Archive for Page 17

Page Seventeen II: The Second Story

Posted in FILM, literature with tags , , , , , , , , , , , , , , on September 13, 2021 by dcairns

As usual, seven passages from seven page seventeens. I’ve recently enjoyed the rather mysterious short stories of Walter De La Mare. It was particularly fun to read Missing, a story narrated in a tea shop in a heatwave, while being in a cafe in a heat wave. So when I picked up WDLM’s novel of possession/reincarnation The Return from the St Columba’s Bookstore, I turned eagerly to page seventeen to see if it would offer me a suitable extract.

To my surprise I found a previous reader had bookmarked the spot with a scrap of paper. One the paper were the haunting words S.W. BRITISH CHAIN FREQUENCY GROUP 1B. Printed in green ink that closely matched the green hue of the Pan Books paperback itself. On the inside front cover the book was stamped WARDROOM LIBRARY H.M.S. SEAHAWK, and since S.W. can stand for shortwave, it seemed possible that this little piece of paper dated from the book’s use as light reading at sea.

On page seventeen I encountered a character called Sheila, which is my mother’s name. Here’s the passage I’ve selected, along with six more from six different volumes.

Lawford shut his mouth. “I suppose so–a fit,” he said presently. “My heart went a little queer, and I sat down and fell into a kind of doze–a stupor, I suppose. I don’t remember anything more. And then I woke; like this.”

I recall the scent of some kind of toilet powder–I believe she stole it from her mother’s Spanish maid–a sweetish, lowly, musky perfume. It mingles with her own biscuity odour, and my senses were suddenly filled to the brim; a sudden commotion in a nearby bush prevented them from overflowing–and as we drew away from each other, and with aching veins attended to what was probably a howling cat, there came from the house her mother’s voice calling her, with a rising frantic note–and Dr. Cooper ponderously limped out into the garden. But that mimosa grove–the tingle, the flame, the honeydew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since–until at last, twenty-four years later, I broke her spell by incarnating her in another.

Mr. Hutton was aware that he had not behaved with proper patience; but he could not help it. Very early in his manhood he had discovered that not only did he not feel sympathy for the poor, the weak, the diseased, and deformed; he actually hated them. Once, as an undergraduate, he had spent three days at a mission in the East End. He had returned, filled with a profound and ineradicable disgust. Instead of pitying, he loathed the unfortunate. It was not, he knew, a very comely emotion, and he had been ashamed of it at first. In the end he had decided that it was temperamental, inevitable, and had felt no further qualms. Emily had been healthy and beautiful when he married her. He had loved her then. But now – was it his fault that she was like this?

To kill or not to kill an insect is a decision which faces several characters. It is morally all the more indicative as the act involves no retaliatory consequence, because it is a matter of impulse rather than reflection, wile from conventional viewpoints it has no moral significance. Thus the insect motif sometimes suggests a reverence for life. But this reverence is amused and sardonic, and has its markedly un-Schweitzerian aspects. The sudden death of an insect can also imply that a man can died a abruptly, and as unimportantly.

In the folklore of the doppelganger (German for double-goer; defined by the OED as “wraith of a living person”) to meet your duplicate is a premonition of death. Sellers, who had visited Roger Moore on the set of The Man Who Haunted Himself, must have felt as if he’d toppled headlong into a similarly horrific plot. As The Fiendish Plot of Dr Fu Manchu, on Sellers’ orders, was being re-re-re-written throughout the night, by teams of hacks, belletrists, ex-playwrights, and just about anybody who could stay awake and hold a pen, this was exactly an element which was worked in at the last moment (though it was lost again when the film was edited after Sellers’ passing). As Sellers intended it (and he through the leaves of the script other people had concocted to the ground, in order to improvise it), the rejuvenated Fu, and Taylor as Nayland, were to walk off into the sunset together, the opposites reconciled, the doubles united. ‘You are the only worthy adversary I ever had, Nayland. They were the good old days. We can recapture them and start all over again.’

‘I admit I can’t make him out,’ resumed Barker, abstractedly; ‘he never opens his mouth without saying something so indescribably half-witted that to call him a fool seems the very feeblest attempt at characterisation. But there’s another thing about him that’s quite funny. Do you know that he has the one collection of Japanese lacquer in Europe? Have you ever seen his books? All Greek poets and medieval French and that sort of thing. Have you ever been in his rooms? It’s like being inside an amethyst. And he moves about in all that and talks like – like a turnip.’

Suddenly I found myself lying awake, peering from my sandy mattress through the door of the tent. I looked at my watch pinned to the canvas, and saw by the bright moonlight that it was past twelve o’clock–the threshold of a new day–and I had therefore slept a few hours. The Swede was asleep still beside me; the wind howled as before; something plucked at my heart and made me feel afraid. There was a sense of disturbance in my immediate neighbourhood.

Postscript: Fiona is now reading The Return, and in conversation with friend and Shadowplayer David Melville Wingrove she has learned that it was HE who originally donated it to the charity shop where I found it…

The Return by Walter De La Mare; Lolita by Vladimir Nabokov; The Gioconda Smile, from Mortal Coils by Aldous Huxley; Luis Bunuel by Raymond Durgnat; The Life and Death of Peter Sellers by Roger Lewis; The Napoleon of Notting Hill by G.K. Chesterton; The Willows, from Best Ghost Stories of Algernon Blackwood.

