Here Hare Here

Posted in Interactive, literature, Mythology, Painting with tags , , on May 24, 2016 by dcairns

Hare

The Chiseler has been dormant for some time due to, it seems, cyber-terrorism! But it’s back now, and I have a short piece about Kit Williams’ puzzle-book, Masquerade.

A friend mentioned this book to me and it sounded intriguing and sort of familiar — maybe I was aware of it in my childhood, but forgot all about it. Eventually, curious, I bought a copy second-hand. It all seemed terribly familiar — but I had no specific memory of ever having read it or seen it. My first ever case of literary deja vu.

There’s a very nice BBC documentary about Williams ~

And another, from nearer the time of the book ~

Let the stick decide

Posted in FILM, literature with tags , , , , , , , , , on May 23, 2016 by dcairns

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Early in John Ford’s YOUNG MR. LINCOLN, Henry Fonda drops a stick to decide which path to take in life.

Scene one of Akira Kurosawa’s YOJIMBO, Toshiro Mifune throws a stick in the air to decide which route to take at a fork in the road.

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Now, we know Kurosawa idolized Ford, so do we think this superficial similarity is a conscious homage/steal? I’m inclined to think so. YOJIMBO is Kurosawa’s most American film, since it adapts Dashiell Hammett’s Red Harvest, and also steals a scene (the one with the giant sadistic thug) from the Alan Ladd film of The Glass Key (or from the book: I don’t remember the scene, but I expect it’s there).

Kurosawa kept a signed picture Ford had given him, and I think also wore a Fordian hat.

Ford to Kurosawa: “You really like rain, don’t you?”

The Sunday Intertitle: Buster’s Shorts

Posted in FILM with tags , , , , on May 22, 2016 by dcairns

Poster - Hard Luck (1921)_01

OK to announce my big Buster Keaton project now — wonder-editor Timo Langer and I have created a video essay to accompany Masters of Cinema’s new Blu-ray release of the complete Buster Keaton short films — now more complete than ever with longer alternate cuts of MY WIFE’S RELATIONS, THE BLACKSMITH and CONEY ISLAND. It was fun to make this one — though hard to decide whether to go for history/biography, critical or some combination. My big idea was to cut together the films in such a way as to create long sequences of continuous movement — Buster flies off screen left in NEIGHBORS and enters screening right, in a different costume, in COPS. And so on. Every silent comedy doc used to have a fast-and-furious montage of Keystone chases, spliced up into abstract gibberish and much more exciting than the films themselves. This was an attempt to do a variation on that idea, emphasising Buster’s tendency to use himself as a projectile…

The only downside to all this is that Keaton’s short film oeuvre, which once seemed inexhaustible and limitless, is now behind me, watched. I can watch it all again, of course, and I will, But you can only watch something for the first time once, as my friend Travis recently observed. One of the nicest discoveries on this viewing was THE HAUNTED HOUSE, which features numerous instances of Keaton’s Nightmare Mode, one of the subjects of my video essay…

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Buy it here and help a brother out.

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