Real Corinthian leather.
Fiona was feeling fragile so I made her watch John Frankenheimer’s 80s Elmore Leonard sleaze-fest 52 PICK-UP (a Golan-Globus Production). Hey, it’s kill or cure.
When it was over, she summed it up nicely: “The End. And everyone felt dirty.”
The movie seems designed either as a future trivia quiz question (“What movie features Ann-Margaret, Vanity, and Ron “Porn Hedgehog” Jeremy?”) or else to put a nasty taste in the mouth which will still be palpable when our cities are dust in the wind. But HEY it does have a hilarious, creepy, and eye-popping perf from John Glover (the Donald Trump parody guy in GREMLINS 2) as the very bad bad guy (you can’t do that kind of thing to Kelly Preston and maintain the audience’s warm sympathy) and it also features a wacky shot-reverse-shot sequence destined to live in infamy.
Glover’s business partner threatens him —
— and Frankenheimer obligingly serves up a shot taken from the viewpoint of Glover’s penis. This has fascinating implications. It encourages one to read every low-angle shot (and there are plenty) as being taken from the vantage point of Glover’s penis. Who knows, perhaps the whole film is a dream sequence passing through the slumbering mind of Glover’s penis. It would certainly account for a few of Frankenheimer’s filming choices, which might otherwise be inexplicable from the director of THE MANCHURIAN CANDIDATE and SECONDS.
It might not be going too far to speculate that Frankenheimer’s entire 1980s output might have been a dream in the eye of John Glover’s penis. His mutant bear horror movie PROPHECY becomes, for the first time, genuinely frightening when considered in this light.