Archive for Twin Peaks

Peak Condition

Posted in FILM, Television with tags , , , , , , , , , , , , , on June 20, 2017 by dcairns

YES, now that you mention it, we ARE still enjoying the new series of Twin Peaks, thank you very much!

One intriguing thing about David Lynch & Mark Frost’s version of the world here is that apparently no one ever retires. Lynch himself, in his early seventies, is on active duty for the FBI. Ernie Hudson is a colonel in the Pentagon, aged 72. Robert Forster, new sheriff in town, is in his late seventies, and he’s assisted by Michael Horse, who’s in his late sixties. And the great Don Murray, in his late eighties, is running an insurance company. “The sheriff is, like, 90,” sneers bad boy Richard Horne, inaccurately.

Richard Beymer, 79, runs a hotel, while his screen brother, David Patrick Kelly, is in the marijuana business at 66. I don’t believe retirement has ever been formalised in that particular trade, though it has often been assumed to be a young man’s game.

And maybe it should be?

At 83, Russ Tamblyn’s Dr. Jacoby doesn’t seem to be practicing psychiatry anymore, but he’s, uh, sort of in business for himself.

Harry Dean Stanton is running a trailer park at, like, 90.

My supposition is that when we finally meet Everett McGill as Big Ed, he’ll still be working in a gas station at 72, and Warren Frost, as Doc Hayward the town GP, he’ll still be practicing medicine*.

Back in season 2, there were some impressive geriatrics also — Mr. Mibbler, the world’s oldest bank teller (Ed Wright, who was 85) — and the world’s oldest waiter, Hank Worden, who was 90. But the way these characters (associated with Lynch-directed episodes) were treated was a little different. Both were subject to jokes about their doddering, their dithering, their slow pace. One could find it a little cruel, and class it in the same camp as Lynch’s casting of little people and disabled people. But one could also ask, who else is casting the very elderly and the oddly-shaped? Lynch is a surreal filmmaker, but he also deals with realities otherwise somewhat neglected. Doesn’t mean he gets a free pass or anything.

When asked if the slow-scrolling highway lines in THE STRAIGHT STORY were a joke on his usual low-angle road shots, Lynch replied, straight-faced, “No. That’s what it looks like when you move at that speed.” And so Mibbler and the waiter gradual and uncertain movements were recorded with the same accuracy. It could be that it’s THE STRAIGHT STORY that shifted the attitude to the elderly, but it’s more likely to be Lynch’s own advancing years.

Anyhow, there are no jokes about Gordon Cole “getting too old for this” or Sheriff Truman taking a long time to cross a room. The only time you’d guess Don Murray’s age is when we first see him stand up, and it takes a bit more effort than it did back in BUS STOP or A HATFUL OF RAIN. Lynch’s vision of aging is now a happily, or angrily, defiant one. Do not go gentle. Lynch & Frost’s weary, rumpled, kindly authority figures will keep on trying to protect us from immortal evil forces.

*Yes, I’ve now watched episode 7. The doc seems to be spending a lot of time fishing, but he also refers to having diagnosed a patient via Skype just the other day. So in the world of Twin Peaks you can be a doctor at 91, though perhaps on a somewhat informal basis.

 

Echo Chambers

Posted in FILM, Television with tags , , , , , , on June 2, 2017 by dcairns

“It’s quite difficult to get inside David’s head,” reflected editor Anne V. Coates. “And then, once you do, it’s quite a strange place.” This post looks at recurring images from Lynch’s earlier works which find their way into Twin Peaks: The Return in modified form. Some of these images are, arguably, spoilers.

I’m taking the rushing white lines on the highway and the starscapes as read, and we’ve all noticed how the evolution of the arm mirrors not just the bare sycamore trees of Glastonbury Grove but the various dead twigs sprouting from different rooms in ERASERHEAD…

Funny, around the time of LOST HIGHWAY I felt Lynch was starting to repeat himself too much, but now I welcome the recurrence of each obsession.

Headless Henry in ERASERHEAD; headless Dougie in TP. Swiftly followed by another call-back ~

It’s the planet! Where the guy with the levers lives (or, anyway, works). And there’s a lever in TP too.

I like the hand-made quality of a lot of the sets, like this kind of crappy warped bell.

Something else the new series has which we haven’t see much of since Lynch’s early animated paintings — a quality of cartoonishness in some of the timing, for instance when Cooper falls with a whoosh and CRUMP into this familiar environment ~

Maybe it’s because it’s Kyle McLachlan, but the echoes of DUNE seemed yrev, very strong here. Though in fact DUNE doesn’t really offer a shot to match this. But there is a subterranean balcony overlooking a long, narrow chamber, and there is also a kind of underground sea/water tank.

