Archive for Fritz Weaver

Epic Fail Safe

Posted in FILM, literature, Politics with tags , , , , , , , , , , , , , on September 10, 2020 by dcairns

You know what they say: “When a fail-safe system fails, it fails by failing to fail-safe.”

It was a natural for Bologna to programme this one in the season Henry Fonda for President — that most presidential actor played the top man or else a potential top man in a whole programme’s worth of films, but the other beautiful connection is between this and DAISY KENYON for the appearance of the BIG TELEPHONE.

A nuclear threat — bombers accidentally sent towards Moscow, the War Room desperately tried to call them back. We’ve had the freak technical fault, but who will crack under the strain, junky Fritz Weaver, Larry Hagman who didn’t take good care of his nukes in SUPERMAN: THE MOVIE, hawkish wingnut Walter Matthau (EXCEPTIONALLY good) or Dan O’Herlihy who is plagued by a Recurring Matador Dream?

(The RMD is the only example I can think of where a filmmaker — Sidney Lumet — makes CREATIVE USE of matte line, a shimmering outline carving O’Herlihy out from the throng, and allowing him to be differently lit — from screen left rather than right — and exposed. See also the weird device where the B-52s B-58s are shown in negative. Peculiar, but the great Ralph Rosenblum’s cutting is so sharp you barely have time to register the strangeness.)

The scene-for-scene parallels with DR. STRANGELOVE are striking, as I knew they would be, but they’re MORE striking than I expected — I hadn’t known that the author of the novel Red Alert, which STRANGELOVE is based on, sued the author of the novel Fail Safe, for plagiarism — I heard about that at this excellent podcast. It is amazing to see a beat-for-beat repetition until the ending, which takes things in a radically new direction.

Lumet’s war room is perhaps a little too science-fictional, and too much like a bing hall at the same time, but the wide lens filming and dramatic cutting, each angle-shift callibrated for dramatic effect. It makes one conscious of how sloppy most mise-en-scene and montage are. As in WE MUST LIVE, there were simple cuts to familiar faces that achieved intentional, intelligent JOLTS.

You can’t talk about Lumet having a tragedy — he loved making films and he was able to make them for his whole life and his last two are highlights — but if he had a tragedy it would be that he thought of himself as a journeyman who could turn his hand to anything, when in fact he was always best with a socially-relevant thriller, often with a New York element (though THE HILL among others shows his ability to travel well).

FAIL SAFE stars Robinson Crusoe; Abraham Lincoln; Senator Long; Sheriff Heck Tate; Juror 6; Professor Biesenthal; Gov. Fred Picker; Dr. Robert MacPhail; Boss Hogg / Thaddeus B. Hogg / Abraham Lincoln Hogg; and Buddy Bizarre.

Truth is a menace

Posted in FILM, Politics, Television with tags , , , , , on February 10, 2017 by dcairns

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“You walk into this room at your own risk. Because it leads to the future. Not a future that will be but one that might be. This is not a new world. It is simply an extension of what began in the old one. It is patterned after every dictator who has planted the ripping imprint of a boot upon the pages of history since the beginning of time. It has refinements. Technological advancements. And a more sophisticated approach to the destruction of human freedom. But like every one of the super-states that preceded it, it has one iron rule. Logic is an enemy and truth is a menace.”

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Words and images from The Twilight Zone season 2, The Obsolete Man, written by Rod Serling, directed by Montgomery Pittman, starring Burgess Meredith and Fritz Weaver. This is not the future that will be, but the future that was. The present.