Archive for Harry Earles

The Little Woman

Posted in FILM with tags , , , , , , , , , on April 6, 2019 by dcairns

The Doll family, according to the IMDb, made very few film appearances. The best known of the foursome are better known by different stage names — Harry Earles (originally Kurt Schneider) and sister Daisy (Hilda Schneider) appear in Tod Browning’s FREAKS in central roles, and in small parts (sorry!) in THE WIZARD OF OZ and THE GREATEST SHOW ON EARTH. But Fiona thinks she may have spotted Daisy elsewhere.

An older Daisy — we think — flirts with Cliff Robertson in THE BIG SHOW (1961), a stultifying 20th Century Fox circus pic that just about did for Esther Williams’ career. The distinctive helium-squeak voice and German accent (the film was shot on locations around Munich) convince us that this must be Daisie or one of her siblings. She gives a more relaxed performance here than in FREAKS, and is the high point of the film if it’s really her. If it’s not really her, there is no reason to watch this movie. Really terrible.

And in E.A. Dupont’s MOULIN ROUGE (1928), which we just enjoyed at HippFest (well, Fiona fell asleep, but she couldn’t help herself and she consumed the film eagerly on video later), a troupe of little people are seen performing at the Casino de Paris, and again the female lead in the act looks like Daisy. And in yellowface, yet. Which part of this act is most offensive? Oh, and the fiendish Mandarin seems like a dead ringer for Harry.

The show documented in MOULIN ROUGE evidently featured a whole array of little people, so it makes sense that they’d hire the Doll family in order to bulk up the numbers. It’s a veritable Parisian Munchkinland.

The Sunday Intertitle: Various Kinds of Eggs

Posted in FILM with tags , , , , , , , , , , on August 28, 2016 by dcairns

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Lots of entertaining intertitles in SPECIAL DELIVERY, but this was my favourite. Madge is played by the unfortunately-named Jobyna Ralston, who keeps showing up at Shadowplay, like some kind of crazy stalker woman. The first egg we see her serving is Paramount contract player William Powell, back when he was playing villains. WP only really became a leading man when sound came in and his mellifluous voice revealed his latent charm — one forgets totally that he has a kind of weaselly face. So of course in silents he was typically cast as a weasel — Sternberg cast him as a Sternberg type film director, which is to say a weasel (THE LAST COMMAND), and Gregory La Cava slid him into the role of a villainous bootlegger (FEEL MY PULSE) — in that one he has a scene cussing out Bebe Daniels and just the way he uses his face makes it abundantly clear that he’s using the vilest terms, though if I were a better lipreader I’d probably discover he was really asking what Bebe fancies for lunch.

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SPECIAL DELIVERY (1927) stars Eddie Cantor, better known for talkies where he could sing, and is directed by William B. Goodrich — Roscoe “Fatty” Arbuckle hiding out under an assumed name, officially banned from appearing onscreen himself. Maybe Arbuckle behind the camera explains why Cantor at times resembles Buster Keaton when he played an ape in THE PLAYHOUSE. He sure isn’t particularly winning — in talkies he stands a better chance just because he’s so bizarre, and because he can put over a song with that unlikely voice of his.

There are plenty of good gags, though, as when a lovesick Cantor absently tucks his pancake into his collar and carves up his napkin. He does need doubling whenever the roughhouse stuff gets going, which is a mark against him.

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Eddie plays an operative for the post office secret service (no, me neither). Also appearing, briefly, is a minute person rejoicing in the name of Tiny Doll, who turns out to be a member of the celebrated showbiz Doll family, which is to say she’s the sister of Harry Earles from FREAKS. She plays an outsize baby. There is definitely a family resemblance, and it goes deeper than being around three foot high. They both could play slightly gigantic babies. Eddie Cantor couldn’t do that. In ROMAN SCANDALS, when he gets shrunk in a steambath, he has to be doubled by Billy Barty.

The Monday Intertitle: Baby Ways

Posted in FILM with tags , , , , , , , on December 30, 2013 by dcairns

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FACT: the Hal Roach studios’ intertitles were always made out of fabric in order to use up all the waste material from the trousers-ripping sequence in PUTTING PANTS ON PHILIP YOU’RE DARN TOOTIN’.

SAILORS, BEWARE! (not quite clear if sailors should beware or if we should beware sailors) is one of the movies that included both Laurel and Hardy without formally teaming them. It may have given somebody a clue that these two were good together though, because they do share quite a few scenes. Stan has all his familiar schtick including the screwed-up-face bawling, but can also be tough and assertive and articulate in a way that’s distinct from his later team-up character. Ollie is Ollie in terms of mannerisms, but he’s playing a guy who thinks he’s a ladies’ man — there’s no hint of Oliver Norville Hardy’s sexual timidity, which always lay in wait behind his mask of southern chivalry.

It can be quite weird seeing the boys in earlier roles, applying their repertoire of acting techniques to different situations. In NO MAN’S LAW, Ollie plays a villain who espies the heroine enjoying a nude dip (in water perhaps a tad clearer than anyone expected). He has to express rapacious lust — which he does by pulling his pants up an extra inch or two and briskly rotating them from side to side at the waistband, a gesture familiar from countless later two-reelers and usually prefiguring some act of slapstick vengeance on James Finlayson. It sits oddly here.

Returning to SAILORS, BEWARE! Roach larded this one with goodness — we have the voluptuous Anita Garvin as a con artist, with midget Harry Earles (FREAKS) as her sidekick, in baby girl drag — and yes, he does smoke a cigar a la Baby Herman. We also get Lupe Velez as Baroness Behr, which at least is anti-type-casting. There’s some funny stuff, and it gives you just a sense of the explosion of comic energy that was going to come when the two stars really paired up.

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Am curious to see more proto-L&H films — anybody got any recommendations?