Then there’s the big purple birth-splooge as Cooper incarnates in Dougie’s place. Directly following the smoke-cloud which billows out to suggest John Merrick’s birth. Lynch said pictures of the so-called “elephant man” reminded him of the eruption of Mount St. Helens — he looked like a cloud of smoke that had solidified.

The haunting image in THE ELEPHANT MAN is accompanied by the sound of a baby’s cries, echoing in some vast cavern.

And then there’s THIS ~

The mist, the halation, and the spectral woman’s face (TP opening titles) ~

Anything else? Oh yes, Laura Dern’s motel carpet vomit in WILD AT HEART and the heap of regurgitated creamed corn Dougie leaves in a house for sale. But I’ll spare you the images if you’ll trust me on the family resemblance.

 

 

My blog saw something that night

Posted in FILM, Television with tags , , , , , , , , on May 24, 2017 by dcairns

We very much enjoyed the first episodes of Twin Peaks: The Return. But what was it we were enjoying? I suspect we won’t know until the full eighteen episodes have aired, and maybe not even then.

What is Dr. Jakoby (Russ Tamblyn) going to do with all those shovels? And what answer to the question could possibly satisfy us?

I guess don’t read this if you haven’t imbibed the first four episodes and are concerned about spoilers.

This is certainly a sequel to Twin Peaks but, like FIRE WALK WITH ME, it doesn’t wholly inhabit the same genre/s. The soap opera aspects are largely absent, in favour of a kind of demented supernatural procedural, spread across various parts of the US and involving various familiar and unfamiliar characters.

So far, nothing much resembling a narrative has emerged in the town of Twin Peaks itself, except for Deputy Sheriff Hawk (Michael Horse) vaguely investigating clues suggested by the Log Lady (Catherine Coulson, one of a number of players who has sadly passed on after filming their scenes). Mostly, the TP scenes introduce familiar characters and let us see what’s going on in their lives 25 years later: Ben and Jerry Horne, James the soulful biker, Shelly the waitress, bad boy Bobby Briggs. These scenes don’t seem to be going anywhere, really, but maybe they are, just very very slowly. They do kind of resembled the MISSING PIECES from FIRE WALK WITH ME, some of which are enjoyable as cameos, but which rightly hit the cutting room floor since they didn’t advance the (disturbing, ambiguous) narrative.

But, while I want those characters to actually get properly involved in the story, at the moment what has me hooked is the adventures of the two Agent Dale Coopers, one a long-haired, permatanned outlaw, possessed by the spirit BOB (it seems), the other a total amnesiac wandering Las Vegas, unable to figure out his purpose in life or even how to go to the bathroom. This gives Kyle McLachlan plenty to do, which is great news.

But my favourite performances so far are Matthew Lillard, playing a Leland Palmerish type — respectable citizen with secret criminal life — who is just electrifying, even while looking strangely like Earthworm Jim in knitwear, and Michael Cera in a throwaway cameo… I guess stop reading if you haven’t viewed episode four, I think it was…

Cera plays Wally Brando, son of beloved regulars Andy and Lucy, who was just a twinkle in the eye back in season 2. He’s envisaged as the lovechild of Wally Cox and Marlon Brando, specifically in THE WILD ONE, and Cera delivers a spectacularly mean takedown of Brando’s more windy improvisatory moments from his late work. That combination of wistful musing on the surface, fatuous pontification by way of content, and an undercurrent of desperate what-the-fuck-am-I-going-to-say-next panic. With a convincing copy of Brando’s whistling lisp. We found it rather fine.

A friend said he found Harrison Ford’s appearance in the trailer for THE FORCE AWAKENS kind of dispiriting — “Just a reminder of your own mortality.” I guess because we’d been seeing Ford grow old and that was OK, but our memories of Han Solo were still young. Many of the cast of TP are still firmly associated with their roles in the show and little else — plus three of them have died since filming this. So there’s a certain amount of non-diegetic sadness floating around this show. I’d have been happy if they’d deleted a line of dialogue about Miguel Ferrer looking unwell. If Ferrer tried to act malaise, it didn’t come across, because the poor man looks unwell all the time here. But it’s still good to see him as Albert. Some kind of guardian angel allowed Lynch to make this just before the world lost Albert and Dr. Hayward and the Log Lady.