Archive for Ambrose Bierce

Page Seventeen III: Beyond Thunderdome

Posted in FILM, literature with tags , , , , , , , , , , , , on February 14, 2022 by dcairns

The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.

It was about eight o’clock, very dark and very cold. Except for the faint creaking of the cooling engine and the rustle of the breeze in some nearby trees, there wasn’t a sound to be heard. Ahead, the road in the headlights curved away to the right. I got out the map and tried to find out where I was.

A penetrating drizzle had been leaking through the low cloud since I had joined the A3 at Kingston Vale about 6.45 a.m. Window display men were junking polystyrene Xmas trees and ordering gambolling lambs. On their way to work people were sneaking a look at shop windows to see how much their relatives had paid for the presents they had received.

Speaking of getting killed, let me clarify that Pinto wagons were not the models that notoriously burst into flames upon impact, even a low-speed impact. Those were the Pinto sedans. It took nearly thirty people dying in Pinto fires and over one hundred lawsuits before Ford acknowledged the car’s poorly designed fuel tank and rear end. On the rare occasion I took a girl out on a date, I hastened to assure her that my Pinto was “not the exploding kind.” Usually, my date had no clue about the rash of fatal rear-end Pinto collisions, and my reassurance had the opposite effect of casting an anxious pall over the evening.

But I must relate what a wonderful country it was into which we were now arrived. Were we not assured that all the world is the Lord’s, we might be tempted to think such a wild region the kingdom of the Evil One.

Dirty Car Art by Scott Wade

We got off the Alley and took the 858 into downtown Naples and out to the beach, turned right, and drove along hotel row until we came to the Eden Beach. I drove the long curve of sleek asphalt past the portico and on over into their parking area. A man tending the plantings stopped and stared slack-jawed at the Rolls pickup. It has that effect. The conversion was done clumsily during the Great Depression. Four fat women in shorts were on the big putting green, grimly improving their game. Through big-leafed tropic growth I could see the blue slosh of the swimming pool,and I heard somebody bodysmack into it off the rumbling board. I saw a slice of Gulf horizon, complete with schooner. We went up three broad white steps and through a revolving door into the cool shadows of the lobby. A very pretty lady behind the reception desk smiled at us, frowned at her watch, picked up a phone, punched out two numbers, then spoke in a low voice.

‘Please, mister, can you tell us what kind of a snake that is in the wagon? Is it something they caught here in Arizona? We’re just out from the East, you know, and don’t know all the animals here yet.’

Seven paragraphs from seven page seventeens from seven books I apparently own — this time, with a motoring/travelling theme.

Salem’s Lot by Stephen King; The Army of the Shadows by Eric Ambler, from Alfred Hitchcock’s Sinister Spies; Horse Under Water by Len Deighton; But What I Really Want to Do is Direct: Lessons from a Life Behind the Camera by Ken Kwapis; The Monk and the Hangman’s Daughter by Ambrose Bierce; Free Fall in Crimson by John D. MacDonald; The Circus of Dr. Lao by Charles G. Finney.

Le Clair-Obscur

Posted in FILM with tags , , , , , on July 26, 2013 by dcairns

vlcsnap-2013-07-22-12h45m49s72

On the subject of put-downs, Ambrose Bierce observed that “for every man, there is something in the vocabulary that would stick to him like a second skin. His enemies have only to find it.”

Over at the first fortnightly edition of The Forgotten, we encounter a filmmaker who was memorably re-christened by an opponent in just that fashion. So successfully was he insulted that I encountered the insult long before I saw a single frame he shot.

Thanks to Lenny Borger for telling me about the insult.

Ribbeting

Posted in FILM, literature, MUSIC with tags , , , , , , , on January 11, 2012 by dcairns

Robert Enrico is best known, I guess, for his adaptation of Ambrose Bierce’s An Occurrence at Owl Creek Bridge, entitled LA RIVIERE DU HIBOU — this was adopted by Rod Serling’s The Twilight Zone and screened in a truly appalling copy, ruining some of the loveliest b&w cinematography you’ll ever see. It’s also part of a trilogy of adaptations of Bierce’s macabre Civil War stories by Enrico, otherwise comprising versions of The Mockingbird and the horrifying Chickamauga, equally fine.

LA REDEVANCE DU FANTOME is a TV episode by Enrico, based closely on Henry James’ A Ghostly Rental — Enrico evokes the “spiritual blight” hanging over an abandoned house by way of an electronically enhanced frogs’ chorus of ribbets and chirrups. Splendidly eerie. Presumably in an effort to fill a time slot, he drags every scene out to breaking point, alas, giving even the viewer unfamiliar with his source plenty of time to figure out the Scooby Doo twist, but there are splendid moments along the way, and Marie Laforet sings us out — here is your daily allotment of the sublime. Do not exceed the stated dose.

NB — this is, technically, a spoiler, I suppose, since it’s the end of the film. But it’s not a narrative spoiler, imho.

Marie Laforet — if you have enjoyed this, check out her version of Paint It Black on TousTube.

And buy her stuff — 1963-1969

Design a site like this with WordPress.com
Get started