Archive for Douglas Fairbanks

The Sunday Intertitle: Meat Cute

Posted in FILM with tags , , , , on October 30, 2016 by dcairns

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In the Doug Fairbanks vehicle HIS PICTURE IN THE PAPERS, directed by John Emerson and co-written with Mrs. Emerson — Anita Loos, the more talented half of the team — Fairbanks plays the heir to a vegetarian health food empire who prefers martinis, pugilism and roast beef to his fathers diet of “perforated peas” and “toasted tootsies.”

To effect the traditional meet cute, the plot has Doug sneak off to a restaurant to enjoy a steak, where he will encounter the leading lady, also a supposed veggie, also moonlighting as a meat-eater.

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Oddly, though the film is shameless propaganda for the carnivorous cause, depicting herbivores as timid and bloodless creatures, effete and un-American, photographically speaking it makes the greens look more appealing, even though they’re robbed of greenness in the b&w image. Doug’s dish, on the other hand, looks pretty disgusting onscreen, its natural colour leeched away. in his enthusiasm, Doug contrives to exacerbate the problem — in a typical bit of silent-movie actorly business, he tries to gesture excitedly at the meat in the insert shot, his fingers protruding into frame and seemingly giving the slab of flesh an affectionate pat.

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Who does that?

A lot of Doug’s eating-acting is similarly overdone, with facial expressions more appropriate to a soul in torment than a man enjoying a slap-up beanfeast. This may be why his reputation has survived more as a performer of impressive stunts than as a performative gourmand.

Also featuring Erich Von Stroheim as “One of the Weazels.”

It All Ties Together

Posted in FILM with tags , , , , , , , , , , , , , , , , on July 2, 2016 by dcairns

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In James Whale’s THE KISS BEFORE THE MIRROR, Nancy Carroll is an unfaithful wife named Maria living in fear of her murderously jealous husband, Paul (Frank Morgan).

In Jean Epstein’s COEUR FIDELE. Gina Manes is an unfaithful wife named Maria living in fear of her murderously jealous husband, Paul (Edmond Van Daele).

In James Whale’s REMEMBER LAST NIGHT?, Gustaf Von Seyffertitz is a German psychoanalyst shot while attempting to reconstruct a crime.

In Lewis Milestone’s THE FRONT PAGE, Gustaf Von Seyffertitz is a German psychoanalyst shot while attempting to reconstruct a crime.

In THE MYSTERY OF THE LEAPING FISH, Douglas Fairbanks snorts coke.

In TOUCHEZ-PAS AU GRISBI, Jeanne Moreau snorts coke.

In ONE-EYED JACKS, Marlon Brando is tormented by a corrupt sheriff.

In THE HALF-BREED, Douglas Fairbanks is persecuted by a corrupt sheriff.

In KING OF JAZZ, a man plunges his hands into a tank of goldfish.

In Louis Lumiere’s LA PECHE AU POISSONS ROUGES, a baby plunges his hands into a bowl of goldfish.

All these films played the day before yesterday in Bologna. Cinema is imploding into a kind of primal atom.

The St. Valentine’s Day Intertitle #1

Posted in FILM, MUSIC with tags , , , , , on February 14, 2015 by dcairns

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Friday Night at the Wash House (Portobello Community Centre) for a screening of THE BLACK PIRATE with music by the Jane Gardner Trio. Seen it before, and with the same accompaniment (wildly romantic, witty), but that was at a bandstand in broad daylight with the film “projected” on two screens rather like scoreboards. The Wash House turns out to be a terrific venue, with good sound and projection and a fun audience — a genuine community (apart from us) with plenty of old folks and kids, who all got into it and laughed in the right places and also spontaneously cheered at the grand climaxes.

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Shona Thomson, introducing the show, also informed me that Donald Crisp, the comedy relief one-armed pirate sidekick (complete with tam-o-shanter and Scots dialect intertitles, was another BOGUS SCOTSMAN. There’s a plaque in his honour in Aberfeldy but he was actually born in East London, the swine. Just as with Chaplin’s hulking foe, Eric Campbell, we have a case of an actor who just liked the idea of being Scottish, and so reinvented himself.

(How different from Donald Sutherland, Canadian of Scots descent, who was mortified at the idea of being a Scot. “I thought, ‘If only I could be Irish or Jewish, that would at least be SOMETHING.'”)

Tonight, the Trio play once more, accompanying Buster Keaton’s ONE WEEK and SEVEN CHANCES — Fiona and I shall be there. What better way to celebrate romance than with a silent comedian being chased through Los Angeles by a hundred brides?

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Although, admittedly, Doug’s proposal (top) is better than Buster’s (above).