Then Marion Davies is not the girl for you, sir.
TILLIE THE TOILERS is based on a newspaper strip cartoon, but it’s a Marion Davies production and apart from going brunette to match the drawn character she’s up to her usual light comedy tricks. At no point is she required to change costume in a phone booth, as diverting as that would be, or scale a tall building with anything more strenuous than a single elevator.
The titular Tillie is a secretary on the make, rather callously ditching her beau so as to pursue first the foppish assistant manager, Mr Whipple (George K. Arthur), from whome she extracts lunch, and then a passing millionaire, Mr. Penny Fish, for whom she ditches Whipple with haste and not a little relief. It’s to the credit of the screenwriters and Davies that Tillie remains somewhat sympathetic throughout.
We’re at MGM’s Number One plot here, recycled through several Joan Crawford vehicles a couple of years later — how to marry well while remaining virtuous. It’s OK to be a little mercenary as long as you stay virginal.
George K. Arthur is an interesting figure — he backed Von Sternberg’s first film, THE SALVATION HUNTERS, on the proviso that he play lead, which he wasn’t very suited to doing. He’s much better as a supercilious schnook here. Sternberg claimed that the budget Arthur promised turned out not to exist, and so Sternberg ended up paying for the film himself.
Returning to his native Britain, Arthur, produced the early shorts of Jack Clayton and Wendy Toye, for which cinephiles should thank him. I’m presuming in those cases the money actually existed. Mr Whipple came a long way.