Archive for Quentin Tarantino

Quixotic/Chaotic

Posted in FILM, Politics with tags , , , , , , , , , , , on January 8, 2020 by dcairns

What’s wrong with Terry Gilliam? Just as he’s supposed to be promoting THE MAN WHO KILLED DON QUIXOTE, his decade-in-the-making dream project as it finally comes to home video — and after its merciless critical thrashing, it NEEDS some promotion — he comes down with a kind of ideational Tourettes, trashing his reputation with a cascade of ill-considered jibes and blurtings aimed at pc culture and the #MeToo movement.

A central plank of the sunken sloop that is Gilliam’s “argument” reminds me of an awkward moment in Bologna when Kathryn Sermak, Bette Davis’s former PA, made a similar embarrassing statement confusing rape and assault by producers with the old-fashioned casting couch. Everybody had turned up prepared to adore this woman who was the Great Bette’s confidante, and then we kind of didn’t know where to look or what to say. Nobody picked a fight over it, because we still wanted to hear about her recollections, and we now wanted to hear as little about her opinions as possible.

I don’t know what it is — are people schooled in the workings of Hollywood so inured to the casting couch concept that when they hear about producers taking unfair advantage of actors, they can only process it in terms of a transactional sex-for-stardom arrangement? So, when they hear the word “rape” they assume what we really mean is “woman sleeps with producer for role and then feels bad about it”? But I think the accounts of Harvey Weinstein’s alleged behavior are fairly unambiguous.

Gilliam says he could tells stories about actresses who got ahead by bedding the engorged mogul, and I have no doubt he could — he was forbidden to cast Samantha Morton, perhaps because she hadn’t shown Harvey the proper obeisance. But just because sometimes Harvey slept with women and gave them roles, or failed to sleep with women and denied them roles, doesn’t mean all of his activity was consensual. (And even here he took things beyond the usual limits, trash-talking women who had rejected him to sabotage their careers even at other companies.) Insiders like Ben Affleck and Quentin Tarantino apparently knew he was an abuser. (Hey, one might observe that the scene in GRINDHOUSE/PLANET TERROR where Tarantino and Rodriguez joke about raping Rose McGowan hasn’t aged well, but it was horrible THEN.) People generally in the industry but not tied to Miramax or the Weinstein Company knew Harvey was a bully, but not the depths of his viciousness.

It’s possible Gilliam doesn’t really believe in rape as a thing. Which would make him very reactionary indeed. Is he nervous about his own past behaviour? I’ve never heard anything against him so I don’t see why he should be taking the part of sex pests. He seems certainly to be arguing that the #MeToo movement is worse than the crimes it’s sought to expose and prevent, which is an odd one. Perhaps there are some men who have been unjustly accused and had their careers damaged? Perhaps, but not that many. The doubtful Woody Allen and Roman Polanski are still making films. I don’t know about James Toback, but he’s escaped legal consequences for the multiple offenses he was accused of. Geoffrey Rush has certainly suffered some distress, but if you read the Wikipedia account of his trial, he seems to have been cut every possible form of slack, and anything further from a witch hunt is hard to imagine.

I would like to be able to argue that Gilliam is being true to the contrarian spirit of Monty Python by alienating his own constituency (aging liberals who like films and comedy and care about humanity) but it feels more like he’s made that sharp turn to the right that crepuscular revolutionaries are always performing.

Does this matter? I have the Blu-ray of THE MAN WHO KILLED DON QUIXOTE in my Amazon shopping basket. I haven’t bought it yet because I’m annoyed with Gilliam, and because I wonder if someone so seemingly incapable of coherent thought, so mindlessly contrarian, can make a good film?

The Sunday Intertitles: The Power of Positive Thinking

Posted in FILM with tags , , , on September 8, 2019 by dcairns

Yes, but they seem curiously OK about it. Blasé, almost.

And they do it with their usual good spirits.

But they don’t let that spoil their sunny mood.

Ambushed, schmambushed, so long as you’ve got your health.

And they maintain a positive attitude, that’s the main thing.

These things happen. What are you gonna do?

But she’s delighted to finally be shot of that idiot Larry.

All images from William Witney’s THE PERILS OF NYOKA. You can hear Brad and Leo affectionately discussing an “underrated guy” in ONCE UPON A TIME… IN HOLLYWOOD, which, given Tarantino’s oft-stated enthusiasm for WW’s work, seems to me a subtle hommage. But not as subtle as mine.

Lumiere Sisters

Posted in FILM with tags , , , , , , , , , on August 31, 2019 by dcairns

I’ve already expressed my dissatisfaction with aspects of ONCE UPON A TIME… IN HOLLYWOOD. Daniel Riccuito of The Chiseler had a very nearly opposite response, however, and when he asked me to provide a few words for a piece he was putting together along with Tom Sutpen, connecting the reincarnated Sharon Tate played by Margot Robbie with the reincarnated Laura Palmer played by Amanda Seyfried in Twin Peaks, I cheerily agreed.

The result, as Freddie Jones is always saying, is plain to see…

Here.