Archive for Dead Calm

“There are a lot of inconveniences to yachting that ordinary people don’t know anything about.”

Posted in FILM with tags , , , , , , , on October 13, 2015 by dcairns

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Rudy Vallee’s observation about a life on the ocean wave in THE PALM BEACH STORY might very well be echoed by Sam Neill and Nicole Kidman in DEAD CALM, which I finally caught up with. Director Phillip Noyce is someone I haven’t really bothered myself about — I found his lauded QUIET AMERICAN dull, more faithful than Mankiewicz’s re-Americanized version but simply tedious to watch, and I never persevered with SALT, despite its refreshingly coherent action scenes. And I promise to never watch SLIVER or PATRIOT GAMES.

But this one finally tempted me, viewed as a George Miller movie (he produced) rather than a Noyce one. It feels tightly storyboarded and has been pared down until the backstory squeaks, a mere vestige of some now-lost subplot. The really intense suspense is in the first half, I found, but like such films as Hawks’ THE BIG SLEEP, it builds up such goodwill that you don’t notice if the last half isn’t as strong. I enjoyed MAD MAX: FURY ROAD as much as the rest of you, and it’s prompted me to revisit the Miller back catalogue.

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Never get on a boat with Billy Zane, by the way. Just some friendly advice. Think about it.

Nicole K, still sporting her original birth face at this point, is both photogenic and convincing, while staunch Sam Neill is dominant enough to suggest a deeply-buried thematic level the film never quite gets around to pinning down. His advice to his spouse that she must forget their dead child and move on to their new life is uncannily echoed by Zane later in the film as he urges her to stop thinking about her drowning husband and devote her attentions to him.

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But it’s the nasty thrills and elbow-gnawing suspense that mark the film out as attention-worthy. Miller has always been not only unafraid to kill men, women, children and dogs, he has practically insisted upon it — you can see his entire career as a preparation for LORENZO’S OIL, just so we’ll take that movie’s fatal childhood disease seriously. Trust him, he’s a doctor.

Bad panty continuity. Nicole stips off to seduce Zane, then climbs straight on deck wearing only a jacket — and is suddenly sporting tighty-whities. Did Noyce seriously say, “No one will be looking at her ass, they won’t notice”? Fiona reckons Nicole just didn’t want to spend the rest of the movie bare-ass (Zane clearly DID). I guess her character just generated panties by sheer willpower. I can’t help feel the movie offered a few later opportunities for the character to don grundies. You can’t rush into these things.

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Now all we need is the Orson Welles version. I don’t mind if it’s not finished, or not very good — TOO MUCH JOHNSON convinces me it’ll be interesting anyway, and the less work it undergoes at the hands of others, the better.

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