Archive for Harvey

Faerie

Posted in FILM, Mythology, Theatre with tags , , , , on August 19, 2020 by dcairns

Fiona hadn’t seen HARVEY since she was a child, when it frightened her. As an adult, she made the perfect viewing companion. “He’s REAL? I’d forgotten he was REAL!”

Stewart and the title character.

It’s a very enjoyable, beautifully cast and very well directed production (Henry Koster always includes space in his compositions for the unseen H), using some of the Broadway actors but not star Frank Fay. Jimmy Stewart is arguably too young but it hardly matters. There’s an interesting and perhaps unanswerable question about how aware Ellwood P. Dowd is about what’s going on around him and how much his answers flummox his interrogators. I think the role COULD be played with Dowd totally UNaware that his responses to questions derail the minds of those around him. Stewart plays it as if some of these lines are deliberate jokes or deflections. Ellwood has chosen to be pleasant rather than smart but maybe he’s still a little smart too?

I don’t much care for remakes but remaking this with David Lynch would make a lot of sense. Stewart felt he was too young and could have done a better job later in life. There are a lot of possible choices in every line, including how drunk Ellwood is — Stewart plays him at the same undefined level of inebriation throughout.

Interesting to ponder what Frank Fay must have been like in the stage version. Fay is a weird, unsettling presence onscreen — maybe partly because of his sexuality — there always seem to be whole herds of elephants in the room, let alone bunnies — also he’s not photogenic, his smile beams unease — you can’t be sure if he’s uneasy or you are — I presume he worked in the role on stage because the audience had the benefit of being further away from him. His timing is excellent and his way of dithering about a line while still, eventually, nailing it, makes for an obvious point of connection with Stewart.

Harvey the Pooka is a creature of Celtic myth and Fay’s name, as well as the creature’s affinity for “crackpots and rumpots” suggests he’d be the right type to meet one.

HARVEY stars ‘Buttons’ a clown; Abby Brewster; Eva Muir; Coach Trout; Prof. Thurgood Elson; Prof. Norman Holsworth; Emory Wages; Ann McKnight; Capt. Cobb: Aramis; Daniel Boone; Mrs Sabatini; Cueball; and Phroso the Clown.

The Invisibles

Posted in FILM with tags , , , , on July 24, 2017 by dcairns

If you set out to make a film called THE INVISIBLE WOMAN, naturally you will end up with a lot of images of an empty set. Like this one.

Or these.

Abandoned movies. Lifeless sets, like Fritz Lang’s felicitous rooms, waiting for the events needed to bring them to narrative awakening.

HARVEY the pookah proves similarly camera-shy in this picture. And how are you today, Mr. Wilson?

From an invisible rabbit it’s a short jump to an invisible man and Abbot —

The comics are off arguing somewhere, while Vincent Price poses nude on the rug, secure in the fact that he cannot be photographed in his present condition. The Hays Office would never stand for it.

A friend only just worked out which was Abbot and which Costello. I sympathise — as a child it was obvious to me that “Bud Abbot” was a short fat guy’s name.