Archive for Masters of Cinema

Laughter in the Dark

Posted in FILM, literature with tags , , , , , , , , on August 15, 2020 by dcairns

We received our copies of THE MAN WHO LAUGHS and BUSTER KEATON 3 FILMS (VOL 3) from Masters of Cinema.

Fiona and I wrote a video essay for the former, and I did the latter with an excellent assist from Miranda Gower-Qian. Stephen C. Horne edited both, brilliantly — since we were on full lockdown, this had to be done remotely but with a little back-and-forth of uploaded edits, this was managed smoothly.

MAN WHO was a particularly ambitious job — we enlisted actor friends Steven McNicoll and Fran Dymond to perform extracts from the Victor Hugo source novel and interviews with the principal filmmakers — Conrad Veidt, Mary Philbin, Olga Baclanova, Paul Leni…

Both pieces are around half an hour rather than the usual twenty minutes we’re generally paid for — ideally, we want to make video essays that are proper little films… it’s been a slow process of chiseling at the outlines of the video essay, expanding it outwards…

Buy them at the links below, support Shadowplay!

The Man Who Laughs (Masters of Cinema) Blu-ray [2020]
Buster Keaton: 3 Films (Volume 3) (Our Hospitality, Go West, College) (Masters of Cinema) Limited Edition Blu-ray Boxed Set [2020]

The Sunday Intertitle: Laugh and Smile

Posted in FILM, literature with tags , , , , , , , on June 7, 2020 by dcairns

homme_qui_rit_1928_5

Masters of Cinema have announced some upcoming releases I’m mixed up in.

Firstly, for Paul Leni’s THE MAN WHO LAUGHS, Fiona and I wrote and voiced a substantial video essay, The Face Deceives, edited by Stephen C. Horne. It being lockdown, we had to communicate with Stephen remotely, but he’s something of a genius and the results are… dazzling. We also got Steven McNicoll, who did voice work on my OLD DARK HOUSE piece, Meet The Femms, and Fran Dymond, to voice extracts from Victor Hugo’s source novel and interviews with the filmmakers, and the result possibly extends the video essay form a wee bit…

Secondly, the third volume in MoC’s Buster Keaton series is coming, so Stephen and I get to vid-essay OUR HOSPITALITY, GO WEST and COLLEGE in a piece called A Window on Keaton. And I invited the magnificent Miranda Gower-Qian along for an interview about Keaton’s work with his family, and the role of The Girl in his pictures.

Here’s a tiny but lovely preview ~

Incidentally, I have assembled all the discs I’ve worked on in a stack in the hall. I was hoping by now it would be as tall as I am (somewhere under six foot, I’m not sure) but it’s still straining towards shoulder-height. But then I got the idea of toting up the running times of all my video essays, in an approximate way, and it came to more than ten hours, longer than the first series of Lodge 49, a beautiful TV show you should check out. So that was heartening — maybe height of product is the wrong way to assess one’s accomplishments? I mean, where would F. Scott Fitzgerald be if he’d used that method? And where, in fact, is he?

How Are We Doing?

Posted in FILM with tags , , , , , , on April 25, 2020 by dcairns

oldboy

Checking in with you guys. How’s lockdown treating you?

I can’t complain. A bunch of work has been coming in, which I’ll tell you about nearer release time, so I’ve been oddly busy, and Fiona’s joining in on a forthcoming one so, having finished her work for Edinburgh Film Festival, she’s got a new project to occupy her.

I hadn’t mentioned the appearance of Masters of Cinema’s Buster Keaton, 3 Films, Vol 2. (featuring BATTLING BUTLER, THE NAVIGATOR, SEVEN CHANCES) mostly because I don’t have a copy yet and forgot it was out. I did a video essay for this with Stephen Horne and Imogen Smith which is getting nice reviews. I’m very pleased with it myself.

Also out this week, KWAIDAN features Shadowings, a collaboration between myself, Fiona and Timo Langer, a 35-min video essay burrowing into the film’s origins and creation. If you liked Golem Time… you’ll also like Shadowings. Lots of research for Fiona on this one, and my friend Kiyoyuki Murakami provided invaluable background long-distance from Tokyo so the piece should break new ground in what’s known about Masaki Kobayashi’s masterpiece in the west.

I think both sets are pretty well compulsory viewing and owning for cinephages, or those who have the loot, anyway.

Buster Keaton: 3 Films (Volume 2) (The Navigator, Seven Chances, Battling Butler) Limited Edition Blu-ray

Kwaidan (Masters of Cinema) Limited Edition Blu-ray