Archive for Preston Sturges

Pond Life

Posted in FILM with tags , , , , , , on April 14, 2016 by dcairns

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This fortnight’s Forgotten — Chevalier! Colbert! Sturges! Hobart Henley!

Hobart Henley?

Here!

A Cavernous Moo

Posted in FILM, literature with tags , , , , on August 14, 2015 by dcairns

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I think I’m going to start quoting lines of text from Preston Sturges scripts. We can enjoy the dialogue by watching the films, but only by owning the pricey published scripts can we get the added benefit of the scene descriptions. In other words, fresh Sturges sentences!

In REMEMBER THE NIGHT, subject of an early edition of The Forgotten, Fred MacMurray parks his car in a field and he and Barbara Stanwyck awaken to find themselves surrounded by cows, with one bold specimen actually thrusting its enormous head into the vehicle to munch on la Stanwyck’s Edith Head hat. The couple decide they might as well milk the cow for breakfast, with Stanwyck assigned to distract the ruminant with loving caresses while Fred does the business with the udder.

Stanwyck coos to the cow, whom she christens “Bossie”, asking if she likes her ears tickled.

From the inside of the car we hear a cavernous moo.

That is all.

Ants in Your Plants of 1941

Posted in FILM, weather with tags , , , , , , , , , on January 27, 2015 by dcairns

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Today I was supposed to be in New York but flight got pushed back. Something to do with a slight snowfall. Daniel Riccuito of The Chiseler reports that the sky is basically solid snowflakes, drifting UPWARDS. Which sounds fine — the ground will be cleared in no time. It’s just the sky you have to worry about. Walk in a crouch, New York, and you’ll be alright. But I can see how an atmosphere composed entirely of frozen water would make air traffic problematic.

So I go tomorrow, arriving at the Walter Reade Theater hopefully just in time for the 3,15 screening of NATAN as part of the New York Jewish Film Festival. I will be lugging my luggage, tired and wired, but hopefully coherent enough for a cogent Q&A. And then another screening 8.45 the same day. Hope to see you there, weather permitting.

Meanwhile, there is time to tell you about SULLIVAN’S TRAVELS, on Blu-Ray from the Criterion Collection. I made a video essay for this, aided by editor Stephen Horne and graphic designer Danny Carr who gets a special shout-out here for an amazing 40s-style animated title sequence, sampled above. Since the Coen Brothers swiped one title from John L. Sullivan’s fictional filmography (O BROTHER, WHERE ART THOU?) I wanted to grab another. It was this or HEY-HEY IN THE HAY LOFT. The conversations then came to be about what a title for such a film might consist of. Danny surpassed all expectations by combining the pull-back-thru-lettering device of THE PALM BEACH STORY with the animated characters of THE LADY EVE, all in a convincing early forties style despite working with computer rather than cel animation. I’m blown away by his work.

The piece also features an interview with Bill Forsyth, a fan of the film who explains how it influenced him. This was folded into my script after I wrote it, much as I did with Richard Lester’s interview for my A HARD DAY’S NIGHT piece. One of these days I’ll manage to do the interview first and then write the VO around it, like a sane person.

You can pre-order this magnificent product here —

Sullivan’s Travels [Blu-ray]

I’m really chuffed with how it turned out!

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