Archive for A Woman of the World

Penultimate Tango in Bologna

Posted in FILM with tags , , , , , , , , , , on July 3, 2016 by dcairns

bigarmofpola

Big arm of Pola

Pola Negri hits small-town America as a tattooed countess in A WOMAN OF THE WORLD and hits a local dignitary in the face with a bullwhip. Always good.

LA MANO DELLO STRANIERO — THE STRANGER’S HAND — is Mario Soldati’s Graham Greene movie, with THIRD MAN stars Trevor Howard and Valli, plus Eduardo Cellini and a dash of THE FALLEN IDOL. A small boy hunts for his kidnapped father in Venice. The sprog is played by as juvenile Richard O’Sullivan, his seventies sitcom days still a ways off. An unusually weak plot for Greene, but a great IDEA…

I was so soaked with sweat by the end of this one that I crapped out and missed MONTPARNASSE 19, a film I love, but at least I managed to recommend it to a few people, who ended up admiring it as much as I did.

quai-des-orfevres

Somewhat recovered, I hit the Piazza Maggiore and drank in QUAI DES ORFEVRES in a 4K restoration from the camera negative. Clouzot’s sweetest film, though what constitutes sweetness in Clouzot’s world is a little acidic if what you’re used to is, say, Capra…

Louis Jouvet’s Inspector Antoine is my favourite police detective in all cinema. Though I also give points to Bernard Blier in BUFFET FROID, Stanley Baker in HELL IS A CITY and Stephen Fry in GOSFORD PARK.

 

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Alternative Universe Viewing Schedule

Posted in FILM with tags , , , , , , , , , , , , , , , , , , , , , on June 28, 2016 by dcairns

jazzkonig-big

Instead of writing about what I saw on Monday at Il Cinema Ritrovato, I *could* write about what I failed to see — Edward L. Cahn’s searing pre-code LAUGHTER IN HELL has been wowing them in the aisles, and I hope to catch it later in the fest — missed Arthur Penn’s THE CHASE, just as I have missed all the Brando so far — a program of Italian shorts from 1896 — a clip-show of classic Technicolor material including scenes from ALL THAT HEAVEN ALLOWS, RIO BRAVO and Cukor’s A STAR IS BORN — Mario Soldati’s MALOMBRA — Pierre Chenal’s film of Native Son, SANGRE NEGRA (American book filmed in Argentina by a Frenchman) — LA MORTE DE CYGNE, a film about ballet school by the great Marie Epstein and Jean Benoit-Levy — Jacques Becker’s RENDEZ-VOUS DE JUILLET and TOUCHEZ-PAS AU GRISBI (the latter is on again later, so maybe…) — Pola Negri in A WOMAN OF THE WORLD, which also screens a second time soon — the restored MCCABE AND MRS MILLER, apparently looking quite different — VALMONT, Milos Forman’s film of Les Liaisons Dangereuses, made shortly after the Stephen Frears version. Someone asked the producer if the film’s commercial failure imparted a lesson,. and he said, “Yes. Never make a film someone else has just made.” It’s a good movie though, now restored by Pathe.

Still, what I did see is a nice list, even if shorter — another episode of THE CLUTCHING FOOT and the last episode of Abel Gance’s daffy serial LES GAZ MORTELS (hero rides on horseback to save town from poison gas. He wears a gas mask and his horse wears what seems to be some kind of hygienic nosebag. Saving the town, he kisses his horse with passion) — KING OF JAZZ, the grotesque, bloated musical revue in two-strip Technicolor produced at Laemmle’s Universal in 1930, appalling yet wonderful — A JAZZ GIRL IS BORN, a 1957 teen musical from Japan, shot in a three-strip process called Konicolor, blindingly vivid (includes renditions of Blue Moon, Jambalaya and Come-On-a My House — really — I’m not making this up!) — and Carné and Prevert’s LES PORTES DE LA NUIT, which is a comparatively obscure masterpiece, another film I discovered via the Lindsay Anderson Archive.