Pg. 17, #9

Posted in FILM, literature, Mythology with tags , , , , , , , on June 26, 2020 by dcairns

isaac

Towards midnight — it would have been in the autumn in the year 1860 — there was a sudden violent hammering on the door, which echoed through the whole hall. Baptiste, who acted as cook, footman and doorman in Madeleine’s small household, had gone to the country for his sister’s wedding, and so it happened that only Madeleine’s maid, Martinière, was in the house and still awake.

*

At this point, a visitor named Isaac Post decided to try communicating with the spirit. His first question brought a barrage of raps, as if it was relieved that somebody had finally decided to behave sensibly. Soon afterwards, there followed a message that stated: ‘Dear friends, you must proclaim this truth to the world. This is the dawning of a new era; you must not try to conceal it any longer. God will protect you and good spirits will watch over you.’ After this, the communications continued, but they ceased to be violent. Tables moved, guitars were played by unseen fingers, which also touched people lightly, and objects were transported around the room.

*

I made him sit out that encore and wouldn’t let him talk till they got through playing it. Then they played something else and I was all right again and Frank told me about meeting Jack Barrymore. Imagine meeting him. I couldn’t live.

*

“It is he–it is he! I have seen him myself,” was his only comment; and to all questionings but one reply was vouchsafed: “Deux fois je l’ai vu; mille fois je l’ai senti.” He would tell them nothing of the provenance of the book, nor any details of his experiences. “I shall soon sleep, and my rest shall be sweet. Why should you trouble me?” he said.

*

There was no answer. For a long while, there was no answer, and then I pushed the button again, and then there was no answer some more.

*

With sudden courage she said, “I’m trying to get in touch with someone who lives in this building and I can’t find the name outside.”

*

The hunting peoples of the Paleolithic Ice Age, like their nomadic descendants in Siberia and North America, shared their world not only with the animal creation but also with a vast population of spirits.

*

Seven more bits of page seventeens. Use them as a screenplay you can film in your head.

Tales of Hoffmann, by ETA Hoffmann, from the story Mademoiselle de Scudery; The Psychic Detectives, by Colin Wilson; The Best of Ring Lardner, from the story I Can’t Breathe; Collected Ghost Stories by M.R. James, from the story Canon Alberic’s Scrapbook; The Fugitive Pigeon, by Donald E. Westlake; The Lottery: Adventures of the Daemon Lover by Shirley Jackson, from the story The Daemon Lover; Altered States: Creativity Under the Influence, by James Hughes.

Pg. 17, #2

Posted in FILM, literature with tags , , , , , , , , , on April 28, 2020 by dcairns

“You would scarcely expect me, constable,” I said coldly, “to absent myself from the farewell supper of a childhood friend who is leaving for Hollywood in a day or two and may be away from civilisation for years. Catsmeat would have been pained to his foundations if I had oiled out. And it wasn’t three in the morning, it was two-thirty.”

*

At close range, Colonel Margrave’s breath was a solid essence of whisky, but Branch didn’t reprimand him. If you had a good officer left, you didn’t reprimand him, no matter what he did. Also, Branch approved of whisky. It was a good release, under the circumstances. Probably better than his own, he thought, glancing at his scarred knuckles.

*

He got into a taxi and gave the address, and the driver was so slow starting the meter that the man repeated the address. The driver nodded, showing half his face. The man looked at the face and at the driver’s picture. They didn’t look much alike, but they never did. He supposed this was a reputable taxi company that operated the taxicabs at the station. Oh well, that wasn’t important.

*

The director’s record in this respect may well have attracted Columbia to the project of Anatomy of a Murder, since it was the only studio never to register with the PCA, Preminger, moreover, had a reputation for bringing in films under budget.

*

In this manner they marched for at least two hours, when at last the sacristan found himself on the borders of Blackheath. One of his lady companions then said to him, ‘We are going to a very pleasant party tonight a little way farther on. I wish you would accompany us; I am sure you would be well received, and you would have an opportunity of immensely improving the minds of the company.’

*

He took the receipt from the man holding it, translated it aloud for my benefit, word for word. It wasn’t one of those shorthand things you get up North. It was written out in great detail; it was a young book. It was in flowery Spanish. When I’d seen him composing it back there where I’d bought it, I’d thought that was the custom down there, to write out a complete description of each purchase, practically give its life history.

*

But today, there were no obsequies to observe at all.

*

Seven page seventeens from seven different volumes selected from around my bed.

The selections this week are from Jeeves and the Feudal Spirit, by P.G. Wodehouse; The Metal Smile, a sci-fi anthology edited by Damon Knight, the story is Fool’s Mate by Robert Sheckley; Butterfield 8, by John O’Hara; The Cinema Book, edited by Pam Cook; The Oxford Book of English Short Stories, edited by A.S. Byatt, the story is The Sacristan of St Botolph by William Gilbert (father of the one from Gilbert & Sullivan); The Black Path of Fear by Cornell Woolrich; Valmouth, by Ronald Firbank.

They cohere nicely, I think. A bit of a booze theme, even though the passage from O’Hara’s very boozy book doesn’t mention the stuff.