Archive for The Shadowcast

The Shadowcast #10: Welcome to the Hippodrome

Posted in FILM, MUSIC with tags , , , , , , on May 2, 2019 by dcairns

A crazy and baffling still from THE PARSON’S WIDOW — no such scene appears in the movie — just one of the movies discussed in the first ever location-recorded edition of The Shadowcast, coming to you direct, with a slight time delay, from the Hippodrome Silent Film Festival in Bo’ness. Along with the atmospheric qualities of being on location, you get to enjoy a lot of background chatter and noise, making earbuds probably a necessity for this installment. But if you close your eyes it’s a lot like being there.

I talk to the cousins of James Finlayson, the BFI’s head of silent film, the festival director, Silent London herself, and a bunch of (extra)ordinary punters, about films such as MOULIN ROUGE, AU BONHEUR DES DAMES, THE RED HEROINE and HINDLE WAKES. Let me know what you think of the experiment.


Them & Us

Posted in FILM, Television with tags , , , , on April 10, 2019 by dcairns

New Shadowcast!

Fiona wanted to talk about Jordan Peele’s US, the best new film we’ve seen for a while… so we did. Here it is:

A Letter from Stan, 1 & 2

Posted in FILM, literature, MUSIC, Theatre with tags , , , , on March 22, 2019 by dcairns

We recorded a couple of minisodes (ugh! that WORD!) for The Shadowcast, relating to our recent Stan & Ollie megasode (deLIGHTful word), United We Fall.

Fiona discovered The Text featured, but to bring it to life we needed a Principle Boy, preferably one with an accent that might pass as similar to that of the young Arthur Stanley Jefferson. Since Stan moved about the UK a lot as a kid, and his eventual adult speech is a bit of a hybrid, we had a fairly loose remit, but opted to search around the area of his birthplace, Ulverston. Here, Naomi Bewsher of Stagecoach Performing Arts Schools, Carlisle and Cockermouth, was our benefactor. She eventually got five lads to record renditions of The Text, and we were supposed to choose one.

Well, we failed — Fiona was enamoured of Joe Campbell-Hillsley’s passionate rendition, whereas I leant towards Evan Low’s more measured delivery. So we compromised, and you get two minisodes for the price of none.

Music by Matt Wand and Marvin Hatley.

Here’s Joe:

And here’s Evan:

And here’s the original full-length megasode:

In strict fairness, I should admit to editing The Text slightly, including combining two drafts (both preserved for posterity by Stan’s dad). But all the words are by young Stan, and all the funny lines are authentic.