Archive for Dr Jekyll and Mr Hyde

Hyde Perks

Posted in FILM with tags , , , on July 14, 2016 by dcairns

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Lots of limericks on the 1931 DR JEKYLL AND MR HYDE over at Limerwrecks. Some of them by me.

Dr. Jekyll and Mr. Hyde-White

Posted in FILM with tags , , , on February 26, 2016 by dcairns

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Film detective time again!

Arch-Shadowplayer Randy Cook sent me a discovery — what appears to be a nubile Wilfred Hyde-White in Rouben Mamoulian’s 1932 DR JEKYLL AND MR HYDE, spotted leaving Fredric March’s opening lecture.

This is Big News in that it;s unlisted on the IMDb and would put WHW in the movies two years earlier than the IMDb would have it — and making his debut in Hollywood rather than Cricklewood.

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Biographical info on the silvery one is somewhat sparse, but we are told he embarked on a tour of South Africa in 1932. Very well — either he decided to keep travelling and took a crack at the movie capital, or else South Africa was a cover story, something young Wilfred (!) thought sounded more respectable than moviedom.

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But hang on — is it him? It looks like him, and who else could? I also applied my forensic identification expertise, which consists of one helpful tip, acquired making NATAN, in which we had to differentiate, to our own satisfaction, between a distinguished French movie producer and a series of porno actors, one with a passing resemblance. The hint is that, socially, we concentrate on the middle of the face, the eyes nose and mouth, and the general shape. But the ears have much to tell us — though they grow throughout a person’s life, they do not naturally acquire or discard lobes, and the crenellations within remain broadly consistent.

This Hyde-White-alike not only has a similar elongated visage, with similar, distinctly shaped features, his ears are a pretty close match too. What are the chances?

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The only snag is the voice, which seems not to have yet acquired the reedy, fluting, querulous, nasal, professorial tone we know from later movies — I should hate to think it was an affectation! In REMBRANDT (1936), the earliest confirmed WHW movie I have to hand, he already has it, in rudimentary form anyway. Playing a medical student, he may have thought it unhelpful and suppressed it. Anyway, your views are welcome — if you have the DVD, the scene in question is right at the start, and it’s always worth revisiting this classic anyway.

I Was Hippodrome’s First Victim

Posted in FILM, MUSIC with tags , , , , , , , , , , , , , , , , on February 10, 2015 by dcairns

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I got an early heads-up on the programme for this year’s Hippodrome Festival of Silent Film, unspooling in scenic Bo’ness in March (18th-22nd), and it’s exciting stuff. I think the choices have been getting bolder each year as the films play to packed houses. It’s one thing to run Chaplin films with live music, it’s another to add Ozu to the mix. This year we have forgotten movie stars and filmmakers known to silent buffs but unfamiliar to the general public, but the loyal audiences of Bo’ness can be trusted to trust the Fest in turn and show up, knowing it’ll be worthwhile, even as a devoted crowd of silent movie buffs descends on the sleepy town for whing-ding, I believe it’s called.

Very excited about William S. Hart’s HELL’S HINGES, to be accompanied by Neil Brand and the Dodge Brothers. They performed along to BEGGARS OF LIFE last year and it was unbelievably entertaining. There’s still a lot of love for westerns among the older generation in Scotland so I think this chance to discover one of the earliest important cowboy stars will only create an appetite for more. This could be addressed further down the line with Tom Mix, Borzage’s early self-starring oaters, or THE COVERED WAGON and THE IRON HORSE.

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The screening of ANNIE LAURIE pleases me greatly because it was something I suggested a couple of years ago — I have no idea if my hint found its way to the right ears, or if it’s just a coincidence. The Scottish connection makes it a natural choice, and Lillian Gish is overdue for an appearance. It’ll be great to finally see a good print, especially with the Technicolor sequence.

Also Scottish-themed, in a way, is Oscar-winner Kevin MacDonald’s documentary CHAPLIN’S GOLIATH, telling the story Eric Campbell (he of the eyebrows), who liked to claim he was from Dunoon (due west of Bo’ness on the opposite coast). Fresh information, as they call it, has since come to light, but I’m glad MacDonald got his Scottish-funded doc made before research cut the legs from under it… It’ll also be great to see the man-mountain E.C. on the big screen, menacing Charlie as usual.

Surprise choices CHILDREN OF NO IMPORTANCE and SALT FOR SVANETIA continue to broaden the fest’s scope in bold new directions. I’m excited about the rarely-seen SYNTHETIC SIN with Colleen Moore, and favourites PICCADILLY, THE NAVIGATOR and the Barrymore DR JEKYLL AND MR HYDE all make appearances with exciting new music.

A shame there’s no Jane Gardner this year, but addicts can check out her trio at The Wash House, Portobello this weekend, with screenings of THE BLACK PIRATE on Friday and SEVEN CHANCES (with ONE WEEK) on Saturday. Yay!