Archive for Emma Thompson

Shave and a Haircut

Posted in FILM with tags , , , , , , , , , on June 20, 2015 by dcairns

15.06.14. LM Barney Thomson Ltd. The Legend of Barney Thomson, 43 INT BARROWLANDS BINGO Barney spots Charlie at the bingo * Cast approved flagged in Green only Production Office Suite 1:09, Red Tree Business Park, 33 Dalmarnock Rd, Bridgeton, Glasgow Graeme Hunter Pictures, " Sunnybank Cottages " 117 Waterside Rd, Carmunnock, Glasgow. U.K.  G76 9DU.   Tel.00447811946280 graemehunter@mac.com

I can’t really review THE LEGEND OF BARNEY THOMSON because I’m very good mates with the screenwriter, Colin McLaren. One drunken evening in 2001 we watched five Scottish state-funded short films back to back, got a bit cross about them, and wrote CRY FOR BOBO as the farthest possible opposite we could conceive of to Scottish miserablism.

And, frustratingly, I can’t give you any gossip either, because I don’t know very much and I wouldn’t want to embarrass anyone. I mean, I know who modeled for the prosthetic severed penis, but I just can’t tell you. (His name does not appear in this post. But there’s a clue for you — it’s a man.) And I know whose mum Thomson’s performance is partially inspired by, but I don’t think I should go into that either.

Robert Carlyle, making his feature debut, directs and also stars as the titular Barney, a put-upon barber in Glasgow. And the city has never looked better — Glasgow has its own mythic sense of itself, and the film taps into that with expressive, red-soaked visuals. Carlyle seems like a real director, not just for the strong performances he elicits, but for his visual sense and narrative control.

Barney Thomson 6

Chief among these is Emma Thompson, barely recognizable in startlingly convincing old-age makeup and a gravelly Glaswegian accent, swearing her head off as Barney’s appalling mum. When Barney accidentally kills a fellow barber, it’s to mum he turns, at which point the plot’s grisly black comedy really starts to ramp up, with rival detectives Ray Winstone and Ashley Jensen closing in on the nervous hairdresser and mum being perhaps more a hindrance than a help.

Oh, there’s also Stephen McCole (the bully from RUSHMORE), and a trio from Colin’s previous feature, Martin Compston, James Cosmo and Brian Pettifer (having a very good year, what with his turn in Jonathan Strange & Mr Norrell). And Tom Courtenay, who’s HILARIOUS. His timing

But you can’t really trust me on any of this, since Colin’s a mate. So probably you should just see the film for yourself, right?

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The Adams Family

Posted in FILM with tags , , , , , , , , , on May 29, 2015 by dcairns

The-Legend-of-Barney-Thomson

“I feel like I’ve joined a family!” burbled Fiona, who is now a submissions editor at Edinburgh International Film Festival.

“The Adams Family,” suggested Diane Henderson. Mark Adams being the new creative director, you see.

Anyhow, one film Fiona spotted in her viewings was BEREAVE, which got programmed and now she’s hugely looking forward to meeting the filmmakers, Evangelos and George Giovanis, and their stars Malcolm McDowell and Jane Seymour, who are all coming. The latter two are doing an In Person event each. Also In Person: Ewan McGregor, Johnnie To, and Seamus McGarvey interviewing Haskell Wexler, which is unmissable.

Also of interest to me: FUTURE SHOCK! a documentary on 2000AD, the comic book that warped my young mind; seasons on Walter Hill, American TV movies of the seventies (Michael Mann, Steven Spielberg, Tobe Hooper, Sam Peckinpah), and Mexican cinema, featuring a few revivals of classic cine dorado offerings MACARIO and MARIA CANDELARIA.

Fiona and I are equally excited about Neil Innes, whose The Rutles is showing.

I’ve written four reviews for the program this year, on MISERY LOVES COMEDY, IT’S ALREADY TOMORROW IN HONG KONG, THE CHAMBERMAID LYNN and, um, something else. Maybe more on that later.

The long-awaited new Peter Bogdanovich, SHE’S FUNNY THAT WAY appears! Which I think used to be listed on the IMDb under the title SQUIRRELS TO THE NUTS, a CLUNY BROWN reference which indicates his heart is in the right place. The cast is a VERY exciting medley of P-Bog favourites, including Tatum O’Neil, Cybill Shepherd, Colleen Camp. Austin Pendleton, Joanna Lumley, with leads Jennifer Aniston, Owen Wilson and Imogen Poots. I’m going to give it a shot.

COP CAR stars Kevin Bacon but second lead is Shea Whigham, and that’s enough to get me seriously stoked. Whoh!

They’re showing ROAR! That’s the one WTF decision. Otherwise, you get revivals of THE THIRD MAN, WATERLOO, THE TAKING OF PELHAM 123, DREDD (3D), THE BRAVE DON’T CRY and the newly-restored, de-Weinsteined director’s cut of 54. I saw the original release version, about the popular disco for heterosexuals. I’m assuming the new cut will be about 89% less heterosexual otherwise I’m still not going to be satisfied.

Animation: Barry Purves, possibly the best stop-motion artist in the world, is attending with his oeuvre. And from the sublime to Ralph Bakshi: three of his seventies features are screening. Plus Pixar;s INSIDE OUT and three shows of shorts (not enough, in my view).

I always pick a random smattering of the Black Box screenings, which is the experimental strand. I never know what I’m going to get, because it’s not really my area, but I’ve learned to trust the programmers there.

Most exciting, for us: though this is the first time in two years we don’t have a film in the fest, our great friend Colin McLaren, who wrote DONKEYS, does, and it’s the opening film. Robert Carlyle stars and directs with an unrecognizable Emma Thompson in THE LEGEND OF BARNEY THOMSON (see top). More soon…

Pigs Might Fly

Posted in FILM with tags , , , on April 10, 2010 by dcairns

Me and a prosthetic pig, made for NANNY MCPHEE AND THE BIG BANG (but never used).

Photo by Sue Osmond. Possibly the best picture I’ve ever been in.

Emma Thompson is a big fat liar!

Here she is talking about the field of barley grown for her (very enjoyable) new movie:

“Afterwards they harvested it by hand. It had to look like it was harvested in the era the movie’s set in. Now it’s all been sold, because I think it was about £11,000 worth of barley that was there. I said, ‘Can’t we make Nanny McPhee beer?’ But they told me that was inappropriate. So they sold it to thatchers.”

In fact, all the barley rotted as soon as it was harvested.

The pigs used on the movie were successfully recycled, however. As sausages. It’s true! They could only shoot the piglets for a few weeks each, as they grew too fast, so they had a constant influx of fresh piggies and the overgrown ones went back to the farm and hence into the food chain. Hearing about how bright and cooperative the pigs were on set, hitting their marks and learning their lines (“Oink!” isn’t too hard to memorize, but I bet Val Kilmer could still screw it up), so that the prefab prosthetic porkers were barely needed, it’s enough to make me contemplate giving up bacon. I mean, who eats actors for breakfast?  Now that Otto Preminger’s gone?