Archive for Preston Sturges

Commingling

Posted in FILM with tags , , , , , , , , , , , on June 27, 2016 by dcairns

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Already, after just one FULL day of viewing in Bologna, things are getting blurry. BATMAN: THE MOVIE was one of the last things I saw in Edinburgh, and here comes Cesar Romero, the Joker himself, as a stage-door Johnny in William Wyler’s Sturges-scripted THE GOOD FAIRY (“A lot of early Sturges scripts have only a few recognizably Sturgesian lines, but this one is all Sturges all the time,” is how I pitched it to a fellow patron) and here comes Alfred the butler in MARNIE, screening in an archival Technicolor print. Everything is intermingling.

Also viewed — Mariann Lewinsky introduced her Krazy Serial programme of serial installments from a hundred years ago, saying that she had been urged to commemorate the Futurist manifesto, published right here in Bologna in 1916, but “it’s a terrible document. And the futurists, who took a great deal from cinema, gave nothing back. Whereas the Dadaists, who took nothing from anywhere, gave a great deal back.” So by creating a collage of incomplete serials, she pays homage to Dada and to Krazy Kat, who is also celebrating his centenary.

Jacques Feyder’s LE PIED QUI ÉTREINT (THE CLUTCHING FOOT) is a parody of serials, and specifically THE EXPLOITS OF ELAINE (I know this only because I saw a couple of episodes in Bologna two years ago), with that show’s Clutching Hand replaced by “the man in the green scarf”, a masked figure in an outsize baby carriage, limbs spasming in horrible spasticity, bare feet grasping at convenient props such as the old-fashioned car horn affixed to his perambulator. He’s my new role model.

More on this later, hopefully — it’s the greatest set of nonsense ever assembled.

These disconnected fragments of narrative have been assembled alongside one another to throw up precisely the kind of random connections that make film festivals so confusing — the final stage of this syndrome is when characters from the films seem to appear on the streets, or characters from the streets in the films. I’m not quite there yet, but it’s still early days.

Pond Life

Posted in FILM with tags , , , , , , on April 14, 2016 by dcairns

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This fortnight’s Forgotten — Chevalier! Colbert! Sturges! Hobart Henley!

Hobart Henley?

Here!

A Cavernous Moo

Posted in FILM, literature with tags , , , , on August 14, 2015 by dcairns

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I think I’m going to start quoting lines of text from Preston Sturges scripts. We can enjoy the dialogue by watching the films, but only by owning the pricey published scripts can we get the added benefit of the scene descriptions. In other words, fresh Sturges sentences!

In REMEMBER THE NIGHT, subject of an early edition of The Forgotten, Fred MacMurray parks his car in a field and he and Barbara Stanwyck awaken to find themselves surrounded by cows, with one bold specimen actually thrusting its enormous head into the vehicle to munch on la Stanwyck’s Edith Head hat. The couple decide they might as well milk the cow for breakfast, with Stanwyck assigned to distract the ruminant with loving caresses while Fred does the business with the udder.

Stanwyck coos to the cow, whom she christens “Bossie”, asking if she likes her ears tickled.

From the inside of the car we hear a cavernous moo.

That is all.