Archive for Matthew Robbins

Vermithrax Laudative

Posted in FILM, Mythology with tags , , , , , , , , , , on December 28, 2020 by dcairns

DRAGONSLAYER is pretty good, should appeal to the Game of Thrones/LORD OF THE RINGS people. It’s better than bloody WILLOW or LADYHAWK. It’s interesting to me for the influences it displays, too.

Setting aside the very satisfying priest-frying, which stems from George Pal’s THE WAR OF THE WORLDS, there’s the death of a major character early on, falling out of close-up, then completing his tumble via stand-in) with a match cut that takes us into slomo — clearly a nifty SEVEN SAMURAI swipe. Matthew Robbins, like George Lucas, has learned his Kurosawa lessons well.

But let’s look at the main plot, which forms part of a strange, twisted trichobezoar of influences. Young Galen, the sorcerer’s apprentice, takes his slain master’s place, fraudulently presenting himself as the old man’s equal. He seems to score a success against the besieging dragon, but screws up and makes everything much worse. Then it’s up to him to make things right again. (Since he’s a white male and the hero, he repeatedly gets another chance, and another…)

An incredibly influential film, though you might not think it, is THE THREE AMIGOS, and not just for the title’s role in the Donald Trump impeachment trial. The movie is a comedy spin on THE MAGNIFICENT SEVEN, which is itself a remake of Kurosawa’s THE SEVEN SAMURAI (this gets more complicated). 3 AMIGOS has three movie stars being mistaken for real heroes by the people of a beseiged Mexican village, and hired to fight off bandits. They screw up, because they’re Hollywood phonies, as Chevy Chase might say, and then they have to put things right…

The guy in the right has been in more Polanski films than anyone

Is it possible that the earlier DRAGONSLAYER (not a hit) influenced THE THREE AMIGOS, perhaps by way of the shared Kurosawa influence? What about GALAXY QUEST, which is EXACTLY the same plot as THE THREE AMIGOS? What about A BUG’S LIFE, which is the same again? MYSTERY MEN is kind of similar too.

Fiona points out that DRAGONSLAYER has very strong female characters, by the way: the virgin who’s been disguised as a boy for her own protection is another SEVEN SAMURAI trope; the spunky princess meets a fate that probably cost the movie the STAR WARS crowd; and the dragon itself lives in a cave entered by a vaginal slit in the cliff face, and has a nest of eggs. Vermithrax Pejorative is a lady dragon. And a really good design! Not just her look, but her way of moving — she crawls like a bat.

A shame the climax is all matte lines, and nobody really being where they’re supposed to be. Thinking about it afterwards, I realized the deeper problem — apart from the sequence just not being exciting — is that it’s all about the execution of a perfect plan, in which the dragon is doomed and the hero once again doesn’t get to be heroic. Most of the time in this movie, its refusal to do the normal pseudo-mythic thing (real myths are much weirder than the Joseph Campbell/George Lucas versions) is thrilling, whereas here it’s flat.

But the political cynicism of the coda is pretty bracing.

DRAGONSLAYER stars Renfield; Simone; Supreme Being; Luro; Lord Halifax; Rory Poke; Diddler; Sarah Churchill; and Emperor Palpatine.