Archive for J Carroll Naish

Doctor, Lawyer, Beggar Man, Thief

Posted in FILM with tags , , , , , , , , , , , on July 10, 2020 by dcairns

With a nod to Tom Waits’ Heart Attack and Vine, I conceived the idea of a Warren William Weekend Quadruple Feature — Since pre-code Warner Bros were in the process of producing a Mighty Tapestry of works documenting every aspect of American life, it’s easy to find any of their stars in roles embodying the roles Waits sings of. One could make the same series with William Powell, with a little studio-hopping (THE EX-MRS. BRADFORD, LAWYER MAN, MY MAN GODFREY, JEWEL THIEF), to name one.

Warren W. appears in BEDSIDE, THE MOUTHPIECE, THE MIND READER and THE DARK HORSE — I’ve had to stretch the definition of “beggar man” considerably, though — I would LOVE to see WW playing a shabby-genteel hobo, but I have to settle for a high society psychic, a profession that relates to sideshow charlatanry, but it’s definitely a cheat. On the other hand, for “thief” we could have had any of the LONE WOLF films and several others. The main reason for the exercise was to look at BEDSIDE again in the company of THE MOUTHPIECE, which I’d never seen… My suspicion was that they’d be basically the same film.

David Landau appears in losing hand of cards.

Not so! Although of course both have WW in rogue mode. Both are tales of sinners redeemed. But in BEDSIDE (Robert Florey), he’s so disgustingly corrupt (in a charming way) that his ultimate escape from any consequences for his actions as a phony doc — the medical profession closes ranks to avoid a scandal — comes off (and may have been sneakily intended) as satire. Whereas THE MOUTHPIECE ends on a stunningly ambiguous note — will WW pay the ultimate price for his misdeeds?

It’s hilarious to me that THE MOUTHPIECE shows our perennial rogue quitting the DA’s office in a fit of ethical revulsion after accidentally sending an innocent man to the electric chair, and then becoming, in reaction, a mob lawyer. Corruption awaits him in every direction, he just happens to fall into it. He saves J. Carroll Naish AND Jack La Rue, that’s how bad he is. He also has Aline McMahon as secretary/better angel, which is a sure sign of a man with a troubled conscience — see also FIVE STAR FINAL.

Both films have very good hangover scenes — WW had that slicked back hair — ruffle him, and a shaggy squid wafts loose its tendrils.

I can’t absolutely decide if the daringly open ending of MOUTHPIECE — there are strong indications that our hero will (a) die and (b) live — as the end title fades up he’s a virtual Schrödinger’s shyster — is the result of cunning or fumbling. The film has several writers and two directors (Elliott Nugent and James Flood). Did they all get together and come up with something clever, or all fight each other and come up with something muddled? The result is really interesting, whatever the process.

WW also lawyers up as Perry Mason, four times, and in James Whale’s WIVES UNDER SUSPICION, where his DA has an abacus of little skulls documenting/celebrating each killer he’s sent to the chair.

Renault Capture

Posted in FILM with tags , , , , , , , on September 21, 2015 by dcairns

vlcsnap-2015-09-15-23h34m49s210

DR. RENAULT’S SECRET is a pretty fine 1942 B-movie horror, really — I watched it some time ago as part of my mad, ever-receding quest to see every film illustrated in Dennis Gifford’s Pictorial History of Horror Movies. Finally I got around to showing it to Fiona.

The film deals with a mad scientist (George Zucco) in a French village who has fashioned a man — well, J. Carroll Naish — from an ape, in the best Dr. Moreau style. There’s some boring love interest and inappropriate comedy relief from comedy drunk Jack Norton. The real relief — and surprise — comes when Norton gets offed in the night. Then we get Arthur Shields as a detective, who has a great face for horror movies, and Mike Mazurki, Hollywood’s greatest brute-for-hire.

vlcsnap-2015-09-15-23h34m12s65

Detective Shields

The 4F leading man’s name is Shepperd Strudwick, which cracks me up. He’s credited as John Sheppard, though, so he sounds like a lead, looks like a lead, but can’t attract interest like a lead. And the script sabotages him by having him stand by disapprovingly as poor monkeyman Naish is bullied by the villagers. Why doesn’t he intervene? His character has the same problem as many “heroes” in horror movies, from the worthless bystanders in FRANKENSTEIN (John Boles) to the male leads in the early Cronenberg films — he’s basically irrelevant to the action, and if he were able to intervene effectively, there would be no movie. He’s there so that we can have someone “relatable,” as if audiences were known to prefer impotent bores to sneering mad scientists and shambling ape men.

Naish does quite well — “Noel” the “throwback,” now thrown forward up the evolutionary ladder to the putty-faced level of John Mills in RYAN’S DAUGHTER, is a very sympathetic character, despite his occasional murderings. And though the slightly out-of-shape thesp struggles to convey the athletic prowess of a simian superman, the rather weird, uncanny quality Naish always had — you couldn’t cast him as human beings, really — works well here.

vlcsnap-2015-09-15-23h35m36s177

Zucco’s photo album of his experiments is unfortunately a bit more comical than terrifying.

Every five minutes or so there’s a really striking closeup. Director Harry Lachman, on his last movie, did intermittently beautiful things throughout his career, the most famous being the 1935 DANTE’S INFERNO with its astonishing hellscape (at 51.53).

vlcsnap-2015-09-21-00h03m01s171

Limerickman

Posted in FILM with tags , , , , , , on November 10, 2013 by dcairns

karloff-naish-jack-pierce-house-frankenstein

What with one thing and another and yet another, I haven’t kept you posted on my postings at Limerwrecks, home of the noir and horror limerick. So let’s catch up.

Limerlinks:

CARRY OFF SCREAMING. SWAMP AND CIRCUMSTANCE. Karloff in retreat — the latter is a collaborative piece with Hilary Barta.

WHIP REPLACEMENTTHERE WAS A CROOKED DAN. These are about J. Carroll Naish, who I was sort-of pleased to see getting a shout-out from Orson Welles in My Lunches with Orson. Welles calls Naish a bad actor who was always an absolute delight to see.

THE UNDYING MISTER. This is about Lon Chaney Jnr’s unexplained inability to stay dead. Co-authored with Hilary Barta.

YOU THAW THE HOWL OF THE MOON. Another collab on Lon.

FROSTY THE WOLFMAN. And another.

HUMPED DAY. Horrid one about Naish.

PLOTZ STRUCTURE. Examining the weird shape of HOUSE OF FRANKENSTEIN.

WINED AND CARRADINED. Mocking John Carradine’s drink problem. But it comes from a warm place. THIN WHITE SPOOK. Also pointing out that Carradine is very thin. This may be envy.

KISMET OF DEATH. Karloff never gets scorn or snark.

THE CREATURE WALKS A MONGREL. Karloff’s man-dog transplants sparked a great many rhymes…

But rather than just reading my limericks, go to the site and read everything! Maybe not all in one sitting though. (A better policy is to drop by on a daily basis.)