I had never seen a Red Skelton movie. In the clips I saw he looked kind of awful, but on the other hand, Buster Keaton liked him. A friend said, “There was talent there, but the volume switch was faulty.”
So, we got on an Esther Williams kick — there’s talent there too — which led us to run ZIEGFELD FOLLIES, which has a nice little water ballet directed by Vincente Minnelli — interesting to see how he handles it, as opposed to Busby Berkeley or Charles Walters or George Sidney. It also has Red Skelton hamming it up in one sketch (like KING OF JAZZ, it intersperses songs and sketches). The sketch is pretty unfunny, and Fiona’s immediate reaction to the mugging was revulsion. But then he actually got a few laughs, overcoming our resistance to his overkill with more overkill. Overandoverkill. And he certainly had some chops as a visual comedian.
A gag from THE HIGH SIGN! Was Buster working as gag man at MGM in 1943? It seems likely.
So then my same friend mentions DU BARRY WAS A LADY, and that seems like a suitable medium for further investigation. If Skelton gets too much for us, we have his fellow redhead Lucille Ball, and third-billed Gene Kelly, and Tommy Dorsey and his band, and a practically juvenile Zero Mostel doing a really good Charles Boyer impersonation — not just the voice — he kinda morphs his face so as to actually resemble Boyer, albeit a pudgy, ugly Boyer.
Too bad Zero doesn’t get to sing a note, except as part of the chorus. But maybe best of all, the film has Virginia O’Brien, singing a song not in the Cole Porter show ~
Like KISS ME KATE, this play has had considerable damage done by rewriting, moving of songs, substitution of songs. It’s verging on a revue, like ZIEGFELD GIRLS, but with just enough connective tissue to be able to call itself an actual movie. And Skelton has it dialled down slightly — he’s playing an awful obnoxious dope, though, and Skelton’s particular comic instrument does not reduce the less appealing qualities.
But — in a Twitter conversation I was just defending the musical, but saying that even the worst MGM musical will still tend to have a few jaw-dropping moments. This one has QUITE a few.
Best gag: Red wins the sweepstake, and as he passes out in shock we get the traditional newspaper montage, only each headline carries only a fragment of the story —