Archive for Atlantic

Swapping Deckchairs

Posted in FILM, literature with tags , , , , , , , , , , , , on March 29, 2020 by dcairns

Nice of Brian Aherne, in the Jean Negulesco TITANIC, to proudly display the name of his favourite Bob Fosse film.

Though I would have put him down as more of a LENNY man.

Working on a new Shadowcast, or at least talking about doing so… I realise if we’re going to make this podcast thing a success we’ll have to make some actual podcasts… thinking of theming it around movies about the Titanic. There are quite a few. We’ll just talk about the ones we’re interested in. Probably these:

ATLANTIC. EA Dupont, Britain, 1929. Stars Thomas Cromwell; Princess Flavia; Sir Henry Baskerville; Harry Blump, the Window Washer; Needle Nugent; Detective Frank Webber; Gen. Mercier; Emily Hill; Duke of Orleans; and One-Round

The Nazi TITANIC. Gervert Selpin, Germany, 1943. Stars Léone; Chef von Scotland Yard; Elephant Keeper Kellerman; Inspector Groeber; and Inspector Karl Lohmann.

TITANIC. Jean Negulesco, USA, 1953 which stars Waldo Lydecker; Martha Ivers; Jonathan Hart; Louise Kendall; Moe Williams; Maximilian I of Mexico; Ishmael; Cousin Albert Van Cleve; Lord Alfred Douglas; the Dear One; Herod the Great; and the voice of Klaatu.

A NIGHT TO REMEMBER. Roy Ward Baker, Britain, 1958, Which stars Douglas Bader; Cmdr. Fortune; John Quincy Adams; Pussy Galore; Hylas the Glaswegian argonaut; Don Jarvis; Ieuan Jenkins; David Copperfield; Illya Kuryakin; Chief Inspector Tim Oxford: Argos the Surrey Argonaut; Peter Coffin; Dickie Winslow; Catweazle; Lenin; Prof. Bernard Quatermass; Takyan; Det. Chief Supt. Charles Barlow; Q; Prince Otto; Sandy Youth; Norm; Tumak; Vivian Darkbloom; the Duke of Wuertemberg; Captain Winston Havelock; and Boba Fett.

And I guess we won’t be able to entirely avoid James Cameron’s TITANIC (USA, 1998) which stars Rick Dalton; Young Iris Murdoch; The Phantom; Annie Wilkes; Strawberry Alice; Margaret Waverton; Private Hudson; King Theoden; Henry Niles; Herbert Arthur Runcible Cadbury; Reed Richards; Jeremy Secker; Pontius Pilate; and Captain Winston Havelock again.

Why, it’s Captain Smith! The real one, seemingly. The little white blotch to the right of his head seems to be where somebody’s scratched out the name of another ship, for what reason I’m uncertain. All through this documentary short, frequently mislabeled as SAVED FROM THE TITANIC, the names of ships are erased.

The real SAVED FROM THE TITANIC is, I believe, lost. It was the first Titanic drama, released in 1912 to cash in quick, and it starred a real survivor of the disaster, Dorothy Gibson.

Well, you can’t really blame her for trying to salvage something from the experience.

Young One-Round

Posted in FILM with tags , , , , on March 31, 2016 by dcairns


Danny Green, best known for THE LADYKILLERS, makes an early walk-on in EA Dupont’s ATLANTIC, subject of today’s edition of The Forgotten. Both better and worse than its reputation would suggest.

The Sunday Intertitle: Fanck Heaven

Posted in FILM with tags , , , , , , , , , on December 18, 2011 by dcairns

A late entry to The Late Show Late Films Blogathon.

One more  MASQUE OF THE RED DEATH limerick, Here.

This appreciation of actor Eric Linden by Dan Callahan over at The Chiseler is so terrific I had to recommend it. I toyed with writing something on this intriguing player, but I only got as far as “Adept at playing virginal, hysterical hicks, a sort of female Zasu Pitts.” Somehow, that seemed inadequate, but Callahan nails it.

An Intertitle. This movie has the shoutiest intertitles I’ve ever seen. The fact that they’re in German probably helps slightly, but it’s not the deciding factor — size, font, explanation marks, and hysterical repetition have more to do with it.

I’m way behind on Fanck. The one I should have watched, THE WHITE HELL OF PITZ PALU (because of Pabst’s contrib) eluded me, and my hand fell upon THE HOLY MOUNTAIN and before I knew it had slotted the thing into the darned Panasonic and I was watching Leni Riefenstahl cavorting away, Isadora fashion, by the pounding surf. But all the while dreaming of mountains! And mountaineers!

The mountain photography is astounding (I have seen the Tay Ganett Americanization of Fanck’s SOS ICEBERG, which is equally impressive in its nature photog) but I’m focussing here on the other visuals, like The Grand Hotel. Fanck may have disdained trick shots for his scenic dioramas — even including an admonition to the audience not to assume any of this is faked up by the camera — but he’s happy to let FX create a more impressive and modern structure than his location scouts could find or his studio contain.

And at the film’s TOUCHING THE VOID climax, a stunning hallucinatory vision of an icy afterworld is largely the product of the special-effects-man’s imagination and skill —

Re Leni: I’m a little agnostic about her “charms.” Admittedly, she has an athletic prowess not many actors could have brought to the role. Maybe it’s because I know her as an old lady and I can see her centenarian face superimposed over her youthful one. Maybe it’s the whole Nazi thing. I’ve yet to find a Nazi leading lady I could really warm to, although it’s possible I’m just not trying hard enough.

Silent German films and their dancing women… I guess because the films were silent, they seem to have eschewed choreography as an unwanted burden on their free spirits. Fritz Lang is particuarly bad at this: poor Brigitte Helm is left to flail about on her own in METROPOLIS, and there’s similar limb-thrusting in SPIONE. Leni acquits herself somewhat better, and I guess the motivating idea is exuberance and GUSTO rather than elegance or grace, but there’s an unfortunate hint of Elizabeth Berkeley in SHOWGIRLS about her cavortions (yes, “cavortions” is a word, now). It spills over into her general performance — her character is apt to bound into a room and stand smack in the centre, arms out-thrust as if inviting crucifixion. No wonder Dr. Fanck was always trying to smother her in avalanches.

Buy Dr Fanck’s mountainfilm!