Archive for King Hu

Inn Fighting

Posted in FILM with tags , , , , on November 15, 2019 by dcairns

Got my copy of king Hu’s THE FATE OF LEE KHAN, featuring a video essay by Anne Billson and myself. Fortuitously, Anne knew the film well and was cat-sitting for us when the job came in. We got back from Bologna, I recorded our cat-sitter’s words, and wrote my own comments to fit in around them.

Have now done, or co-done, essays on DRAGON INN, A TOUCH OF ZEN, TFOLK, LEGEND OF THE MOUNTAIN, and have just finished RAINING IN THE MOUNTAIN. Which leaves THE VALIANT ONES, which I hope will be next.

Well, not next — I have another two lined up, but I’ll tell you about those another day.

You’ll like TFOLK — lots of sneaking around in an inn, and then lots of fighting — classic Hu.

Question — who is King Hu receiving his 1975 Cannes Grand Prix for A TOUCH OF ZEN from? Hu is the one on the right. The statuesque lady with the ratted hair has an Ann-Margaret quality and also a Pamela Tiffin quality and does not seem to be a member of the jury, because she ain’t Jeanne Moreau, Lea Massari or Yuliya Solntseva.

Whoever it is, it seems an amusing combo.

The Sunday Intertitle: A Collaborative Medium

Posted in FILM with tags , , , , , , , , , , on September 22, 2019 by dcairns

Rabbi Loewe is a collaborative medium, summoning the demon Astaroth in DER GOLEM.

Masters of Cinema is releasing Paul Wegener’s epic about a great man with feet of clay, and I’ve done a video essay with Fiona for it, our first real collaboration of this kind. She read the narration of my DIARY OF A LOST GIRL piece but this time she’s co-writer and we read the VO in turn. Her researches turned up a crucial, forgotten female collaborator on the film.

Incidentally, the film is restored from the long-lost negative, and looks much, MUCH better than the YouTubey frame-grabs I’ve been forced to use here.

The movie is also going to be playing UK cinemas around Halloween, so don’t be surprised if it gets another Sunday Intertitle during Project Fear, our Euro-horror blogathon. The Blu-ray streets on November 18.

This was actually my second collaboration of this kind: Masters of Cinema are also releasing King Hu’s taut and exciting THE FATE OF LEE KHAN, and I co-wrote a video essay with the sublime Anne Billson for that one. Released on October 21st and available for pre-order.

Just a week later, on October 28th, FOX AT FULLER hits the shops, again with a video essay by me. This time I got Samantha Fuller to read her father’s words, which she does magnificently, so I seem to be sharing VO duties a lot recently. I’m reminded of the late Leonard Cohen’s observation on the effect of a female backing singer accompanying his voice: “Some dismal quality is neutralised.”

Jon Robertson produced all three discs, Stephen Horne video edited the essays on THE GOLEM and THE FATE OF LEE KHAN, and Timo Langer edited FULLER AT FOX.

The Parcel

Posted in FILM with tags , , , , , , , , on April 13, 2018 by dcairns

A box arrived. I was excited. Masters of Cinema had been trying for some weeks to send me copies of the latest Blu-Rays to which I had contributed video essays. They kept going astray. The box that eventually arrived had been violently smashed in, but it contained copies of Dreyer’s MICHAEL, Obayashi’s HOUSE and King Hu’s LEGEND OF THE MOUNTAIN, mercifully undamaged. My theory is that a disgruntled postal worker ripped the package open, discovered it contained arthouse movies he’d already stolen for his vast collection, and so grudgingly allowed the delivery to continue.

I did my first ever animated main title for HOUSE (not counting the astounding cartooning Danny Carr did for my SULLIVAN’S TRAVELS piece) — I felt the movie deserved something funky, so I traced the title of my piece a bunch of times, then customized them with coloured dots and dashes, then scanned the results. Editor Stephen Horne flipped the scans into negative and did various colouring tricks to create an even wider variety of looks, and the results play out stroboscopically at the start of my piece, to an accompaniment of girlish screams and the music of Godiego.

All three pieces have had some nice reviews online — nobody else has the trouble I do with postal delivery, it seems — though one critic points out that I can’t pronounce wuxia correctly. Of course, I was using the SCOTTISH pronunciation.

LEGEND OF THE MOUNTAIN [Masters of Cinema] Dual Format (Blu-ray & DVD)

House (HAUSU) [Masters of Cinema] Blu-ray

Michael [Masters of Cinema] Blu-ray