Archive for Pamela Green

Pin-Up of the Day: Pamela Green

Posted in FILM with tags , , , on October 17, 2008 by dcairns

Thanks to David Ehrenstein for this rare image. Pamela Green reports that she did indeed appear topless in PEEPING TOM, and that the scene was still in the film at the premiere, where the marquee billed her as a new star of the British cinema. Sadly, as is well documented, PEEPING TOM was regarded as a disgrace by the British press and Green returned to soft-porn nudie films. And the topless shot vanished, presumably into the hands of the thieving Nazi who’s got Arletty’s vanished shower scene from LE JOUR SE LEVE. I hope he goes blind.

It’s perhaps worth protesting that Powell’s British career was ALREADY in a mess before this failure — HONEYMOON, a fascinating but genuinely messed-up movie had disappointed those who had been interested in what Powell would do without Pressburger. Since the later P&P films had, in many cases not done so well, the failure of this films was of huge significance. And Anglo-Amalgamated, the studio produced PEEPING TOM, was a low-rent bottom-of-the-barrel exploitation outfit: Powell’s agreeing to work there sent a message to the industry that he was washed up.

Over at Pamela Green’s charming website, you can read the true story of Powell’s attempt to blind her, and admire some more “views” in this style:

You won’t be doing the crossword tonight!

Pam could not only show skin, she could show it in a variety of shades! Possibly a still from NAKED AND BLACKED-UP AS NATURE INTENDED.

R.I.P. Tony Tenser

Posted in FILM with tags , , , , , , , , , , on December 13, 2007 by dcairns

First Karlheinz Stockhausen, now THIS.

quoth the raven

As head of Compton Films and then Tigon Films, Tony Tenser at produced first cheap-and-cheerful skinflicks (NAKED AS NATURE INTENDED, with Pamela Green of PEEPING TOM fame), then horror movies that ranged from the semi-classy: WITCHFINDER GENERAL, BLOOD ON SATAN’S CLAW (both touched with genius), to the trashy: CURSE OF THE CRIMSON ALTAR, a stodgy country-house horror than features both Karloff and Lee, but finds nothing for either to do, but is enlivened by hilarious s&m dream sequences with a green-painted Barbara Steele with horns on.

Tenser did dabble in other genres too, distributing the very uneven but at-least-arguably brilliant THE GREAT MCGONAGALL with Spike Milligan (the only film I know that actually stops for lunch) and WHAT’S GOOD FOR THE GOOSE, a downright bizarre and unwelcome sex comedy starring Norman Wisdom and a teenage Sally Geeson (“Makes NOT NOW DARLING look like the fuckin’ MAHABHARATA,” – Steven McNicoll), but his greatest contribution to cinema must be his launching of Roman Polanski’s U.K. directing career.

REPULSION was a risky project for anybody to undertake, with censorable sexual situations, a depressing ambience, and a stylistic journey from British social realism (sort of) to avant-garde expressionist terror. The result is still Polanski’s most extreme, strange and powerful film (which is not intended as a knock against his later works).

I think it’s a great shame Tenser retired from movies when he did, for with the disappearance of mini-moguls like him, British cinema stopped generating these rogue movies which are our artistic lifeblood, and we pretty much gave up on making commercial potboilers too. The dreaded middle ground was all that remained:

Run, fat boy, run!

“It’s OK if you like films about…students…running,” – Greg/Sylvia Edwards.

So goodbye, Tony Tenser, we were missing you already.

Buy REPULSION here ~

Repulsion [1965] [DVD]