Archive for Glenn Close

Significant Other in a Coma

Posted in FILM, MUSIC with tags , , , , , , , , , , , , on April 5, 2019 by dcairns

I’d never gotten around to Jeremy Irons’ Oscar-winning turn in REVERSAL OF FORTUNE, but was finally spurred on by a few things. Viewing director Barbet Schroeder’s fascinating feature doc TERROR’S ADVOCATE led me to suspect the film might provide a more nuanced view of legal ethics than hitherto suspected, and recent appearances in the news by Alan Dershowitz, who is portrayed in the film, and Felicity Huffman, who acts in it, further sparked my curiosity.

Huffman’s appearance in the flick, giving a perfectly decent performance in vivid contrast to the sort of behaviour she’s been charged with, isn’t specially revealing. The representation of Dershowitz, now a bloviating Trump mouthpiece, is more intriguing. The seeds are present here.

Though a lot of the film’s interest comes from creepy touches like Sunny Von Bulow’s narration from her coma bed (beautifully performed by Glenn Close), Irons’ bravely accurate rendition of Claus Von B.’s distinctive and very weird mode of speech, and Ron Silver’s typically robust performance as Dershowitz, a good deal of the fascination now stems from the ambiguity in the way this figure is presented. Though Schroeder’s filming is a bit too dependent on the Steadicam for my liking, with shots floating about aimlessly when they could have been more tightly rendered with traditional tracks (perhaps the schedule was oppressively tight?), he does well with the story, characters and issues explored in Nicholas Kazan’s script.

In TERROR’S ADVOCATE, we hear the story of Jacques Vergès, a lawyer who started out defending, based on his political convictions, of various Algerian freedom fighter’s/terrorists, and follow his path from this to acting as legal advisor to a mindbogglingly array of war criminals, dictators and serial killers. The slow decay of the moral sense, or just a successful career progression?

ROF is very interesting on the ethical dilemmas a lawyer may face, and when the film uses the same arguments as THE PEOPLE VS LARRY FLYNT to show that every accused person deserves a good lawyer — “I may not like Claus Von Larry Flynt-Bulow, but etc” — it does so with more nuance, with the sense that this may be a slippery slope fraught with peril. Silver, looking like a sort of Groucho Einstein, plays Dershowitz with enough compassion to be compelling and enough beady-eyed critique to make us feel that this flawed and morally rather flexible figure could turn into the televisual apparition we now all know and regard with revulsion. For the lawyer who fights a monstrous system becoming a monster may be a professional hazard.

Nicest directorial touch, for me: standard-issue helicopter shot credits, but sailing over palatial residence after palatial residence, as Mark Isham’s score pours a kind of heartsick malaise over the top of it all.

REVERSAL OF FORTUNE stars the Marquise de Merteuil; Beverly & Elliot Mantle; Eugene Hunt; Angie Tucci; Frieda Maloney; Constance Bulworth; Lynette Scavo; and Elaine Dickinson.

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