Archive for Roy Ward Baker

Maiden Voyage

Posted in FILM with tags , , , , , , on April 1, 2020 by dcairns

Vol. II of The Shadowcast begins with a voyage on the unsinkable Titanic. There will be shuffleboard, and dancing in steerage.

Dress warm.

Here.

 

Swapping Deckchairs

Posted in FILM, literature with tags , , , , , , , , , , , , on March 29, 2020 by dcairns

Nice of Brian Aherne, in the Jean Negulesco TITANIC, to proudly display the name of his favourite Bob Fosse film.

Though I would have put him down as more of a LENNY man.

Working on a new Shadowcast, or at least talking about doing so… I realise if we’re going to make this podcast thing a success we’ll have to make some actual podcasts… thinking of theming it around movies about the Titanic. There are quite a few. We’ll just talk about the ones we’re interested in. Probably these:

ATLANTIC. EA Dupont, Britain, 1929. Stars Thomas Cromwell; Princess Flavia; Sir Henry Baskerville; Harry Blump, the Window Washer; Needle Nugent; Detective Frank Webber; Gen. Mercier; Emily Hill; Duke of Orleans; and One-Round

The Nazi TITANIC. Gervert Selpin, Germany, 1943. Stars Léone; Chef von Scotland Yard; Elephant Keeper Kellerman; Inspector Groeber; and Inspector Karl Lohmann.

TITANIC. Jean Negulesco, USA, 1953 which stars Waldo Lydecker; Martha Ivers; Jonathan Hart; Louise Kendall; Moe Williams; Maximilian I of Mexico; Ishmael; Cousin Albert Van Cleve; Lord Alfred Douglas; the Dear One; Herod the Great; and the voice of Klaatu.

A NIGHT TO REMEMBER. Roy Ward Baker, Britain, 1958, Which stars Douglas Bader; Cmdr. Fortune; John Quincy Adams; Pussy Galore; Hylas the Glaswegian argonaut; Don Jarvis; Ieuan Jenkins; David Copperfield; Illya Kuryakin; Chief Inspector Tim Oxford: Argos the Surrey Argonaut; Peter Coffin; Dickie Winslow; Catweazle; Lenin; Prof. Bernard Quatermass; Takyan; Det. Chief Supt. Charles Barlow; Q; Prince Otto; Sandy Youth; Norm; Tumak; Vivian Darkbloom; the Duke of Wuertemberg; Captain Winston Havelock; and Boba Fett.

And I guess we won’t be able to entirely avoid James Cameron’s TITANIC (USA, 1998) which stars Rick Dalton; Young Iris Murdoch; The Phantom; Annie Wilkes; Strawberry Alice; Margaret Waverton; Private Hudson; King Theoden; Henry Niles; Herbert Arthur Runcible Cadbury; Reed Richards; Jeremy Secker; Pontius Pilate; and Captain Winston Havelock again.

Why, it’s Captain Smith! The real one, seemingly. The little white blotch to the right of his head seems to be where somebody’s scratched out the name of another ship, for what reason I’m uncertain. All through this documentary short, frequently mislabeled as SAVED FROM THE TITANIC, the names of ships are erased.

The real SAVED FROM THE TITANIC is, I believe, lost. It was the first Titanic drama, released in 1912 to cash in quick, and it starred a real survivor of the disaster, Dorothy Gibson.

Well, you can’t really blame her for trying to salvage something from the experience.

