Archive for Billy Wilder

Bellevue to a Kill

Posted in FILM with tags , , , , , , , , on October 2, 2019 by dcairns

Did someone at Bellevue Hospital feel that Billy Wilder’s presentation of the place in THE LOST WEEKEND — reputedly filmed on location, though you wouldn’t know it — gave the place a bad rep, and that another movie might balance out the negative publicity?

If so, THE SLEEPING CITY, a decent little noir trifle from able western hack George Sherman and crime specialist screenwriter Jo Eisinger doesn’t do the place any real favours. It’s from the shot-on-location phase of post-KISS OF DEATH noir, but not a ripped-from-the-headlines number — star Richard Conte shows up in scene one, in costume but out of character, to assure us that this is NOT a true story. Or I think that’s what he’s saying — he says it never happened at Bellevue or anywhere in New York, but that certainly leaves loopholes.

In the next sequence, a young interne is abruptly murdered — a very well-staged sequence, midway between docudrama and melo. Conte is an undercover cop from the “confidential squad” (which is the film’s alternate title) planted in the hospital to investigate. Colleen Gray is a lovely ward nurse, and there are excellent supporting perfs from Alex Nicol (bitter roommate) and some guy called Richard Taber, playwright-actor, as a creepy old fart called “Pop.”

If the hospital authorities were hoping for good press, they hadn’t counted on the effect of b&w cinematography on institutional architecture. The place looks terrifying, and expressionist homunculus Taber, by his very presence, turns it into a nightmare of sci-fi intestines. The plot, with suffering patients being prescribed painkillers they never receive, thanks to a dope ring, isn’t exactly reassuring either. It’s my strong belief that an investigation of the Bellevue employment records will reveal that their head of PR was dismissed around about 1950.

Breakaway Props

Posted in FILM with tags , , , , , , , , , , , , , on September 27, 2019 by dcairns

Marlene Dietrich and John Wayne make a surprising duo, yet they made three films together (and didn’t really get on — Marlene seems to have been the difficult one).

The films have a lot of brawling in them. SEVEN SINNERS is my favourite, although Wayne’s character is kind of a self-destructive dope. Strong support from Mischa Auer, Marlene’s DESTRY co-star, a comparatively slim Broderick Crawford (pictured) and a villainous Oscar Homolka.

THE SPOILERS casts Randolph Scott against type as a louse, which like Wayne as a dope is unconventional but not particularly pleasing. I guess I’m like a 1940s audience member, unwilling to accept my stars out of type-casting.

Mind you, what it does to Wayne’s persona is positively dizzying, and I didn’t mind that so much. Even the blackface gag seemed… not as offensive as it should be. Marietta Canty’s sensitive playing keeps the humour just the right side of awful.

PITTSBURGH — and how weird is it that Universal made a film called PITTSBURGH and expected people to like it? — is my least favourite. Wayne plays an absolute louse, the worst character he ever played. He’s like Charles Foster Kane with anthracite. And I’m reminded of what Billy Wilder said about coal mining films — “I don’t leave the theater… elated.”

Also there’s not enough brawling. Does Pennsylvania lack conducive saloons?

A friend told me a story that’s movie punch-up related. His dad was a merchant seaman or something like that. First time at sea. They stopped in an exotic port and hit some seedy dive on shore leave. Somewhere like the Seven Sinners. A fight broke out.

The young not-yet dad immediately knew what to do — he’d seen the right movies. He grabbed a chair and swung it down on somebody’s back. There was a snapping sound, the guy fell to the floor — but the chair remained in his hands, unbroken.

He ran back to the ship and didn’t leave it for the rest of his leave.

The respective directors of these epics are Tay Garnett (kind of replaying HER MAN), Ray Enright, Lewis Seiler.

SEVEN SINNERS stars Lola Lola; the Ringo Kid; Dr. Cyclops; Harry Brock; Bronwyn; Prince Nikita Starloff; Professor Von Schwartzenhoffen; Col. Stok; Commodore Schmidlapp; Charleston; Blake of Scotland Yard; and Jabez Stone.

THE SPOILERS stars Lola Lola; Gil Westrum; the Ringo Kid; Millie Ray; Trader Horn; Bat MacPherson; Pa Bailey; Pa Joad; Tubal; James R. Smoke; Dobosh; and the Frankenstein Monster.

PITTSBURGH stars Lola Lola; Gil Westrum; the Ringo Kid; Doctor Harry Brewster; Prof. Shemp Howard; Captain Edward Teach aka Blackbeard; Pop Gehrig; Pa Bailey; Mr. Manleigh; and Mrs. Laurel.

Billy Wilder A-Z

Posted in FILM with tags on December 25, 2018 by dcairns

Billy Wilder A to Z from How Exciting! Films on Vimeo.

A little present for all you wonderful people out there in the dark.

Stephen C. Horne and I made this video piece for a Blu-ray release a year ago, but then it couldn’t be included due to concerns from the lawyers. Without anyone’s particular permission, here it is, perhaps only for a limited time (lawyers).

Merry Christmas!