Archive for The Black Pirate

The St. Valentine’s Day Intertitle #1

Posted in FILM, MUSIC with tags , , , , , on February 14, 2015 by dcairns

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Friday Night at the Wash House (Portobello Community Centre) for a screening of THE BLACK PIRATE with music by the Jane Gardner Trio. Seen it before, and with the same accompaniment (wildly romantic, witty), but that was at a bandstand in broad daylight with the film “projected” on two screens rather like scoreboards. The Wash House turns out to be a terrific venue, with good sound and projection and a fun audience — a genuine community (apart from us) with plenty of old folks and kids, who all got into it and laughed in the right places and also spontaneously cheered at the grand climaxes.

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Shona Thomson, introducing the show, also informed me that Donald Crisp, the comedy relief one-armed pirate sidekick (complete with tam-o-shanter and Scots dialect intertitles, was another BOGUS SCOTSMAN. There’s a plaque in his honour in Aberfeldy but he was actually born in East London, the swine. Just as with Chaplin’s hulking foe, Eric Campbell, we have a case of an actor who just liked the idea of being Scottish, and so reinvented himself.

(How different from Donald Sutherland, Canadian of Scots descent, who was mortified at the idea of being a Scot. “I thought, ‘If only I could be Irish or Jewish, that would at least be SOMETHING.'”)

Tonight, the Trio play once more, accompanying Buster Keaton’s ONE WEEK and SEVEN CHANCES — Fiona and I shall be there. What better way to celebrate romance than with a silent comedian being chased through Los Angeles by a hundred brides?

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Although, admittedly, Doug’s proposal (top) is better than Buster’s (above).

I Was Hippodrome’s First Victim

Posted in FILM, MUSIC with tags , , , , , , , , , , , , , , , , on February 10, 2015 by dcairns

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I got an early heads-up on the programme for this year’s Hippodrome Festival of Silent Film, unspooling in scenic Bo’ness in March (18th-22nd), and it’s exciting stuff. I think the choices have been getting bolder each year as the films play to packed houses. It’s one thing to run Chaplin films with live music, it’s another to add Ozu to the mix. This year we have forgotten movie stars and filmmakers known to silent buffs but unfamiliar to the general public, but the loyal audiences of Bo’ness can be trusted to trust the Fest in turn and show up, knowing it’ll be worthwhile, even as a devoted crowd of silent movie buffs descends on the sleepy town for whing-ding, I believe it’s called.

Very excited about William S. Hart’s HELL’S HINGES, to be accompanied by Neil Brand and the Dodge Brothers. They performed along to BEGGARS OF LIFE last year and it was unbelievably entertaining. There’s still a lot of love for westerns among the older generation in Scotland so I think this chance to discover one of the earliest important cowboy stars will only create an appetite for more. This could be addressed further down the line with Tom Mix, Borzage’s early self-starring oaters, or THE COVERED WAGON and THE IRON HORSE.

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The screening of ANNIE LAURIE pleases me greatly because it was something I suggested a couple of years ago — I have no idea if my hint found its way to the right ears, or if it’s just a coincidence. The Scottish connection makes it a natural choice, and Lillian Gish is overdue for an appearance. It’ll be great to finally see a good print, especially with the Technicolor sequence.

Also Scottish-themed, in a way, is Oscar-winner Kevin MacDonald’s documentary CHAPLIN’S GOLIATH, telling the story Eric Campbell (he of the eyebrows), who liked to claim he was from Dunoon (due west of Bo’ness on the opposite coast). Fresh information, as they call it, has since come to light, but I’m glad MacDonald got his Scottish-funded doc made before research cut the legs from under it… It’ll also be great to see the man-mountain E.C. on the big screen, menacing Charlie as usual.

Surprise choices CHILDREN OF NO IMPORTANCE and SALT FOR SVANETIA continue to broaden the fest’s scope in bold new directions. I’m excited about the rarely-seen SYNTHETIC SIN with Colleen Moore, and favourites PICCADILLY, THE NAVIGATOR and the Barrymore DR JEKYLL AND MR HYDE all make appearances with exciting new music.

A shame there’s no Jane Gardner this year, but addicts can check out her trio at The Wash House, Portobello this weekend, with screenings of THE BLACK PIRATE on Friday and SEVEN CHANCES (with ONE WEEK) on Saturday. Yay!

The Sunday Intertitle: Sunday in the Park with Doug

Posted in FILM with tags , , , on July 27, 2014 by dcairns

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That black rectangle to the right of frame is an intertitle! At Kelvingrove Bandstand, Glasgow, I was viewing THE BLACK PIRATE — on a small screen in distracting daylihgt with low resolution and in the wrong ratio — but to compensate we had brilliant live music by the Jane Gardner trio. THE BLACK PIRATE never gets dull for a second, but you did have added visual interest, because during the exciting bits you could watch drummer Hazel Morrison pounding her pagan skins in best BEN HUR slave galley fashion.

Another source of intertitles — too bad I can’t copy and paste them here — is the Library of Congress’s Flickr page for unidentified movies. Head over and see if you can supply helpful info about the dates, titles, or cast of any of the films sampled. The images are often surreal, beautiful or just puzzling, and the intertitles are poetic in the extreme ~

“EZRA FETLOCK ~ INVENTOR OF SKID CHAINS AND BLOW-OUT PATCHES FOR BALOON TROUSERS.”

“Brutal Bill ~ He would kill a man for a dime and give nine cents change. GLEN CAVENDAR.”

“We’ll make fake bears of Pete and Jake with our bearskin rugs.”

“LOOK, Father! See the pretty wood nymphs dancing in the snow.”

“Mrs Smith — a horsewoman by profession but a blonde by choice.”

“One quart later. (An Aladdin Comedy)”

“THE WITCH HAS HER VICTIM”

“The stenog’s regular meal ticket was on hand.”

It’s not impossible that you could be of help here — I myself identified Warner Oland in one frame, although admittedly two other people had already done so.

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