Archive for William Randolph Hearst

Kane Caught in Love Nest with “Dinosaur”

Posted in FILM with tags , , , , , , , , , , , , on June 15, 2013 by dcairns

league1Panels from Nemo: Heart of Ice, the latest installment of the adventures of Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen. Ignore the terrible movie with which Sean Connery ended his career, the comic is quite good.

In The League’s universe, all the characters from sensational fiction inhabit the same world and interact, thus there’s a superhero team (though Moore denies they’re that) composed of Captain Nemo, Allan Quartermain, Mina Murray, the Invisible Man and Dr Jekyll/Mr Hyde. The movie throws in Dorian Gray too, which was enough to get them sued by none other than Larry Cohen, who had written a screenplay called CAST OF CHARACTERS which brought Gray together with several of the above characters. Moore, who hates the film business (can’t blame him after FROM HELL) was not pleased at being dragged into a movie lawsuit.

The creators somehow evade copyright law and drag in all sorts of famous fictional figures — the newspaper magnate here is clearly Charles Foster Kane, and his Everglades retreat is decorated with a pic of a nude woman on a sled, referencing both versions of the origin of “Rosebud” (an innocent snow vehicle, or William Randolph Hearst’s nickname for Marion Davies’ genitals), the Maltese Falcon, and a stuffed pterodactyl head mounted on the wall.

The latter strikes me as a singularly witty trope. It refers chiefly to the supposed flying lizards in the scene discussed here, which are in fact cel-animated flamingos, we think, and not off-cuts from KING KONG or SON OF KONG as is all too often claimed. Since the Moore comic is set in 1925, the dino also fits neatly with the first movie of THE LOST WORLD released that year, and one remembers that in the Conan Doyle novel, Professor Challenger and his team bring back from the remote South American plateau an egg, which hatches and provokes consternation.

I always felt this was the inspiration for Max Klinger’s print.

However, in the movie of THE LOST WORLD, Willis O’Brien animates a brontosaurus rampaging through London — how the team brought THAT home is as unexplained as Kong’s trip to New York eight years later. So the Moore reference doesn’t make absolute cross-textual sense, but it ties together a number of disparate things in a pleasing if irrational way. Which is just the kind of thing I like.

lost-world-bronto

Moore & O’Neill’s series is enjoyable for this kind of attention to background detail — every image has some in-joke or reference, which is why one likes to have the Annotations to hand when perusing.

Nemo: Heart of Ice

The Lost World [1925] [DVD]

Citizen Kane [Blu-ray] [1941]

“It’ll probably turn out to be some very simple thing.”

Posted in FILM with tags , , , , , , , , on October 15, 2011 by dcairns

In Barbara Leaming’s bee-ography of Orson Welles, there are a lot of tall tales from The Great Man, often accepted at face value by Leaming. Many of them have since been questioned, and it’s hard to know which may be true. In particular, recent commentators have tended to throw cold water on Marion Davies’ vagina.

If you recall, Welles claimed that “Rosebud” was William Randolph Hearst’s pet name for his mistress’s privates, and that she had mentioned this in a drunken conversation with Herman Mankiewicz, a friend and occasional visitor to Hearst’s Xanadu, San Simeon. Mankiewicz had used this secret information in the screenplay he wrote with Welles. I think this yarn hasn’t really taken root partly because we all know Orson was a big fat liar (and we love him for it), and perhaps because we’re reluctant to accept that CITIZEN KANE revolves around a smutty joke. Of course, Welles felt the “dollarbook Freud” of Rosebud, seemingly to explain Kane’s emptiness with an easy childhood symbol, was too pat anyway, and said “we did everything we could to take the mickey out of it.” So we shouldn’t see the sled as the centre of the labyrinth, the key to understanding. And so maybe it doesn’t matter so much if it IS a dirty joke.

Sidenote — did Leaming originate the story, or does it come, as Jon Tuska claims, from Gore Vidal? Vidal’s film scholarship and veracity have sometimes been questioned (cf his accounts of BEN HUR), but I don’t know that he’s ever been proved to have fibbed. Tuska says Vidal got the story from Charlie Lederer, nephew of Marion Davies (that’s not a conversation I can picture having with my aunt) and also second husband of Virginia Welles.

Thoughts arising from the CITIZEN KANE Blu-Ray: “That sure doesn’t look like a rose!”

And indeed, while it’s not an absolute likeness of a vagina, it has a certain Georgia O’Keefe quality. And it doesn’t look anything like a rose. Randy suggests a viewing of KANE with the theory in mind: if this was done as a prank directed at Hearst, how fiendishly cruel! The billionaire press baron is told by underlings that a Hollywood film has dared to tell a thinly-veiled version of his life story. He arranges a screening. The very first sequence, and a giant pair of lips mouths the word “Rosebud!” What the hell?

The newsreel ends, and suddenly everybody’s talking about it: the last word on his lips. And the whole damned movie is going to be about the quest to find out the meaning of this? The tycoon must be in a state of shock. And he has to wait two hours to find out the answer, and even when the sled shot lets him off the hook, the image he sees as the wood starts to char…

No wonder Hearst mobilized his minions to suppress the film. No wonder he tried to get RKO to treat the film like the sled and incinerate it. I discuss this with arch-Wellesian Randall William Cook:

“But we don’t know for sure, do we, that Hearst ever saw it,” I say.

“Well THAT would just be the greatest practical joke in history that never came off. The bucket of water that just sat on top of the door, forever.”

And he adds:

“Remember, just because David Thomson believes it, doesn’t mean it’s not true.”