Archive for Henri-Georges Clouzot

Penultimate Tango in Bologna

Posted in FILM with tags , , , , , , , , , , on July 3, 2016 by dcairns

bigarmofpola

Big arm of Pola

Pola Negri hits small-town America as a tattooed countess in A WOMAN OF THE WORLD and hits a local dignitary in the face with a bullwhip. Always good.

LA MANO DELLO STRANIERO — THE STRANGER’S HAND — is Mario Soldati’s Graham Greene movie, with THIRD MAN stars Trevor Howard and Valli, plus Eduardo Cellini and a dash of THE FALLEN IDOL. A small boy hunts for his kidnapped father in Venice. The sprog is played by as juvenile Richard O’Sullivan, his seventies sitcom days still a ways off. An unusually weak plot for Greene, but a great IDEA…

I was so soaked with sweat by the end of this one that I crapped out and missed MONTPARNASSE 19, a film I love, but at least I managed to recommend it to a few people, who ended up admiring it as much as I did.

quai-des-orfevres

Somewhat recovered, I hit the Piazza Maggiore and drank in QUAI DES ORFEVRES in a 4K restoration from the camera negative. Clouzot’s sweetest film, though what constitutes sweetness in Clouzot’s world is a little acidic if what you’re used to is, say, Capra…

Louis Jouvet’s Inspector Antoine is my favourite police detective in all cinema. Though I also give points to Bernard Blier in BUFFET FROID, Stanley Baker in HELL IS A CITY and Stephen Fry in GOSFORD PARK.

 

Brigitte Bardot’s Twenty Six Bathrooms, part 2

Posted in FILM with tags , , , , , , , , on January 7, 2012 by dcairns

Part Two. Fourteen to Twenty-Six.

This fake 1920s movie-within-a-movie in BOULEVARD DU RHUM is extremely beautiful, but it’s not a bathroom. nobody goes to the bathroom at all in this movie. Lino Ventura wears a bathrobe at one point, and Bardot walks past a swimming pool and is elsewhere seen by the seaside, but she’s wearing a swimming costume therefore she’s not washing. I repeat, it’s as beautiful as a bathroom but it’s not a bathroom.

14) LUMIERE D’EN FACE is another film set in a nightmare alternate universe where bathrooms don’t exist. In desperation, Brigitte bathes in a stream. The stream is thus an honorary bathroom. If that doesn’t convince you, she washes her feet in the kitchen sink. Together, that definitely adds up to a bathroom. It does!

15) LA VERITE de Henry-Georges CLouzot. Probably BB’s best film and performance, though she had a somewhat sparky relationship with HG. “I need an actress, not an amateur,” he growled. “And I need a director, not a psychopath,” she replied, rather smartly.

Here, Dany Robin usurps Bardot’s rightful role by undressing. In a bathroom. While Bardot lies helpless in the foreground. But our girl conquers the next salle de bain she finds, and order is restored.

16) LES PETROLEUSES. Once again we see how all the outdoors is essentially one big bathroom. Frenchie King and her gals freshen up after riding the range. So it’s a bathroom! It bloody IS! But if that doesn’t satisfy you, here’s a room and bath, with Brigitte in it. Not her best angle, but that’s because this is Michael J Pollard’s POV as he dangles off a rooftop.

17) LA MARIEE EST TROP BELLE. Written by actress Odette Joyeux, this piece of fluff features a rare glimpse of Bardot in the shower — an old-fashioned girl at heart, she generally seems to prefer the tub. Here she’s wiping herself with a cloth, but she shower isn’t running, so it’s possible she’s just standing in the bath. Or else attempting to dry-clean herself.

By contrast with LA VERITE, Bardot mostly just bounces in this film.

18) MIO FIGLIO NERONE was recommended by GeraldF, since it’s ancient world setting practically dictates that BB, as Poppea, bathe in asses’ milk. She does! Too bad the makers of HELEN OF TROY didn’t have the wit to enhance their tedious spectacle with the more edifying one of an undressed Andraste.

19) VOULEZ-VOUS DANSER AVEC MOI? Bardot is seen changing in her bathroom early on, in front of her mastiff-headed husband. Later, she spies from a vent into the men’s showers — I include her POV just to show we’re not sexist, and because the men’s showers is a form of bathroom we haven’t seen yet.

20) LES NOVICES — Brigitte cleans a bathroom. There is no form of interaction with bathrooms Brigitte has not had on screen. Except taking a dump.

21) VIE PRIVEE — another variant: Brigitte uses the bathroom mirror to write her suicide note in lipstick. Class with a capital K! The sensitive pan-and-scanning on UK TCM’s (dubbed) print robs us of the opportunity of seeing what she’s written, and how she’s spelled it.

22) CETTE SACREE GAMINE already featured last time (BB in a red towel, matching her later turn in LE MEPRIS), but here’s BB in the ladies’ showers, which offers yet another variant.

23) AMOURS CELEBRES — it’s Agnes Bernauer’s bum. I had to look Agnes Bernauer up, despite the celebre of her amour, and a good thing too, or I would have believed she was burned at the stake, as in the film, as opposed to drowned in the Danube, as in life. One would have thought a watery death more appropriate for BB, but she’s also incinerated in IF DON JUAN WAS A WOMAN, so she seems to arouse elemental associations of all kinds.

At any rate, this is another al fresco bathing. It’s bathing, so it’s a bath, but is it a room, without walls? An ancient philosophical question receives a saucy update, courtesy of BeBe.

24) SHALAKO — and the question becomes truly pressing. I’m surprised Guy DeBord or someone clever like that hasn’t written an appreciation of the light Bardot has shone on this particular issue.

Note Bardot’s shocking modernity — caught bathing by Sean Connery, she actually smiles. Saucy trout!

25) The observant among you will have noticed that apart from bathing, the activity most associated with Bardot is sun-bathing. Now, what those two forms of relaxation have in common is not bathing, since a sun-bath in no way involves immersing oneself in the blazing hydrogen of our nearest star, but the exposure of skin. Why this activity should so fascinate Bardot is another question for the philosophers.

I couldn’t find a copy of L’OURS ET LA POUPEE, but a video on VousTube happens to contain la scene de bain
About one minute in. This is a different bathroom from that included in Part One.
26) LOVE ON A PILLOW — two minutes in —
And that’s it! C’est finee! Time for a cold shower.

At this late hour

Posted in FILM with tags , , on November 28, 2011 by dcairns

You might like a banner, if you’re considering joining us for The Late Show — The Late Films Blogathon, which starts Thursday (jeepers, I better watch some films and write some stuff, huh?).

The image is from Henri-Georges Clouzot’s last theatrical feature, the delirious LA PRISONNIERE, which I wrote about here.