A Miss

Posted in FILM, MUSIC with tags , , , , , , , , on March 24, 2017 by dcairns

Unable to see everything showing at the Hippodrome Silent Film Festival — adding up the price of tickets and the price of transport, I decided to skip last night’s show of TOGETHER, Lorenza Mazzetti’s 1956 film, described by Lindsay Anderson as an early example of Free Cinema, and tonight’s showing of King Vidor’s THE PATSY, starring Marion Davies. This decision was something of a wrench! Maud Nelissen is doing the music for the latter, along with Filmorchestra The Sprockets, and she was behind the greatest musical/cinematic spectacle of my life, Von Stroheim’s THE MERRY WIDOW in Bologna.

But I have to save money somewhere, and schlepping to Bo’ness for one movie would not be economical. Plus I have seen THE PATSY on the big screen before (though I’ve totally forgotten WHERE — I think it must have been Edinburgh Film Fest and it must have been over a decade ago. I know I saw THE SCARLET LETTER).

THE PATSY is a charmer. Maybe less ambitious than SHOW PEOPLE but funnier. Marion gets to freak out wicked stepmother Marie Dressler by pretending to be crazy, and she also performs (on the slenderest excuse) drop-dead accurate parodies of rival movie stars ~

Gloria Swanson. Mae Murray.

Lillian Gish.

Pola Negri.

This was almost a standard bit at the time — doesn’t Colleen Moore do more of less the same thing in ELLA CINDERS? Or maybe Beatrice Lillie in EXIT SMILING? I wonder how those parodied took it?

Flag waiver

Posted in FILM, MUSIC with tags , , , , on March 23, 2017 by dcairns

I figured, from the extensive cast list and from seeing other early George Sidney musicals at MGM, that THOUSANDS CHEER was going to be a bit plotless. In fact, it’s a perfect storm — a plot you can’t care about, interrupted regularly by musical guest slots that don’t relate to it. By the end, Fiona was getting pretty damn impatient, but even that harsh critic did perk up a bit at the sheer spectacle here ~

That’s part of Sidney’s thing, I guess — he can do visual things that are breathtaking, and is as likely to do them in a turkey (early Gene Kelly, when the studio’s policy seems to have been, “For God’s sake, don’t let him dance too much!”) as in one of his legit masterpieces.

Call of the Yukon

Posted in FILM, MUSIC with tags , , , , , on March 22, 2017 by dcairns

I’m off to Bo’ness again, which can mean only one thing —

The Hippodrome Festival of Silent Cinema is once more upon us, and I’ll be checking out Nell Shipman & Bert van Tuyle’s THE GRUB STAKE, with a new score by my chum Jane Gardner (who scored THE NORTHLEACH HORROR for me).

I’ve never seen a Shipman film, but we have all come to trust the Hippodrome, so I’m quite sure it’s going to be excellent. I’ve also come to trust that Bo’ness won’t have any cafes with wi-fi, so you can expect to hear from me in about twelve hours.