It’s an enjoyable thing. There’s too much of it, too much bloodless property damage and quips, as before. I miss Loki, I miss the smirking face of evil — when all your baddies are faceless robots, it starves the film a bit, even if James Spader is doing the faceless robot voice. And all the fights seemed to involve everybody, all the time — some smaller skirmishes would have helped a lot. My main memory of the action is a blur of flame and debris and one very funny bit of a giant Iron Man punching the Hulk in the face a hundred times very fast.
Writer-director Joss Whedon works hard to make Thor likable and interesting, which previously looked like a challenge. There still aren’t enough female characters and the movie is missing some of the highly paid actresses from various branches of the mega-franchise so it feels like for the first time there are some things Marvel can’t afford to do — they can’t afford to have Natalie Portman and Gwyneth Paltrow turn up at a party scene to tend bar.
There’s nothing as wonderful as Harry Dean Stanton popping up in the first movie for no reason other than that the cinematographer was making a documentary about him.
Oh, about the cinematography. Film 1 was shot by Seamus McGarvey, who did, for instance, the ruthlessly colour-planned WE NEED TO TALK ABOUT KEVIN. This one is shot by Ben Davis who did the psychedelically garish but still coordinated GUARDIANS OF THE GALAXY. So I don’t know what it is — it’s competently shot but the palette is just screamingly LOUD. I guess all those spandex costumes and shiny armours and green skin just won’t BLEND. That poster up top is literally what the film looks like.
But there’s a nice love story, unexpected if you haven’t read the spoilers, and Chris Evans can still be heartbreaking, and there are some eerie quieter moments amid the bombast of Danny Elfman and his back-up orchestra (as near as I can work out, even Elfman at full blast wasn’t loud enough, so they had Brian Tyler provide a whole different score at the same time. I’m pretty sure that’s what they did.) I liked The Vision. Joss Whedon has worked hard to humanize these immortals, even Thor who literally is a god is portrayed as just a nice Aussie bloke, so it’s nice to meet The Vision who is basically an actual god. Not one of us, as Mrs. Thatcher would say.