Deliberately Buried

Posted in FILM with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 22, 2019 by dcairns

Guest Shadowplayer Bruce Bennett contributes a piece which ties in neatly with my ongoing exploration of 2001: A SPACE ODYSSEY. Many thanks to Mike Clelland for connecting us up, and to Bruce for letting me run this. Any questions can be raised in the comments section. Over to you, Bruce ~

During a visit with Film Comment magazine’s editor Nic Rapold last spring I proposed an article that would document what was, in my opinion, a largely overlooked shadow of influence that a handful of prior films cast on Kubrick’s 2001: A Space Odyssey. I offered to put together a proposal outlining some of the films and ideas and connections I wanted to get into and a month or two later I finally got around to whipping up a pdf on the topic(s) and sent it along. We talked about it a bit but I got busy with other stuff, Nic had a dozen other writers to shepherd, and ultimately 2001’s Golden Anniversary year ended with neither me writing nor Film Comment publishing the piece I had in mind. Here, then, is the thing I sent Nic – not an outline nor an article nor, god help us, a listicle – just some frame grabs (and one downloaded image from the WWW) and notes intended to give the reader an idea of what I was onto and cue me in further discussions and woolgathering. If nothing else, I guess, it’s a proven example of how not to pitch Film Comment…? Enjoy.

2001: A Magpie Odyssey

In the not too distant future, a spacecraft shuttles a space agency PHD bearing details of a secret mission to an orbital space station.

  “Conquest of Space” Byron Haskin – 1955

Talking points: The strange case of George Pal’s espoused distaste for 2001 (per Frayling) having nothing to do with his own film having been apparently co-opted in 2001’s creation. A short history of Conquest’s star-crossed production, resulting not-for-the-faint-of-sensibility grotesquerie & a love sonnet to Hal Pereria’s Paramount art dept.

*

Objects liberated from gravity float, fly and couple across a spinning 2.35 frame in a weightless ballet set to Strauss’ Blue Danube Waltz.

    “Trapeze” Carol Reed – 1956

Talking points: The long arm of aesthetic influence that Krasker & Reed’s collaboration extended to filmmakers of SK’s generation. Ditto Krasker and Anthony Mann’s films…?

*

Onboard an orbiting space station, space travelers exchange somewhat tangled sentiments with loved ones home on Earth via videophone.

“Conquest Of Space”

*

Upon arrival, an unctuously bland bureaucratic space agency PHD shocks subordinates with secret mission orders.

  “Conquest Of Space”

Talking points: Compare, contrast the exquisite blandness of William Sylvester’s Dr. Floyd (perhaps, and this is a difficult to value to assign, the single most remarkable performance from 2001’s North American ex-pat cast) vs. William Hopper’s Dr. Fenton. Some further discussion of Conquest’s uniquely off-putting qualities being as challenging, in their way, as 2001’s were…

*

Zero gravity enables a spacecraft crewmember’s wall walk.

  “The Quatermass Xxperiment” Feature version – Val Guest – 1955

Talking points: Why, in all the untold hours of interviews and DVD commentaries he’s done, including a 200+ page published memoir, did Val Guest himself never make this connection?

*

Puzzled scientists and officials descend a ramp into an ongoing excavation of an extra-terrestrial artifact that’s been buried for eons.

  “Quatermass and the Pit” BBC TV version – Rudolph Cartier – 1958

“Quatermass and the Pit” Feature version – Roy Ward Baker – 1967

Talking points: The curious case of production of the ’67 Pit taking place more or less at the same time and in the same studio as 2001, with some crew crossover.

*

The exposed, now energized extraterrestrial artifact ominously and noisily awakens.

  “Quatermass and the Pit” (1967 feature version)

Talking points: Nigel Kneale’s close proximity to Arthur Clarke original short story, The Sentinel.

*

Tasked with repairing his space craft’s antenna mid-flight, an unsuspecting astronaut dies, his lifeless body cast into the void of space.

      “Conquest Of Space”

*

The most committed member of an interplanetary space expedition goes insane and threatens the lives of his comrades.

“Conquest of Space”

*

A seeker’s journey crosses a threshold into an alien yet abjectly familiar white environment that’s outside time, space and logic.

 

  “The Ladies Man” – Jerry Lewis – 1961

Talking points: Hal Pereira Superstar redux. Jerry’s anecdote about turd polishing…?

Bruce Bennett