If you set out to make a film called THE INVISIBLE WOMAN, naturally you will end up with a lot of images of an empty set. Like this one.
Or these.
Abandoned movies. Lifeless sets, like Fritz Lang’s felicitous rooms, waiting for the events needed to bring them to narrative awakening.
HARVEY the pookah proves similarly camera-shy in this picture. And how are you today, Mr. Wilson?
From an invisible rabbit it’s a short jump to an invisible man and Abbot —
The comics are off arguing somewhere, while Vincent Price poses nude on the rug, secure in the fact that he cannot be photographed in his present condition. The Hays Office would never stand for it.
A friend only just worked out which was Abbot and which Costello. I sympathise — as a child it was obvious to me that “Bud Abbot” was a short fat guy’s name.
shadowplay 