Ginger’s Got a Knife

PRIMROSE PATH and 5TH AVENUE GIRL.

Gregory La Cava evidently thought a knife-wielding Ginger Rogers was good box office.

I recommend this double-feature. Neither film has a huge reputation but both are miraculous in their imperfection. Rogers’ low-key performances are remarkable. We like her when she’s zesty but she could do this stuff too — and the decision to do this kind of material — respectively, a social-realist melo with one-liners, and an odd sort of screwball — the plot of MY MAN GODFREY revised — in a low-affect, subdued manner — is striking.

La Cava does tend to have difficulty with endings, and I think it’s probably because his improvisatory approach, combined perhaps with his drinking, caused him to fumble the emotional throughline. The looseness and naturalism make that a worthwhile trade-off.

In the case of these two, Tim Holt is too much the proto George Amberson Minafer to be redeemed as a romantic interest, though this comes off better at the fade-out than it looks like it’s going to five minutes before the fade-out — there’s a little detail of a bit-player fumbling with a prop which seems genuinely accidental and made me howl — and in PRIMROSE, Glaswegian character actor Queenie Vassar (that name!) manages to make her malign granny character utterly irredeemable and highly compelling, but this is a problem since the last scene has to partway redeem her.

Nevertheless — see these movies! I keep seeing them. So I have more here.

2 Responses to “Ginger’s Got a Knife”

  1. As you may realze, Yes! Ginger may have realized she was a pawn in LaCavas game, but it still was to her benefit.

  2. She was introduced to the La Cava method of Stage Door, and after the initial dismay came to have confidence in him and it.

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