Archive for Drusilla Wills

Flight of Fancy

Posted in FILM, literature with tags , , , , , , , , , , , , , on April 26, 2021 by dcairns

We’d enjoyed THE PASSING OF THE THIRD FLOOR BACK so much, on re-viewing it in our weekend watch party, I went looking for other films with its cast members. Frank Cellier, who plays the evil Mr. Wright — part property speculator, part actual Satan — had a patchy film career, but apart from his crooked Scottish Sheriff in Hitchcock’s THE 39 STEPS, he seemed to have a big role in NON-STOP NEW YORK, which starred Anna Lee, so that one seemed worth a punt. We double-billed it with FIRST A GIRL, which also features Lee.

After a glossy moderne title sequence, we’re into a thriller narrative in which unemployed chorine Lee is witness to a mob hit in New York. She’s the only one who can save an unoffending hobo from the gallows, so (after considerable comic footering and subplottery) she hops the “mail plane” back to NYC on a desperate mission to save the poor blighter. But also aboard are —

John Loder, amiable London detective

Frank Cellier, blackmailer and all-round schemer (lots of good blustering)

Francis L. Sullivan, the real murderer, disguised as a Paraguayan general (!)

Various other comic relief parts.

The stratosphere is so bracing!

The whole film is very entertaining, but once we’re on the fanciful plane — every passenger has their own stateroom, and there’s a kind of balcony or sky-veranda where you can go outside and ENJOY THE FRESH AIR — things get really endearingly silly. The plane is basically designed like an ocean liner. It takes off from the water but it doesn’t have those ski-things boatplanes have. The story, scripted by Roland Pertwee (of THOSE Pertwees), with an uncredited assist from Curt Siodmak, who had form in this kind of civic engineering sub-sf, is based on a novel called Sky Steward. The steward does appear in the film, played by Jerry Verno, the stage door man from THE RED SHOES, but he’s a very minor character.

Very nicely directed: Cellier & Lee are surprised by a BIG REVEAL of Francis Sullivan

The ensemble thriller format probably owes something to ROME EXPRESS and would soon yield THE LADY VANISHES. This weird variation is directed by Robert Stevenson, who would skip across the ocean himself as a conscientious objector and wind up working for the biggest wingnuts in Hollywood — Howard Hughes and Walt Disney, giving us everything from THE LAS VEGAS STORY to MARY POPPINS, or if you want to be cynical about it, THE WOMAN ON PIER 13 to THE GNOME-MOBILE. Around this time he was making fun stuff like KING SOLOMON’S MINES, repurposed as a Roland Young comedy: by the time he’s at Disney, the matte painters are making the movies.

Anna Lee is very smiley, which she isn’t in the films I know her best from — BEDLAM and PASSING OF 3FB (it is, I acknowledge, appalling that I have yet to view HOW GREEN WAS MY VALLEY). She’s very smiley in FIRST A GIRL also.

Although the airplane stuff is joyous, I regret the fact that Lee’s old mum, a cockney comic relief type played by Drusilla Wills, drops out of the story early on. First, it’s great to see that Lee’s character comes from this earthy stock, and the idea of a chorus girl playing detective aided by her unglamorous mum is a very winning one. I would happily accept sequels starring the pair — perhaps they could solve a murder on an iron mole heading for the earth’s core, or catch a fifth columnist on a time bus taking a sight-seeing tour of the Morlock mines…

NON-STOP NEW YORK stars Ianto; Bronwyn; Mr. Bumble; Capt. Jeremy Stickles; Marcel Escargot; Mrs. Karswell; The Professor; Mrs. Grudden; Arthur Bleeby; Thwackum; and One-Round.