Pardon the Intrusion
WORLD EXCLUSIVE from Shadowplay. This is INTRUSION, the first film by ’60s UK horror-film enfant terrible Michael Reeves.
Unfortunately, in the years since its production, the soundtrack has gone astray. Also unfortunately, since Reeves made the mistake of making his film exactly 34 seconds too long for YouTube, I’ve had to omit the opening title that reads, “This film is dedicated to Jean-Luc Godard.” It’s a dedication that makes me smile. Godard dedicated A BOUT DE SOUFFLE to Monogram Films, makers of low-grade quickies. Reeves dedicates his low grade quickie to Godard, without a trace of detectable irony.
The film isn’t exactly good or anything, but it’s historically very important and it’s been unavailable for years because the people who have their hands on the only print charge a fortune for video copies. Even Reeves’ biographer, Benjamin Halligan, got stung.
So now here it is for free, so you can all enjoy the first film performance of future Reeves star Ian Ogilvy as the Obsequious Butler (?) the fact that the bad guy wears Jean-Luc Godard shades, the novelty of a would-be hard-edged thriller being performed by public schoolboys in the leafy English countryside, and the complete lack of irony or plot twists.
It’s an early work, owing more to Reeves’ hero and mentor Don Siegel than to Godard, and probably of interest only to Reeves completists. We get the sex (sort of) and violence (sort of) and the rural and distinctly English setting, which connects it to other Reeves movies, even if it is basically a home movie by precocious teenagers. We’re certainly not talking TWO MEN AND A WARDROBE here. The rest of you should check out psychedelic psycho-thriller THE SORCERERS and vicious allegory WITCHFINDER GENERAL to see Reeves at his height, and mourn the loss to British cinema — Reeves died of an accidental overdose at age 25.
(I love the fact that for some reason INTRUSION is “A Leith Production,” since that’s where I live in Edinburgh. The name has fulfilled itself.)