Archive for September 10, 2022

Old Queen Who?

Posted in FILM, literature, Science with tags , , , , , , , , , , , , on September 10, 2022 by dcairns

“I mourn the safe and motherly middle-class queen, who held the nation warm under the folds of her big, hideous Scotch-plaid shawl and whose duration had been so extraordinarily convenient and beneficent. I felt her death much more than I should have expected; she was a sustaining symbol — the wild waters are upon us now.”

Henry James on the death of Queen Victoria, quoted in Erik Larson’s Thunderstruck, which I am currently enjoying. And I’m sure it seems like that to a lot of people now. I like the “big, hideous shawl” line too.

I read Larson’s The Devil in the White City when it first came out — I think I may have actually bought it in an airport en route to New York for the first time? Seems apt — Larson writes airport histories, you might say. But I mean that as a compliment, somehow. Anyway I read that and enjoyed it and then forgot to keep an eye on the author, with the happy result that I now have about seven of his books to read. I’ve hoovered up The Splendid and the Vile (the Blitz) and managed to draw upon it when writing abut THE GREAT DICTATOR; I’ve also enjoyed Dead Wake (the Lusitania) and Isaac’s Storm (the Galveston hurricane disaster of 1900). There’s usually a small film connection to keep me happy: one of the witnesses to the destruction of Galveston was a small boy named King Vidor.

I recall being bewildered that Leonardo DiCaprio was buying the rights to Devil in the White City — the book doesn’t contain a lot of what you’d call dramatic scenes, though it’s a very dramatic, exciting read. I feel like LDC got bamboozled into buying an unfilmable book, though now, finally, the thing seems to be moving towards production as a miniseries. That work tells in parallel the stories of the murderer HH Holmes and the creation of the Chicago World Fair of 1894. My current read, Thunderstruck, has a similar structure, following Marconi’s development of wireless, and Dr. Crippen’s less salutary life, destined to collide with the Italian inventor’s creation.

In other news — we’re going to the pictures! This has become a somewhat irregular event. The occasion is JAWS in 3D IMAX. I’m excited by the IMAX, a little nervous about the 3D. I haven’t seen any fake 3D movies, I’ve refused to. Although GRAVITY is sort of a fake 3D movie and I love that. What I mean is I haven’t seen any movies not originally designed to be seen in 3D. But I love 3D. I’ve just paused Wim Wenders’ PINA, on flat DVD. I’m a little cross that Edinburgh Filmhouse never deigned to screen that one, to my knowledge, in three dimensions. They invested in the chargeable electric glasses system, then decided their audience didn’t like 3D and stopped using it. Tsk. I thought *I* was their audience! I’m crazy about the third dimension, I practically live there.

PINA is very enjoyable so far — I love the dancing. The filming is fine. Editing less so. But I wish I could see the missing dimension.