Archive for Anne Billson

The Situ

Posted in FILM with tags , , , , , , , , , on November 16, 2019 by dcairns

In bed to save on heating because it’s COLD. Momo will probably snuggle up later when he’s finished shouting. Fiona’s going out to meet a friend.

I’m going to listen to the rest of the Jovanovich testimony which is HOT STUFF. If you’re not following this, you should be — exciting viewing. It occurs to me that the Republican pols, those not entirely dead to all moral feeling, are in HELL and have been all through this presidency, having to make excuses for this guy who represents the opposite of the “values” they claim to espouse. Good. Their troubles may be about to end, just not in the way they would choose. But I make no predictions. I live by the tenet, “Things can always get worse.”

Still, life in the Shadowplayhouse is fairly pleasant, we went to see the film billed as THE IRISHMAN which, when you get in to see it, turns out to be called I HEARD YOU PAINT HOUSES. First switcheroo of that sort I’ve seen since Polanski’s THE GHOST (according to UK posters) had a fancy end creds sequence in which it announced its title as THE GHOST WRITER.

And I picked up this month’s Sight & Sound, which asides from boasting articles from pals Hannah McGill and Pamela Hutchinson, features two favourable mentions of yours truly on the same page: my video essay for THE BELLS OF ST MARY’S is, apparently, “highly engaging” and part of a “divine set of extras” while the one I did with Anne Billson for THE FATE OF LEE KHAN is “effervescently enthusiastic”. Stephen C. Horne edited both pieces.

I’ll say some nice things about the Scorsese next week. It is not to be missed.

Inn Fighting

Posted in FILM with tags , , , , on November 15, 2019 by dcairns

Got my copy of king Hu’s THE FATE OF LEE KHAN, featuring a video essay by Anne Billson and myself. Fortuitously, Anne knew the film well and was cat-sitting for us when the job came in. We got back from Bologna, I recorded our cat-sitter’s words, and wrote my own comments to fit in around them.

Have now done, or co-done, essays on DRAGON INN, A TOUCH OF ZEN, TFOLK, LEGEND OF THE MOUNTAIN, and have just finished RAINING IN THE MOUNTAIN. Which leaves THE VALIANT ONES, which I hope will be next.

Well, not next — I have another two lined up, but I’ll tell you about those another day.

You’ll like TFOLK — lots of sneaking around in an inn, and then lots of fighting — classic Hu.

Question — who is King Hu receiving his 1975 Cannes Grand Prix for A TOUCH OF ZEN from? Hu is the one on the right. The statuesque lady with the ratted hair has an Ann-Margaret quality and also a Pamela Tiffin quality and does not seem to be a member of the jury, because she ain’t Jeanne Moreau, Lea Massari or Yuliya Solntseva.

Whoever it is, it seems an amusing combo.

The Sunday Intertitle: A Collaborative Medium

Posted in FILM with tags , , , , , , , , , , on September 22, 2019 by dcairns

Rabbi Loewe is a collaborative medium, summoning the demon Astaroth in DER GOLEM.

Masters of Cinema is releasing Paul Wegener’s epic about a great man with feet of clay, and I’ve done a video essay with Fiona for it, our first real collaboration of this kind. She read the narration of my DIARY OF A LOST GIRL piece but this time she’s co-writer and we read the VO in turn. Her researches turned up a crucial, forgotten female collaborator on the film.

Incidentally, the film is restored from the long-lost negative, and looks much, MUCH better than the YouTubey frame-grabs I’ve been forced to use here.

The movie is also going to be playing UK cinemas around Halloween, so don’t be surprised if it gets another Sunday Intertitle during Project Fear, our Euro-horror blogathon. The Blu-ray streets on November 18.

This was actually my second collaboration of this kind: Masters of Cinema are also releasing King Hu’s taut and exciting THE FATE OF LEE KHAN, and I co-wrote a video essay with the sublime Anne Billson for that one. Released on October 21st and available for pre-order.

Just a week later, on October 28th, FOX AT FULLER hits the shops, again with a video essay by me. This time I got Samantha Fuller to read her father’s words, which she does magnificently, so I seem to be sharing VO duties a lot recently. I’m reminded of the late Leonard Cohen’s observation on the effect of a female backing singer accompanying his voice: “Some dismal quality is neutralised.”

Jon Robertson produced all three discs, Stephen Horne video edited the essays on THE GOLEM and THE FATE OF LEE KHAN, and Timo Langer edited FULLER AT FOX.