stuff? Tiny tins, and you can never get it to come out silver. The idea of painting an entire plane with it…

I love the art department, as I may have mentioned before. A can-do art department marks the difference between an efficient, fun shoot, and a slog.

I always remember this story from Ed Naha’s The Making of Dune. David Lynch has invented a scene not in the script (and it’s HIS script!) in which Kyle McLachlan trains his Fremen warriors to destroy a rotating black cube thing with sheer lung power. I can’t, off-hand, recall if the scene made it into the finished cut, which always seemed most lacking in what should be the second half of act 2. Suddenly it’s the climax!(The scene exists, but the “box” Naha describes is a pyramid. Did they reshoot it with a different Platonic solid shape-thing?)

Anyhow, Lynch has twenty minutes left to get the shot when he notices a speck of white on the black cube. He calls for an art department guy. The guy walks up to the blemished space cube and delivers a daub of black paint from a paint-pot.

Lynch is dumbfounded. “Now I have brush-strokes up there!” he exclaims.

Lynch’s eyes dilate even further as the worker returns with a ladder and proceeds to repaint the entire top of the black box… with a brush.

“OK?”

Lynch stares at the box. “No! Not OK! It looks fifty times worse! One hundred times worse! Can anyone see if they can find a can of black spray paint?”

One feels for him. It’s a scenario right out of some Hollywood spoof, with the director (jodhpurs and megaphone) driven to apoplexy by some incompetent underling (Marion Davies, Peter Sellers), jumping up and down and tearing his hair out. Or as Lynch confides in the documentary Lynch, while shooting part of INLAND EMPIRE with an inexperienced team, “You wonder what kinda heavy burden Einstein musta carried. Surrounded by fuckin’ assholes.” It’s also a lot like Lynch’s scenes of Kafkaesque bumbling accomplices: there’s a good filmmaking one in INLAND EMPIRE. The first is probably Paul (a favourite Lynch name: DUNE was meant to be) in ERASERHEAD, the buzzer-happy pencil manufacturer.

A little later, in Naha’s book: “That guy? Our painter? He’s usually very good.”