Archive for the Science Category

Next Stop, Rocket Science

Posted in FILM, Politics, Science with tags , , , , , , , , on March 27, 2014 by dcairns

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It seems the biopic of Werner Von Braun, famed for his role in the US space program, but rather less popular for his rocketry for the Nazis in WWII was originally called WERNER VON BRAUN, and then somebody got cold feet and thought, Maybe we aren’t quite ready to forgive him yet? and so the title was changed to the more poetic I AIM AT THE STARS, but this mealy-mouthed approach was too tempting for someone or other, who suggested appending the subtitle …BUT SOMETIMES I HIT LONDON.

Nobody seems to know who thought of this wizard wheeze, but I suspect that further research would show that it was either Noel Coward or an anonymous wag. Previous research has shown that this kind of thing* is almost always the work of Noel Coward or an anonymous wag.

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The film itself is typical of director J. Lee Thompson’s energetic approach at this time, with a swinging camera and dynamic blocking. Laurie Johnson’s percussive score adds to the general sense of being yelled at, and in case that gets old, Curt Jurgens is on hand to do actual yelling. I don’t quite understand the Curt Jurgens phenomenon. Calling him “Curd” doesn’t help either. I guess we can blame …AND GOD CREATED WOMAN for turning him from a perfectly respectable German character actor into somebody regarded as an international movie star. With sex appeal. And yet I can’t convince myself that history would be any different if Gert Frobe had played all Curt or Curd Jurgens’ roles and vice versa.

*A further example of This Kind of Thing. Noel Coward remarked, upon seeing a poster for THE SEA SHALL NOT HAVE THEM with Dirk Bogarde and Michael Redgrave, “I don’t see why not, everyone else has.”

Ants in Your Plants of 1954

Posted in FILM, Science with tags , , , , , , on February 9, 2014 by dcairns

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Having enjoyed a re-viewing of George Pal’s THE TIME MACHINE and found some things to enjoy in THE WONDERFUL WORLD OF THE BROTHERS GRIMM, we wanted to check out more Pal productions. TOM THUMB wasn’t handy so we tried THE NAKED JUNGLE but couldn’t get through the damn thing.

This is the kind of film that used to be always on. Saturday night, alone and bored, I turn on the TV and there’s Chuckles Heston battling army ants with his fists and chin. The ant invasion is described as “forty square miles of agonizing death” but that’s a description better suited to the film itself.

Pal’s production, directed by former photographer and effects expert Byron Haskin, is matte paintings from the waist up. Various “natives” in shoe polish display various colonial stereotypes. The big threat, other than Heston’s obnoxious he-man characterisation, is the ant attack, only introduced halfway through but swiftly dominating everything and leaving the Eleanor Parker romance angle to bosom-heaving sighs on the sideline.

The screenwriters’ conceit is that marauding ants lay waste to everything in their path and can even skeletonize a man, in exactly the same way that piranhas can’t. As advance lookout, Chuckles selects a particularly fat native on the grounds that it will take the insects longer to devour him, but alas, being fat, dozy, and covered in shoe polish, he falls asleep on watch and gets eaten. Here I was looking forward to something equivalent to the faux time-lapse decaying Morlock in THE TIME MACHINE, but the movie gets all coy, not to mention cheap, on us, so all we get is the actor screaming “My eyes!” and then a shot of an empty suit on the floor. I was also hoping for puppetoon ants courtesy of Pal’s animator associates, even though that would be an INSANE amount of work.

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Fellow Shadowplayers, I was not disappointed — and yet I was. The puppetoon insects duly appear, stripping the leaves from a tree, but only for two shots. That’s not enough puppetoonery for a feature film. I would even have accepted those annoying elves from BROS. GRIMM, as long as Chuck could have punched their stupid lopsided faces in.

The Monday Intertitle: Dreamcatcher

Posted in FILM, Science with tags , , on October 28, 2013 by dcairns

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Picked up for 1 Euro at a movie and photography market in Lyon — a lovely little booklet produced by a company offering intertitles for home movies. The pamphlet is from 1948 but the designs look like they’ve probably been around since at least the thirties — which means they look LOVELY. A reminder that silent cinema didn’t end with the twenties, since home movies stayed silent for decades to come.

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The illustrated cards are particularly nifty.

These would add professional flair to anybody’s holiday footage. The choice of titles offered in the booklet also suggests the kind of movie the average cine-wielding Frenchman was thought likely to produce. I confess to bafflement, however, over what sort of shot would have followed THIS card ~

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“An infant’s dream.”

It seems the question “What do babies dream about?” was not always a mystery. In France in 1948, most middle-class families with 9.5mm equipment could answer it with confidence, and furthermore were able to extract imagery from their infants’ crania, rather the way Bernard Quatermass does with Martian memories in QUATERMASS AND THE PIT. If any of these in-child movies still exist, I would be fascinated to view one.

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