Archive for The Postman Always Rings Twice

Grease Monkey Business

Posted in FILM, literature with tags , , , , , , , , on July 19, 2012 by dcairns

The Coen Brothers, back when BLOOD Simple was new, were asked about modern noir and in particular the new version of THE POSTMAN ALWAYS RINGS TWICE with Jessica Lange and Jack Nicholson. Not yet having learned the form of good manners that seems to prevail in the film industry, whereby filmmakers rarely badmouth each others’ work (in this, as much else, Ken Russell was un vrai enfant terrible), they remarked that Pauline Kael’s criticism of the film seemed to them dead right.

Kael had basically said that the scene in James M. Cain’s book when a man is murdered just as he sings out into a valley, and his voice echoes back after his death to alarm his murderer, was pure cinema, and that nobody with an ounce of cinematic sense could possibly omit it from a movie adaptation. Now, Bob Rafelson, that film’s director, showed considerable cinematic sense, or at least flair, in his work —

But he must bear some responsibility for leaving out that compelling detail, and for truncating the book’s grimly ironic ending. (Though in fairness, his film delivers on some other key moments.) But if we have to point the finger of blame, I’d sooner point it at David Mamet, who does seem to me to display an anti-cinematic impulse in nearly everything he touches. An exception can be made for THE UNTOUCHABLES, where Mamet’s speechifying and DePalma’s showy excess hold each other in a kind of goofy equilibrium.

Anyhow, both Cain’s murder scene and his ending are intact in the FIRST version of Postman, which might not be the version you’re thinking of. Check it out at The Forgotten.

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Jeb Rand on the Brain

Posted in FILM with tags , , , , , , , , on May 29, 2008 by dcairns

That's Your Funeral

PURSUED. Robert Mitchum as Jeb Rand attends the funeral of the man he killed, Harry Carey. Stunning photog by James Wong Howe. I guess he’s using a polarising filter to make the sky ultra dark. Either there’s a really strong low sun or he’s actually lighting it — it has a sort of artificial look, but I guess it’s sunlight alright — the sky is basically clear. So they’re filming it late in the day as the sun sinks, and the brightness plus the unnaturally dark sky give it a dreamlike, unnatural quality.

The Women

And anything with Dame Judith Anderson (Mrs. Danvers in REBECCA, and by the way, where do you suppose MISTER Danvers is?) gets extra dream-points. The idea of a Dame out west is appealing too.

Mitch

Theresa Wright, who’s always admirable, but usually very sweet and innocent, gets to be really strong and interesting in this movie. She look at Mitchum and silently vows to marry him — then kill him!

The Wright Stuff

Does Jeb suspect?

Big Bad Bob

Screenwriter Niven Busch scripted THE POSTMAN ALWAYS RINGS TWICE and is generally more associated with the noir scene than with westerns. The dialogue is nice too, with pleasing archaisms like “I disremember,” and “must be boresome.” You can’t have too much of that kind of lingo in my book. Well, you CAN, but usually the problem is you don’t have enough. “Generally better to overdo these things,” as Mitchum himself says in the remake of CAPE FEAR.

I guess if this was a John Ford film we might have a long shot with a low horizon and plenty of sky, which would have been pictorially very nice but not helpful really. This is definitely a film noir pretending to be a western, and noir is a fair distance from the Ford style. Although the Ford style takes in Murnau-isms at times, so is closer to noir than I’m acknowledging. Aw, I’m just hedging my bets all over the place. Time I went to bed.