Lots of entertaining intertitles in SPECIAL DELIVERY, but this was my favourite. Madge is played by the unfortunately-named Jobyna Ralston, who keeps showing up at Shadowplay, like some kind of crazy stalker woman. The first egg we see her serving is Paramount contract player William Powell, back when he was playing villains. WP only really became a leading man when sound came in and his mellifluous voice revealed his latent charm — one forgets totally that he has a kind of weaselly face. So of course in silents he was typically cast as a weasel — Sternberg cast him as a Sternberg type film director, which is to say a weasel (THE LAST COMMAND), and Gregory La Cava slid him into the role of a villainous bootlegger (FEEL MY PULSE) — in that one he has a scene cussing out Bebe Daniels and just the way he uses his face makes it abundantly clear that he’s using the vilest terms, though if I were a better lipreader I’d probably discover he was really asking what Bebe fancies for lunch.
SPECIAL DELIVERY (1927) stars Eddie Cantor, better known for talkies where he could sing, and is directed by William B. Goodrich — Roscoe “Fatty” Arbuckle hiding out under an assumed name, officially banned from appearing onscreen himself. Maybe Arbuckle behind the camera explains why Cantor at times resembles Buster Keaton when he played an ape in THE PLAYHOUSE. He sure isn’t particularly winning — in talkies he stands a better chance just because he’s so bizarre, and because he can put over a song with that unlikely voice of his.
There are plenty of good gags, though, as when a lovesick Cantor absently tucks his pancake into his collar and carves up his napkin. He does need doubling whenever the roughhouse stuff gets going, which is a mark against him.
Eddie plays an operative for the post office secret service (no, me neither). Also appearing, briefly, is a minute person rejoicing in the name of Tiny Doll, who turns out to be a member of the celebrated showbiz Doll family, which is to say she’s the sister of Harry Earles from FREAKS. She plays an outsize baby. There is definitely a family resemblance, and it goes deeper than being around three foot high. They both could play slightly gigantic babies. Eddie Cantor couldn’t do that. In ROMAN SCANDALS, when he gets shrunk in a steambath, he has to be doubled by Billy Barty.