Archive for the Mythology Category

Be Cool Like the Fauns

Posted in Dance, FILM, MUSIC, Mythology with tags , , , , , on May 9, 2019 by dcairns

This is one of the films dealt with in today’s edition of The Forgotten. the other is embedded over at The Notebook and you ought to see it.

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Ellenshaw on Frisco Bay

Posted in FILM, Mythology, Painting with tags , , , , , , , , , , on April 17, 2019 by dcairns

I’m hopeful that a bunch of you won’t be able to identify the images here, thus creating INTRIGUE.

Which I will then SHATTER by telling you they’re from Disney’s THE LOVE BUG. Matte artist/ genius Harrison Ellenshaw was responsible.

His art adds a whole layer of melancholic, nostalgic beauty to MARY POPPINS and it kind of does the same, or tries to. The plotline doesn’t really sustain such emotions, especially in the final third, which is just one big car race, with gags more notable for their difficulty/expensiveness that for being particularly clever or funny.

But the first two-thirds… a lot of peculiar stuff in this movie (spiritual ancestor to CHRISTINE).

As a movie-besotted child, Fiona fantasised that Herbie, the sentient Volkswagon, must be possessed by a poltergeist, or else the reincarnation of a human in machine form. (Weird kid.) In the movie, there is actually an explanation offered, though it’s more in the form of speculation/bullshit than actual canonical backstory (kind of like how various characters in Romero’s zombie films suggest their own theories of zombie apocalypse causation). Buddy Hackett’s Tennessee Steinmetz, who has studied in Tibet, puts forth an animist view, proposing that man has invested so much emotion into his mechanical creations that they have become alive.

Amazingly, Buddy manages to put this theory over with some conviction. The ultimate version of HERBIE would be like A.I., with the machines reigning supreme after humanity’s extinction. HERBIE INHERITS THE EARTH, anyone?

As David Wingrove pointed out to me, there’s a weird irony/perversity to the fact that director Robert Stevenson was a conchie who went to America to get away from the war, and ended up working almost exclusively for the two biggest right-wingers in Hollywood, Uncle Walt and Howard Hughes.

Also watched: HERBIE RIDES AGAIN, which is the one I remember seeing on first release (not really any cool new paintings), and THE BLACK HOLE, for which Ellenshaw came out of retirement and created some amazing imagery.

Chim-chim-cheree.

THE LOVE BUG stars Zeke Kelso; Rosemary Pilkington; Lord Fellamar; the singing bone; Mr. Snoops; Tommy Chan; Officer Gunther Toody.

HERBIE RIDES AGAIN stars Madelon Claudet; April Dancer; Sheriff Al Chambers; Col ‘Bat’ Guano; Horace Debussy “Sach” Jones; Mr. Hilltop; Captain Flash; and Baron Samedi.

THE BLACK HOLE stars Hauptmann (Capt.) Stransky; Norman Bates; Max Cherry; Robin Lee Graham; Weena; Dirty Lyle; and the voices of Cornelius and Maj. ‘King’ Kong.

Grail Enquiries

Posted in Fashion, FILM, literature, Mythology with tags , , , , , , , , , , on March 29, 2019 by dcairns

My line on EXCALIBUR has long been that John Boorman decided, boldly but perhaps unwisely, to make an Arthurian epic as if MONTY PYTHON AND THE HOLY GRAIL had never happened.

I came up with a new line today while showing clips to a student who’s embarking on a mythic fantasy short: it’s like Boorman maybe DID know there was such a thing as The Ridiculous, but bet that he could break on through it to the other side. But possibly there’s nothing on the other side of The Ridiculous except more Ridiculous, going on forever, getting ever more ridiculous.

Hopping through the film for frame-grabs though, my God it’s beautiful. Though the muddy bits are the most Pythonesque, and the glossy bits are kind of sixties-hippy-meets-disco, so it’s all silly all the time, maybe it plays better in episodes, or even moments, than as a whole.

Remember Hawks’ “I don’t know how a pharaoh talks”? Remember also that Fritz Lang was offered the chance to remake DIE NIBELUNGEN at the end of his career, and turned it down on the basis that the dialogue would be impossible. EXCALIBUR would make a great silent movie.

I had just watched Daniel Aronofsky’s NOAH, which has some nice fake time-lapses but otherwise was not entertainingly bad as I’d hoped, but kind of depressingly bad, and I’d also shown clips from Polanski’s MACBETH, and the thing all three films have in common is really mannered performances. EXCALIBUR looked particularly ropey, except for Nicol Williamson who has the benefit of a sly wit. You can’t not think of LORD OF THE RINGS (which Boorman had wanted to make), and my feeling is what makes that movie/series watchable in spite of all the excesses (which are its ARCHITECTURE), is it has lots of interesting actors who can step outside the clichés of the Epic Style. Peter Jackson has always liked big, ALL-CAPS, cartoony performances, but there are understatement specialists and eccentrics dotted all through LOTR and yet there’s also an acceptable house style that keeps things just unified enough.

But one can’t help but dream of what a Boorman LOTR would be like. Like a Jodorowsky DUNE or a Ken Russell CLOCKWORK ORANGE.