Archive for Ramon Obon

Punch-o Villa

Posted in FILM with tags , , , , on November 3, 2015 by dcairns

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I’m really keen on MYSTERIOS DE ULTRATUMBA (1959), my favourite Mexican horror movie I’ve seen. I think it really benefits from a sharp, original script, with a tinge of the poetic, to anchor the Universal-style gothic visuals. So I wanted to check out more work by screenwriter Ramon Obon — his first film in the fantastique vein appears to be IL SINETA JINETE SIN CABEZA (THE HEADLESS HORSEMAN), made in 1957, the same year he wrote EL VAMPIRO, which effectively transfers DRACULA to the ranch, with German Robles as a glamorously sepulchral count.

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THE HEADLESS HORSEMAN is a slapdash movie-serial type superhero yarn, with the titular rider actually a black-masked crime-fighter who achieves his decapitated appearance by constantly standing in front of dark backgrounds. I can’t help thinking that this necessity must be an inconvenience when apprehending bandits who might choose to stand near white walls, of which I believe Mexico has a plentiful supply. Nevertheless, the fellow seems to do alright, apprehending a cult of skull-masked gangsters with skilled use of six-shooters and the odd musical number. He also performs feats of acrobatics enhanced by director Chano Arueta Urueta running the film backwards. He has the aid of a local citizen who has faked his own mummification in order to… I’m not actually sure why he did that. But he’s a pretty tough hombre too, for a mummy anywhere.

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Captions ©Shadowplay.

The Carradine Face

Posted in FILM with tags , , , , , on May 23, 2012 by dcairns

The many magical expressions of John Carradine, the man with the India-rubber kisser. Taken from LA SIGNORA MUERTE, a low-grade Mexican mad scientist movie in which old Long John is by turns ludicrous, wonderful, terrible, repellant and kind of pitiable. He deserved better, and so do we.

“Never do anything you wouldn’t be caught dead doing,” was Carradine’s advice to his acting offspring, and one wishes that (a) he’d set his standards a little higher and (b) son David had paid better attention. Still, I like this cramped, busy, upsettingly strange composition ~

Uh, what’s the subject of this shot? The chandelier?

LA SIGNORA MUERTE shoehorns a bunch of horror cliches together without any regard for sense. Screenwriter Ramón Obón Jnr is an old hand at Mexican horror, and his father,  also called Ramón Obón, penned the genuinely inventive and atmospheric EL GRITO DE LA MUERTE (THE LIVING COFFIN) some ten years earlier.

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