Archive for Ivar Johanssen

The Monday Intertitle: Comin’ Thru the Rye

Posted in FILM, MUSIC with tags , , , , , , on October 21, 2013 by dcairns

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From Pordenone Festival of Silent Film — RAGENS RIKE, or THE LAND OF RYE. This late-silent Swedish rural drama of love thwarted/fulfilled, begins with a figure standing, centre-frame, waist deep in a field of the titular food crop. A dissolve repositions him further in the distance, and another diminishes him to little more than a smudge.

And I am astonished to find this sequence of shots in 1929, since it will be repeated exactly in Kon Ichikawa’s AN ACTOR’S REVENGE (1963) and again in Terrence Malick’s THE NEW WORLD (2005). And yet it seems not that likely that Ichikawa saw Ivar Johanssen’s film, or that Malick saw either, though of course it is possible. Maybe wheatfields naturally evoke diminishing jump-dissolves in a film-maker’s mind, the way the centre aisle in a church always makes them want to do tracking shots?

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The film is beautiful. Two student competition winners provided the live piano score, without benefit of having seen the film first, and they did a fine, sensitive job. The movie contains a great drinking contest scene, with blurry impressionistic effects to simulate drunkenness, lots of romantic outdoorsy stuff that the Swedes seemingly loved, and a great intertitle, very late in the story, which I can’t show here as I don’t have a copy of the film. The village is in turmoil due to the results of a single romantic problem. “The prophet” — a kind of heretical preacher admired by the lower village, is asked for help. He cuts to the quick: “You’re so stupid! Let the boy marry the girl and everything will be fine!”

Of course, being a Swedish movie, it takes another twenty minutes or so for this to get sorted out.