Archive for Masters of Cinema

The Sunday Intertitle: Laugh and Smile

Posted in FILM, literature with tags , , , , , , , on June 7, 2020 by dcairns

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Masters of Cinema have announced some upcoming releases I’m mixed up in.

Firstly, for Paul Leni’s THE MAN WHO LAUGHS, Fiona and I wrote and voiced a substantial video essay, The Face Deceives, edited by Stephen C. Horne. It being lockdown, we had to communicate with Stephen remotely, but he’s something of a genius and the results are… dazzling. We also got Steven McNicoll, who did voice work on my OLD DARK HOUSE piece, Meet The Femms, and Fran Dymond, to voice extracts from Victor Hugo’s source novel and interviews with the filmmakers, and the result possibly extends the video essay form a wee bit…

Secondly, the third volume in MoC’s Buster Keaton series is coming, so Stephen and I get to vid-essay OUR HOSPITALITY, GO WEST and COLLEGE in a piece called A Window on Keaton. And I invited the magnificent Miranda Gower-Qian along for an interview about Keaton’s work with his family, and the role of The Girl in his pictures.

Here’s a tiny but lovely preview ~

Incidentally, I have assembled all the discs I’ve worked on in a stack in the hall. I was hoping by now it would be as tall as I am (somewhere under six foot, I’m not sure) but it’s still straining towards shoulder-height. But then I got the idea of toting up the running times of all my video essays, in an approximate way, and it came to more than ten hours, longer than the first series of Lodge 49, a beautiful TV show you should check out. So that was heartening — maybe height of product is the wrong way to assess one’s accomplishments? I mean, where would F. Scott Fitzgerald be if he’d used that method? And where, in fact, is he?

How Are We Doing?

Posted in FILM with tags , , , , , , on April 25, 2020 by dcairns

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Checking in with you guys. How’s lockdown treating you?

I can’t complain. A bunch of work has been coming in, which I’ll tell you about nearer release time, so I’ve been oddly busy, and Fiona’s joining in on a forthcoming one so, having finished her work for Edinburgh Film Festival, she’s got a new project to occupy her.

I hadn’t mentioned the appearance of Masters of Cinema’s Buster Keaton, 3 Films, Vol 2. (featuring BATTLING BUTLER, THE NAVIGATOR, SEVEN CHANCES) mostly because I don’t have a copy yet and forgot it was out. I did a video essay for this with Stephen Horne and Imogen Smith which is getting nice reviews. I’m very pleased with it myself.

Also out this week, KWAIDAN features Shadowings, a collaboration between myself, Fiona and Timo Langer, a 35-min video essay burrowing into the film’s origins and creation. If you liked Golem Time… you’ll also like Shadowings. Lots of research for Fiona on this one, and my friend Kiyoyuki Murakami provided invaluable background long-distance from Tokyo so the piece should break new ground in what’s known about Masaki Kobayashi’s masterpiece in the west.

I think both sets are pretty well compulsory viewing and owning for cinephages, or those who have the loot, anyway.

Buster Keaton: 3 Films (Volume 2) (The Navigator, Seven Chances, Battling Butler) Limited Edition Blu-ray

Kwaidan (Masters of Cinema) Limited Edition Blu-ray

Cloak & Dagger, Sight & Sound

Posted in FILM, literature with tags , , , , , on February 8, 2020 by dcairns

I make two appearances in the new Sight & Sound, with a favourable review of Luke Aspell’s clever monograph on Cronenberg’s SHIVERS, and a favourable review from Robert Hanks of my video essay extra on Masters of Cinema’s double-format CLOAK AND DAGGER (which you can glimpse at the 40 second mark, above).

This edition is guest-edited by Bong Joon Ho, whose PARASITE is the bee’s knees. But you don’t need me to tell you that.

I started counting the number of things I’m committed to writing at present, but I ran out of fingers, then toes, then brain cells. More on this soon.