Archive for Orson Welles

Exhumed ex-humans

Posted in FILM with tags , , , , , , , , on October 28, 2019 by dcairns

The credits of CAVE OF THE LIVING DEAD aka LA NUIT DES VAMPIRES aka DER FLUCH DER GRUNEN AUGEN aka BLUTRAUSCH DER VAMPIRE  (1964/5) feature the guy with the greatest Halloween nickname ever, as his real name: Stane Sever.

It’s a West German-Yugoslavian co-production. Alone amid the Eastern block countries, protected by Tito, Yugoslavia made some fun cheesy horror movies in the sixties. Michael Reeves made his first film there, THE SHE-BEAST. This one, however, is directed by Akos V. Ratony, aka Akos Rathonyi, who was nearing the end of his thirty-year career.

Intrepid, boozy, sex-mad detective Adrian Hoven (later a PRODUCER of Euro-horrors) is sent to investigate a series of mystery deaths near a “famous grotto,” each fatality accompanied by a power cut. A story David Lynch might enjoy.

His car conks out just as he arrives at the inn — electromagnetic pulse? or something more sinister, but stupider? Amusingly, when power is restored the next day, the radio is still playing the same tune. That’s how it works, apparently: the radio will pick up where it left off, but maybe play slightly faster until it catches up with the current live broadcast. Either that or Radio Belgrade only has one record to play.

We meet a tavern keeper, a cavern creeper, a wise woman, an unwise woman, a professor who can make his big black candles flame up by breathing on them, like WC Fields, and a deaf mute who’s “harmless, really,” but keeps attacking people — plus he plays the accordion. Not that I’m holding that against him, but it seems inconsistent with his deafness. I suppose he can enjoy the vibrations though. Maybe that’s also why he keeps attacking people. He enjoys the vibrations from his fists thudding into them. While it was, in a way, refreshing to find a hard-of-hearing character portrayed in this unusual way, I felt the other characters were wrong to constantly refer to him as deaf. The thing about this guy isn’t that he’s deaf, or mute, or maybe slow-witted or whatever. The thing about him is that he’s a surly, violent arsehole. The dialogue should not be, “Don’t mind him, he’s deaf,” but rather “Don’t mind him, he’s a violent, surly arsehole. Or maybe do mind him, and give him the occasional punch in the breadbasket.”

There’s also a black manservant working at the local castle (John Kitzmiller from DR. NO). While he’s portrayed as superstitious re vampires, this is perhaps forgivable as he’s RIGHT. More interesting is the fact that the villagers are superstitious of HIM, because of his race, and they’re NOT right. Despite working for the mad scientist vampire troglodyte, he’s thoroughly decent.

I became convinced that at least one, maybe two of the dubbed voices were the same as one of the detectives in Orson Welles’ THE TRIAL. Well, those scenes were seemingly shot in Yugoslavia… but would they have been dubbed there? It seemed unlikely. But I couldn’t shake it. Maybe it was the cavernous echo, and that constipated quality dubbing actors all seem to have because they’re trying to voice three or four different characters. (Welles did a lot of the voices in THE TRIAL himself, and I’d always assumed he was doing that detective. With accompanying strain in voice.)

Really, really shoddy script — we never find out why there are power failures, though we do helpfully cut to the power station at the end where they’re puzzled, too. But old Akos seems to be having fun with a few spooky shots and clever transitions, and his native land has coughed up some good locations.

Am reminded that John Landis conceived AN AMERICAN WEREWOLF OF LONDON after witness a body being buried at a crossroads at midnight on location in Yugoslavia while he was working on KELLY’S HEROES. He later shifted the location to Yorkshire, because they both begin with a Y, I guess.

CAVE OF THE LIVING DEAD stars Professor Henri Vollmer; Jo le Suedois; Dr. Mabuse; Quarrel; and Stane Sever.

