Archive for Marcello Giombini

Sabatage

Posted in FILM, MUSIC with tags , , , , , , , , , on June 13, 2020 by dcairns

An old Dutch master.

As a film, SABATA aka EHI AMICO… C’È SABATA. HAI CHIUSO! (1969) by Frank Kramer aka Gianfranco Parolini, may not be that special. but for me it was the answer to a forty-five year question that I had never troubled myself to ask.

(Sabata means “Saturday” so the original title is a pun — HEY FRIEND… IT’S SABATA/SATURDAY, YOU’RE CLOSED!)

The BBC used to show seasons of films — more a BBC2 thing — and as a kid I saw both Barboni’s Corbucci’s TRINITY films and Leone’s DOLLAR trilogy — and this. Only I never knew what film this was. But the question was hardly pressing, and in the age of the internet it probably wouldn’t have been hard to get the list of films shown back in the seventies, or to search for a spaghetti western featuring a drunken Civil war veteran (inexplicably dubbed with a pseudo-Mexican accent — or am I ignorant of some role played by Mexico in that conflict?) who’s continually cursing the uselessness of his medal for bravery. (Cue ironic pay-off when it proves useful after all.)

It’s fun, childish stuff, and Marcello Giombini’s Morricone rip-off score is catchy and likeable. MG also scored films under the pen-name Pluto Kennedy, which delights me strangely. Lee Van Cleef is Sabata and the character who lodged in my brain is played by one Ignazio Spalla, whose career was mostly confined to Italian oaters and was often billed as Pedro Sanchez, fooling no one.

I could do a piece proving that the spaghetti western gunman has as convoluted a history as that of the gentleman sleuth, but I’m not going to. I’ll only note that director Kramer’s middle film in the SABATA trilogy, ADIOS, SABATA aka INDIO BLACK, SAI CHE TI DICO: SEI UN GRAN FIGLIO DI… is actually about a character called Indio Black, or maybe Black Indio, played not as here by Lee Van Cleef but by Yul Brunner aka Yuli Borisovich Bryner. That must have made for a real sloppy dubbing job, since the lip movements required to say “Sabata” are in no wise similar to those that go into “Indio” or “Indio Black” or “Black Indio.” Another fake Sabata is Vittorio Richelmi in Spanish knock-off JUDAS… ¡TOMA TUS MONEDAS! aka WATCH OUT, GRINGO! SABATA WILL RETURN, where the character was originally called Texas (good luck dubbing that one, too)… then there’s Anthony Steffen in SABATA THE KILLER aka ARRIVA SABATA! which at least seems to have been conceived as a Sabata film, though made by other hands; Brad Harris in WANTED SABATA aka SABATA VIVO OU MORTO; Raf Baldassare in DIG YOUR GRAVE FRIEND… SABATA’S COMING aka ABRE TU FOSA AMIGO… ILEGA SABATA.Mind you, when you get into the DJANGO series, things get lunatic, with whole companies of lip-flapping C-listers dragooned in to fill Franco Nero’s capacious boots, and some entries being released as Sartana films or Django films in different territories, with different degrees of lip-flap. Still, the Hercules “series” makes even this chaos seem orderly.

The only “proper” SABATA sequel is È TORNATO SABATA… HAI CHIUSO UN’ALTRA VOLTA! (SABATA IS BACK… YOU’RE CLOSED AGAIN!) aka RETURN OF SABATA — same director and stars, and it’s also good childish, violent fun. I will address it more fully soon.

SABATA stars Angel Eyes; King Minos; Sergeant Garcia; Frank Bimble; King Lotar; Countess Grabowsky; and Lotte Krayendorf.