Archive for Anne Billson

The Sunday Intertitle: A Collaborative Medium

Posted in FILM with tags , , , , , , , , , , on September 22, 2019 by dcairns

Rabbi Loewe is a collaborative medium, summoning the demon Astaroth in DER GOLEM.

Masters of Cinema is releasing Paul Wegener’s epic about a great man with feet of clay, and I’ve done a video essay with Fiona for it, our first real collaboration of this kind. She read the narration of my DIARY OF A LOST GIRL piece but this time she’s co-writer and we read the VO in turn. Her researches turned up a crucial, forgotten female collaborator on the film.

Incidentally, the film is restored from the long-lost negative, and looks much, MUCH better than the YouTubey frame-grabs I’ve been forced to use here.

The movie is also going to be playing UK cinemas around Halloween, so don’t be surprised if it gets another Sunday Intertitle during Project Fear, our Euro-horror blogathon. The Blu-ray streets on November 18.

This was actually my second collaboration of this kind: Masters of Cinema are also releasing King Hu’s taut and exciting THE FATE OF LEE KHAN, and I co-wrote a video essay with the sublime Anne Billson for that one. Released on October 21st and available for pre-order.

Just a week later, on October 28th, FOX AT FULLER hits the shops, again with a video essay by me. This time I got Samantha Fuller to read her father’s words, which she does magnificently, so I seem to be sharing VO duties a lot recently. I’m reminded of the late Leonard Cohen’s observation on the effect of a female backing singer accompanying his voice: “Some dismal quality is neutralised.”

Jon Robertson produced all three discs, Stephen Horne video edited the essays on THE GOLEM and THE FATE OF LEE KHAN, and Timo Langer edited FULLER AT FOX.

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Back to Work

Posted in FILM with tags , , , , , , , on July 5, 2019 by dcairns

The tireless work of the labourer in cinema. Got back from Bologna on Monday and recorded Anne Billson, our celebrity cat-sitter, for a video essay we’re doing on an undisclosed subject. This is our first real collaboration, though we’ve talked a lot about doing a screenplay together. It’s for Masters of Cinema but that’s all I’m saying.

The following day I recorded a VO for another video essay for another company, Arrow Video, title also undisclosed, and the next day we began editing it.

Today there’s a screening of the graduation films from Edinburgh College of Art — many of which won firsts — so I’ll be at Filmhouse later.

With all this going on, I haven’t had time to watch any films apart from those the video essays deal with, so as you may have noticed, I have nothing to say.

Oh, if you have a Criterion Channel subscriptions, you can watch my two video interviews with the great Angela Allen, who talks about her work with John Huston, Tony Richardson, Roman Polanski and Ken Russell (all of them bad boys). Photographed by my longtime collaborator Jane Scanlan and edited by Stephen C. Horne.

The picture at top is not a clue.

The Plan

Posted in FILM with tags , , , , , , on June 20, 2019 by dcairns

So, Edinburgh International Film Festival is just starting but we cannot attend! Today, critic and lady novelist Anne Billson arrives from the continent to flat-sit, cat-sit and attend on our behalf — interested parties can see and hear her in The Science of Scary panel discussion.

We jet off for Bologna first thing, or slightly before first thing, tomorrow morning. The fest there, Il Cinema Ritrovato, does not get started properly until Saturday, but on the Friday we have the opportunity to see a new documentary about Jean Gabin, and FOR A FEW DOLLARS MORE, newly restored. I’m hoping it’ll have the correct poster-paint blue skies and the mismatched dusk shots at the end will be lovingly preserved.

But I’m also tempted by a documentary about six P.A.’s from the glory days of Italian cinema — already this festival is offering tantalising choices!