After the Fox

Posted in FILM with tags , , , , , , , , , on July 9, 2019 by dcairns

Yes indeed, there’s some interesting stuff in Henry King’s swashbuckler, even if the drama itself isn’t always that engaging. Tyrone Power does his usual bad-boy-turns-good thing. Orson has a spectacular first scene, with some extraordinary expressions playing across his massive mug, then normalizes a bit into just a good Welles villain role. Rewriting the script on location he bolstered Everett Sloane’s role…

…with this feather.

The whole film looks beautiful, thanks to stunning Italian locations and Leon Shamroy’s cinematography, which raises my estimation of him even higher. (In THE BRAVADOS he showcases his usual Deluxe Color palette, with orange light and blue shadows, sometimes ignoring logic and light sources altogether, just routinely doing what he does, so that the imagery so stunning in LEAVE HER TO HEAVEN came to seem slightly tired.)

Was Orson whispering suggestions to King? He had dominated the experienced Robert Stevens on JANE AYRE, and he still had the vestiges of Hollywood stardom to give him clout. I commend to you, at the very least, the film’s second scene (commencing 2.47).

There are low angles: when Welles mounts the podium, we view him from below, like a member of his entourage, but the reactions shots of them are taken EVEN LOWER. There’s a tracking shot running counter to the movement of Welles as he sweeps in. Those shots of the reacting listeners, at around 4.55, with the camera sweeping from one face to another in fast pans and pushy track-ins, are really extraordinary. It feels like Welles exerts more influence here than anywhere else, but it’s perhaps not PURE Welles.

The restlessness of the camera, not quite in sync with story values, driven purely by its own enthusiasm, has an early thirties vibe to me. And King hasn’t indulged in this kind of brio SINCE the early thirties. He’s back at the Fox Film Corporation, channeling the house style with youthful enthusiasm, prodded along impatiently by his Cesare Borgia…

PRINCE OF FOXES features Leonard Vole; Hank Quinlan; Pila; Pilar; Polonius: Flavia; Mr. Bernstein; and Dr. Satan.

Othello Meets Black Emanuelle

Posted in FILM with tags , , , , on May 24, 2019 by dcairns

I wanted to like VOYAGE OF THE DAMNED because it’s a fascinating story and an incredible cast, and I try to like Stuart Rosenberg films because COOL HAND LUKE and THE LAUGHING POLICEMAN are ace. But it does become kind of a snooze.

However, the cast is extraordinary, and leads to strange moments, such as Victor Spinetti, Orson Welles and Laura Gemser (BLACK EMANUELLE) sharing a couple of scenes. Spinetti is great in one of his rare straight roles, Gemser is decoartive, as intended, and Welles… well, he vacillates a little between phoning it in and having some fun with it.

There’s a great moment where he’s in a car with Gemser and Spinetti is leaning in anxiously from outside (he does a lot of that). A business card is handed over, and Gemser is squinting at it, holding it at arm’s length, and Welles is Delivering Dialogue, and out of the blue he interrupts himself and says to Gemser, “Why don’t you put your glasses on?”

The self-interruption is so unexpected and the delivery so suddenly naturalistic it’s like he’s breaking character. In fact, I suppose, we’re being offered a glimpse of the character’s private self, how he talks when he’s alone with his lady friend. “That is brilliant,” said Fiona. “He’s turned her into a human being. And himself!”

We both assumed it to be a Wellesian addition, put together with Gemser’s cooperation. If it was somebody else’s idea, he couldn’t have done it so well.

VOYAGE OF THE DAMNED stars Bonnie Parker; Guy Montag; Miriam Polar; Tatiana Romanoff; Major Barbara Undershaft; Eleanor Lance; Little Napoleon; Helena Friese-Greene; Alma Mahler; Emperor Ming; Harry Flashman; Professor Rathe; General Taggi; Colonel Haki; Doctor Watson; Norman Maine; Elaine Robinson; Foot; Gus Portokalos; Cyrano de Bergerac; Jackie Treehorn; Alain Charnier; Toby Esterhase; Alexandra Romanoff; Marcus Brody; Reginald Perrin; Delbert Grady; Mr. Slugworth; Black Emanuelle; and introducing Sam Lowry.