Not overall a huge TRAINSPOTTING fan, though I appreciate the energy. But here’s a scene that speaks to a great many people. I met some Spanish filmmakers in Sitges who could quote it verbatim.
It’s Throwback Thursday as The Forgotten harkens back to June’s Edinburgh International Film Festival and its retrospective of movies from Iran before the revolution — that brief glimmering between the birth of cinema in that country and its descent into theocracy.
This comes, ironically, just as Chris Fujiwara announces that he’s leaving his position as director of the festival, after a stint in which he reinvigorated an event that was pretty much on the rocks. He will be missed — but he leaves us with an EIFF in great shape.
I’ve just written a feature script with Alex Livingston(e), a very talented guy, who pointed out to me that you can see the eye of a duck in David Lynch’s BLUE VELVET. (above)
And this was significant since Lynch has a whole theory about the eye of the duck, which he explains below.
The clip I really wanted to show was Mark Cousins’ Scene by Scene interview, where he brings up the duck-eye theory again and gets a typically detailed elucidation of it, and we learn that movies are like ducks and each movie has a scene which is equivalent to the eye of the duck. Mark asks Lynch what the eye of the duck scene is in his latest movie, THE STRAIGHT STORY. Micro-pause. “I haven’t thought about it.”
Brilliant comic timing, but unplanned. The difference between being a comedian and simply being comic, and aware of it. At a certain point, Lynch realized that he could be a comedy character. I don’t think I understood this slightly performative, yet sincere, aspect of Lynch in the first few times I saw him speak, but looking back on them, it was always there.
Of course his recent ice-bucket challenge displays this brazenly.